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Francis Ford Coppola

Francis Ford Coppola

Complete filmography covered14 films7 in 4K6 in HD1 with no official release

Also in the cast: 2 films

Francis Ford Coppola photo

Francis Ford Coppola (born April 7, 1939) is an American film director, producer and screenwriter. He is widely acclaimed as one of Hollywood's most celebrated and influential film directors. He epitomized the group of filmmakers known as the New Hollywood, which included George Lucas, Martin Scorsese, Robert Altman, Woody Allen and William Friedkin, who emerged in the early 1970s with unconventional ideas that challenged contemporary filmmaking. He co-authored the script for Patton, winning the Academy Award in 1970. His directorial fame escalated with the release of The Godfather in 1972. The film revolutionized movie-making in the gangster genre, garnering universal laurels from critics and public alike. It went on to win three Academy Awards, including his second, which he won for Best Adapted Screenplay, and it was instrumental in cementing his position as one of the prominent American film directors. Coppola followed it with an equally successful sequel The Godfather Part II, which became the first ever sequel to win the Academy Award for Best Picture. The film received yet higher praises than its predecessor, and gave him three Academy Awards—for Best Adapted Screenplay, Best Director and Best Picture. In the same year was released The Conversation, which he directed, produced and wrote. The film went on to win the Palme d'Or at the 1974 Cannes Film Festival. His next directorial venture was Apocalypse Now in 1979, and it was as notorious for its lengthy and troubled production as it was critically acclaimed for its vivid and stark depiction of the Vietnam War. It won his second Palme d'Or at the 1979 Cannes Film Festival. Although some of Coppola's ventures in the 1980s and early 1990s were critically lauded, Coppola's later work has not met the same level of critical and commercial success as his '70s films. Description above from the Wikipedia article Francis Ford Coppola, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Biography from Wikipedia via TMDB

7 in 4K

UHD Blu-ray or 4K streaming

4K · Excellent
Best English-Friendly & Video:

Theatrical Cut: Italy Eagle Pictures 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)

Sources: Blu-ray.com (opens in a new tab)

Best Audio:

Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)

Additional Info:

In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.

  1. UBD: Final Cut: Atmos, DD2.0

  2. UBD: Redux/Theatrical: Atmos

  3. BD: Final Cut: Atmos, DD2.0

  4. BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)

    1. As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.

  5. BD: Hearts of Darkness

  6. BD: Special Features

Best English-Friendly & Video:

1991 Home Video Cut: Paramount 2008 Blu-ray

Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.

Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.

Sources: YouTube (opens in a new tab)

Best Audio:

LaserDisc for original mix

Additional Info:

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 restoration, while an imperfect outdated disc, is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

Despite being restored alongside the Coppola Restorations of The Godfather: Parts I and II, the Part III restoration is not officially labelled a Coppola Restoration.

6 in HD

Blu-ray or HD streaming

4K · Worse Than BD
Best English-Friendly & Video:

Paramount 2008 Blu-ray Coppola Restoration

Sources: YouTube (opens in a new tab)

Best Audio:

2008 Blu-ray lossy mono

Audio Notes:

(Britain release only has 5.1)

Additional Info:

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

4K · Worse Than BD
Best English-Friendly, Video & Audio:

Paramount 2008 Blu-ray Coppola Restoration

Sources: YouTube (opens in a new tab)

Additional Info:

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

Best English-Friendly & Video:

CriterionBlu-ray

Best Audio:

Criterion 2.0 Surround Track

Additional Info:

Eureka release has a better encode, but is taken from an older master. The Criterion Blu-ray was a new restoration from the ground up, and is substantially improved despite not being as well encoded.

1 with no official release

Unofficial sources only, no home media, or lost

TV series

Video format: Only Unofficial Sources

Best English-Friendly & Video:

Bootleg China Blu-ray on the high seas

Additional Info:

The original 1977 censored cut has never been officially released on home video. The 1981 cut and the 1990 EU cut are available on VHS. The 1992 Trilogy cut was released on LaserDisc and VHS. The 2012 and 2016 HD versions were broadcast on AMC and streaming HBO respectively but neither are available on either platform anymore currently. The Chinese 1080p blu-ray on the high seas is probably the most accessible and affordable way to watch it, (albeit with terrible compression) and appears to be a Webrip of the 2012 AMC HD tv broadcast. It’s on two BD-25 discs with lossy Dolby Digital 5.1 audio and with subtitles for Sicilian dialogue.

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