Spirited Away (2001)
千と千尋の神隠し
Animation, Family, Fantasy • 2h 4m
Overview
A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family.
Director: Hayao Miyazaki
Cast: Rumi Hiiragi, Miyu Irino, Mari Natsuki, Takashi Naito, Yasuko Sawaguchi, Tatsuya Gashûin, Ryunosuke Kamiki, Yumi Tamai, Yo Oizumi, Koba Hayashi, Tsunehiko Kamijô, Takehiko Ono, Bunta Sugawara, Shigeru Wakita, Shirou Saitou, Michiko Yamamoto, Keiko Tsukamoto, Akio Nakamura, Shinji Tokumaru, Kaori Yamagata, Tsuzuki Kayako, Masahiro Asano, Kazutaka Hayashida, Ikuko Yamamoto, Mina Meguro, Tetsurô Ishibashi, Katsutomo Shîbara, Shinobu Katabuchi, Noriko Kitou, Naoto Kaji, Yoshitaka Sukegawa, Aki Tachikawa, Noriko Yamaya, Katsuhisa Matsuo, Masayuki Kizu, Yôko Ôno, Sachie Azuma, Ken Yasuda, Shigeyuki Totsugi, Mayumi Saco, Sonoko Soeda, Akiko Tomihira, Minako Masuda, Orika Ono, Rina Yamada, Miwa Takachi, Hiromi Takeuchi, Makiko Oku
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Director: Billy Wilder
Director: Alfred Hitchcock
Director: Alfred Hitchcock
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Hayao Miyazaki
2014 "Hayao Miyazaki Collection" Studio Ghibli Japan Blu-ray
Comparisons: https://slow.pics/c/6JWnlfit
All sources are within margin of error. Comparisons: Japanese, English
Alternate Streamline English dub is available only on 1994 Fox LD.
Director: Hayao Miyazaki
2014 "Hayao Miyazaki Collection" Studio Ghibli Japan Blu-ray
Comparisons: https://slow.pics/c/6JWnlfit
All sources are within margin of error. Comparisons: Japanese, English
Alternate Streamline English dub is available only on 1994 Fox LD.
Director: Hayao Miyazaki
Director: Hayao Miyazaki
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
4K restoration shown in IMAX cinemas
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
Japanese audio: 2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray/US GKIDS Blu-ray
English dub (Disney): 1998 US Disney LaserDisc has better sounding vocals despite altered music and sound effects
Releases from 2010 onward have the original music and sound effects, but distorted vocals
English dub (Streamline): 1996 Japan LaserDisc, available in Ghibli Aa Ippai Collection boxset
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
4K restoration shown in IMAX cinemas
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
Japanese audio: 2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray/US GKIDS Blu-ray
English dub (Disney): 1998 US Disney LaserDisc has better sounding vocals despite altered music and sound effects
Releases from 2010 onward have the original music and sound effects, but distorted vocals
English dub (Streamline): 1996 Japan LaserDisc, available in Ghibli Aa Ippai Collection boxset
Director: Hayao Miyazaki
Japan Studio Ghibli 4K Blu-ray
UK StudioCanal Blu-ray for the English dub
Director: Hayao Miyazaki
Japan Studio Ghibli 4K Blu-ray
UK StudioCanal Blu-ray for the English dub
Studio Ghibli The Collected Works of Hayao Miyazaki Blu-ray
Studio Ghibli The Collected Works of Hayao Miyazaki Blu-ray
The Ghibli ga Ippai SPECIAL Short Short 1996-2016 Blu-ray has a different video transfer that has a tealer tint and slightly tighter framing.
Studio Ghibli The Collected Works of Hayao Miyazaki Blu-ray
Studio Ghibli The Collected Works of Hayao Miyazaki Blu-ray
The Ghibli ga Ippai SPECIAL Short Short 1996-2016 Blu-ray has a different video transfer that has a tealer tint and slightly tighter framing.
2017 US GKIDS Blu-ray has better detail and grain, 2014 Japan Studio Ghibli Blu-ray from the Hayao Miyazaki box set for MGVC with added bit-depth for supported players
2011/2014 Japan Studio Ghibli Blu-ray for original 6.1 audio mix, Cinema DTS for the English dub
2017 US GKIDS Blu-ray has better detail and grain, 2014 Japan Studio Ghibli Blu-ray from the Hayao Miyazaki box set for MGVC with added bit-depth for supported players
2011/2014 Japan Studio Ghibli Blu-ray for original 6.1 audio mix, Cinema DTS for the English dub
Director: Hayao Miyazaki
2014 Japan Hayao Miyazaki boxset Studio Ghibli Blu-ray
Japanese audio: 2014 Japan Hayao Miyazaki boxset Studio Ghibli Blu-ray has 6.1 discrete
English audio: Cinema DTS-ES, 2010 US Disney Blu-ray as an alternative
Director: Hayao Miyazaki
2014 Japan Hayao Miyazaki boxset Studio Ghibli Blu-ray
Japanese audio: 2014 Japan Hayao Miyazaki boxset Studio Ghibli Blu-ray has 6.1 discrete
English audio: Cinema DTS-ES, 2010 US Disney Blu-ray as an alternative
Director: Hayao Miyazaki
Director: Hayao Miyazaki
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
3D Conversion: Disney 3D Blu-ray
3D Conversion: Disney 3D Blu-ray
7.1 Remix: Disney 4K Blu-ray/3D Blu-ray/Blu-ray
Original Dolby Stereo: 1994 Disney LaserDisc
Disney 4K Blu-ray recycles the same 7.1 remix from the past releases, but it's a very faithful remix and sounds better, more detailed, and more dynamic than past mixes.
3D Conversion: Disney 3D Blu-ray
3D Conversion: Disney 3D Blu-ray
7.1 Remix: Disney 4K Blu-ray/3D Blu-ray/Blu-ray
Original Dolby Stereo: 1994 Disney LaserDisc
Disney 4K Blu-ray recycles the same 7.1 remix from the past releases, but it's a very faithful remix and sounds better, more detailed, and more dynamic than past mixes.
Directors: John Musker & Ron Clements
OG theatrical version: Disney Deluxe Edition LaserDisc
2004 restored version: Disney 4K Blu-ray
OG theatrical version: Disney Deluxe Edition LaserDisc
2004 restored version: Disney 4K Blu-ray
OG theatrical version - uncensored: Pre-1993 35mm scans
OG theatrical version - censored: 1993+ 35mm scans or Disney Deluxe Edition LaserDisc
OG theatrical version has a racially insensitive lyric in opening "Agrabah" song replaced for re-releases, available on OG soundtrack CD and pre-1993 35mm prints only
Every release since the 2004 restored version on the OG Disney DVD has the line "Come on, good kitty, just take off and go" replaced with "Take off, good kitty" due to the 1992 line being misheard as "Come on, good teenagers, take off your clothes" (an occurrence called a "mondegreen")
Directors: John Musker & Ron Clements
OG theatrical version: Disney Deluxe Edition LaserDisc
2004 restored version: Disney 4K Blu-ray
OG theatrical version: Disney Deluxe Edition LaserDisc
2004 restored version: Disney 4K Blu-ray
OG theatrical version - uncensored: Pre-1993 35mm scans
OG theatrical version - censored: 1993+ 35mm scans or Disney Deluxe Edition LaserDisc
OG theatrical version has a racially insensitive lyric in opening "Agrabah" song replaced for re-releases, available on OG soundtrack CD and pre-1993 35mm prints only
Every release since the 2004 restored version on the OG Disney DVD has the line "Come on, good kitty, just take off and go" replaced with "Take off, good kitty" due to the 1992 line being misheard as "Come on, good teenagers, take off your clothes" (an occurrence called a "mondegreen")
Director: Yorgos Lanthimos
Director: Yorgos Lanthimos
Director: Ronny Yu
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut/US Theatrical Cut: Universal Blu-ray
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut (aka. Unrated Cut): Universal Blu-ray
US Theatrical Cut: Universal Blu-ray, Starz Streaming for open matte
Hong Kong Theatrical Cut: Disney+ Streaming in Singapore, Singapore Disney DVD for open matte
Thai Theatrical Cut: Disney+ Streaming in Thailand, Thailand Disney DVD for open matte
Director: Ronny Yu
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut/US Theatrical Cut: Universal Blu-ray
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut (aka. Unrated Cut): Universal Blu-ray
US Theatrical Cut: Universal Blu-ray, Starz Streaming for open matte
Hong Kong Theatrical Cut: Disney+ Streaming in Singapore, Singapore Disney DVD for open matte
Thai Theatrical Cut: Disney+ Streaming in Thailand, Thailand Disney DVD for open matte
Director: Goro Miyazaki
2011 Japan Studio Ghibli Blu-ray
Director: Goro Miyazaki
2011 Japan Studio Ghibli Blu-ray
Director: Jonathan Demme
Director: Jonathan Demme
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