Sight and Sound’s Greatest Films

2025 BFI Blu-ray > Criterion Blu-ray, much better encoding (caps)
Criterion seems to have done additional adjustment to the original grading

Both France Capricci and Japan Blu-ray are worse than Criterion and BFI.

Criterion Blu-ray largely sounds better, but attentuates away some low-frequency ambient noises.
BFI Blu-ray has hum, dropouts, pops, noticable patching and beeping, but has extra low-end detail in a few spots.

WB Europe 4K Blu-ray slightly better encoding than Criterion (caveat: missing Criterion extras)

2012 Criterion Blu-ray is the most accurate

4K Blu-ray unrecommended because of controversial colours, no HDR, minimal resolution uptick, and DNR master

The 4K Blu-ray 5.1 adds additional foley and effects.

Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering; WB 4K early pressing has errors of a shot, later pressings fixed. Comparison between Criterion and WB.

StudioCanal 4K Blu-ray > Criterion 4K Blu-ray. 

StudioCanal 4K Blu-ray is encoded by FiM and doesn’t have the low-pass filter the Criterion 4K Blu-ray has.

Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD

Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL

Eureka Blu-ray has better encode than Flicker Alley Blu-ray. Kino Lorber/BFI are older restoration and are worse.

MoC audio is better https://forum.blu-ray.com/showthread.php?t=225532&page=3

(Britain release only has 5.1)

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray

The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.

2011 Criterion Blu-ray has the least tampered with audio of the DVD era, but it's possible the 1993 Criterion LaserDisc or the 1998 Japan LaserDisc are preferable.

Crystal clear, albeit with some distortion in louder areas

The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.

Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.

That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l

In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.

1. UBD: Final Cut: Atmos, DD2.0

2. UBD: Redux/Theatrical: Atmos

3. BD: Final Cut: Atmos, DD2.0

4. BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)

   1. As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.

5. BD: Hearts of Darkness

6. BD: Special Features

No clear winner, Criterion SDR 4K Blu-ray has better defined grain and is cleaned-up more thoroughly. But looks grayer and flatter in daytime scenes. BFI 4K Blu-ray's HDR/DV is better in contrast but the grading can be debatable.

The subtitles of Criterion  and BFI are translated differently. See BR forum.