Arrow

Arrow 4K Blu-ray > Kino Lorber, see caps https://slow.pics/c/P4E9uTHR

Arrow 4K Blu-ray > Kino Lorber > Capelight Germany

(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)

Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.

Neon 4K Blu-ray, Arrow 4K Blu-ray, Umbrella Blu-ray, and Korea Plain Archive Blu-ray all have differing extras

Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray see caps

Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.

Criterion Blu-ray has exclusive extras, Arrow UHD has the most extras of any release

Arrow 4K Blu-ray > Kino Lorber, see caps

Correct grade and archival extras missing from the Shout! Factory 4K Blu-ray

Both Arrow 4K Blu-ray and Shout! Factory 4K Blu-ray are worse.

Criterion USA LaserDisc [CC1397L]: Original Cantonese mono.

Best Cantonese mono still was from Criterion LaserDisc, as the Shout one was boosted with clipping, with some filtering and losing dynamic range over the Criterion LD.

There’s no need for other Cantonese audio, as all 5.1 remixes are extremely bad and not worth including.

For English Dub the Shout offered the best, it was pure mono. All other 5.1 remixed of said dub are also terrible and offer no value, only less fidelity and more echo.

More info.

Arrow 4K Blu-ray, comparison: https://forum.blu-ray.com/showpost.php?p=22712768&postcount=297

Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56

Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)

Alternate mix: Scanbox Nordic PAL DVD

Surround remix: HK Video France 4K Blu-ray (5.0)

Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.

Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.

Arrow has a much better translation.

Arrow LE has the Taiwan Extended Cut which will not be present on the standard edition. However, Imprint is FiM and has its own archival extras not present on the Arrow.

Shout is still very good but Arrow has the edge due to better handling of highlights and less chroma noise, comparison

Carlito’s Way was released theatrically in both Dolby Stereo and DTS. The 2.0 on the Arrow UHD is the original stereo mix, unknown if the 5.1 mix on the  Arrow disc is the original DTS mix.

UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed

Mono is from an alternate higher fidelity source than Shout! Factory.