Sunrise: A Song of Two Humans (1927)
Drama, Romance • 1h 34m
Overview
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Director: F. W. Murnau
Cast: George O'Brien, Janet Gaynor, Margaret Livingston, Bodil Rosing, J. Farrell MacDonald, Ralph Sipperly, Jane Winton, Arthur Housman, Eddie Boland, Herman Bing, Sidney Bracey, Gino Corrado, Vondell Darr, Sally Eilers, Gibson Gowland, Thomas Jefferson, Bob Kortman, F. W. Murnau, Barry Norton, Robert Parrish, Sally Phipps, Harry Semels, Phillips Smalley, Leo White, Clarence Wilson
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: Rob Reiner
Turbine Germany 4K Blu-ray has a few exclusive extras
Director: Rob Reiner
Turbine Germany 4K Blu-ray has a few exclusive extras
Director: John Boorman
Director: John Boorman
Director: Philip Kaufman
Director: Philip Kaufman
Director: Hal Ashby
Director: Hal Ashby
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2000 and 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2000 and 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
MoC > Kino Lorber (see slowpics for comparison). No information on Potemkine.
MoC has higher bitrate than Kino Lorber, also the contrast is increased. But there is no noticeable reduction in visible film damage presented between the two offerings.
MoC > Kino Lorber (see slowpics for comparison). No information on Potemkine.
MoC has higher bitrate than Kino Lorber, also the contrast is increased. But there is no noticeable reduction in visible film damage presented between the two offerings.
Director: F. W. Murnau
MoC vs Kino Lorber no comparison, Kino Lorber is the same old restoration
Director: F. W. Murnau
MoC vs Kino Lorber no comparison, Kino Lorber is the same old restoration
MoC or Kino Lorber
MoC vs Kino Lorber, different tint http://www.dvdbeaver.com/film5/blu-ray_reviews_73/early_murnau_blu-ray.htm
MoC or Kino Lorber
MoC vs Kino Lorber, different tint http://www.dvdbeaver.com/film5/blu-ray_reviews_73/early_murnau_blu-ray.htm
Director: F. W. Murnau
MoC vs Kino Lorber Blu-ray, where Kino Lorber is supposedly a new restoration, different tint but darker and less shadow details http://www.dvdbeaver.com/film5/blu-ray_reviews_73/early_murnau_blu-ray.htm
Director: F. W. Murnau
MoC vs Kino Lorber Blu-ray, where Kino Lorber is supposedly a new restoration, different tint but darker and less shadow details http://www.dvdbeaver.com/film5/blu-ray_reviews_73/early_murnau_blu-ray.htm
Director: F. W. Murnau
Kino Lorber and MoC Blu-ray looks essentially the same, with Kino Lorber marginally better https://caps-a-holic.com/c.php?a=1&x=263&y=236&d1=11968&d2=9399&s1=118114&s2=90719&l=1&i=7&go=1
Director: F. W. Murnau
Kino Lorber and MoC Blu-ray looks essentially the same, with Kino Lorber marginally better https://caps-a-holic.com/c.php?a=1&x=263&y=236&d1=11968&d2=9399&s1=118114&s2=90719&l=1&i=7&go=1
Director: F. W. Murnau
Director: F. W. Murnau
Director: F. W. Murnau
MoC seems to be similar to Carlotta, but Carlotta doesn’t have EN subtitles and really really hard to find
MoC: http://www.dvdbeaver.com/film2/DVDReviews49/city_girl_blu-ray.htm
Carlotta: http://www.dvdbeaver.com/film3/blu-ray_reviews53/f.w._murnau_boxset_blu-ray.htm
Director: F. W. Murnau
MoC seems to be similar to Carlotta, but Carlotta doesn’t have EN subtitles and really really hard to find
MoC: http://www.dvdbeaver.com/film2/DVDReviews49/city_girl_blu-ray.htm
Carlotta: http://www.dvdbeaver.com/film3/blu-ray_reviews53/f.w._murnau_boxset_blu-ray.htm
Director: F. W. Murnau
MoC or US Flicker Alley (unsure)
- MoC included in boxset
- Germany new 2k restoration, no subs
- US Flicker Alley not sure which restoration
Director: F. W. Murnau
MoC or US Flicker Alley (unsure)
- MoC included in boxset
- Germany new 2k restoration, no subs
- US Flicker Alley not sure which restoration
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Kenji Mizoguchi
Eureka MoC Blu-ray, see caps
MoC is sourced from an earlier scan, but still looks more detailed than the later 4K restoration released by Kadokawa in Japan, which has some black crush and DNR. French Capricci disc is sourced from the same scan as MoC but with much worse encoding and wrong levels.
1991 Daiei LaserDisc
Director: Kenji Mizoguchi
Eureka MoC Blu-ray, see caps
MoC is sourced from an earlier scan, but still looks more detailed than the later 4K restoration released by Kadokawa in Japan, which has some black crush and DNR. French Capricci disc is sourced from the same scan as MoC but with much worse encoding and wrong levels.
1991 Daiei LaserDisc
Director: James Whale
MoC 4K Blu-ray. Here are some screenshots that include the Cohen Blu-ray and the poor Germany 4K with terrible fake HDR. David’s DV grade is way more subtle and doesn’t blow out the highlights
Director: James Whale
MoC 4K Blu-ray. Here are some screenshots that include the Cohen Blu-ray and the poor Germany 4K with terrible fake HDR. David’s DV grade is way more subtle and doesn’t blow out the highlights
Director: Elaine May
Cinématographe 4K Blu-ray
Cinématographe 4K Blu-ray > MoC > Olive Films. From nicolas:
The master is good but it’s not that big an upgrade from the Olive Films disc and Vinegar Syndrome’ encode has some blocky highlights. A shame that they didn’t hire David Mackenzie here.
Olive Films Blu-ray / Masters of Cinema Blu-ray
Cinématographe has unnecessary noise gating not present on the previous releases.
Director: Elaine May
Cinématographe 4K Blu-ray
Cinématographe 4K Blu-ray > MoC > Olive Films. From nicolas:
The master is good but it’s not that big an upgrade from the Olive Films disc and Vinegar Syndrome’ encode has some blocky highlights. A shame that they didn’t hire David Mackenzie here.
Olive Films Blu-ray / Masters of Cinema Blu-ray
Cinématographe has unnecessary noise gating not present on the previous releases.
Director: Oliver Stone
Twilight Time Blu-ray or MGM NTSC DVD for the original mono mix
Shout! Factory 4K only has a stereo downmix (which sounds muffled, as do the surround tracks)
Twilight Time Blu-ray has the mono track with seemingly the best fidelity, but its dynamic range has been heavily compressed
MoC UK Blu-ray has a proper dynamics and good fidelity, but bizzarely, everything is repeated after a few miliseconds, rendering echoey and metallic
MGM NTSC DVD has been denoised and has had a strong EQ applied and sounds muffled as a result, but it retains proper dynamics
Koch Media DE BD had poor dynamics and wrong pitch
Perhaps the digital JP LD would be better.
Director: Oliver Stone
Twilight Time Blu-ray or MGM NTSC DVD for the original mono mix
Shout! Factory 4K only has a stereo downmix (which sounds muffled, as do the surround tracks)
Twilight Time Blu-ray has the mono track with seemingly the best fidelity, but its dynamic range has been heavily compressed
MoC UK Blu-ray has a proper dynamics and good fidelity, but bizzarely, everything is repeated after a few miliseconds, rendering echoey and metallic
MGM NTSC DVD has been denoised and has had a strong EQ applied and sounds muffled as a result, but it retains proper dynamics
Koch Media DE BD had poor dynamics and wrong pitch
Perhaps the digital JP LD would be better.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
BFI 4K Blu-ray is significantly better than older Blu-ray however the HDR grade is questionable as it introduces black crushes, see nic's review and caps
For Blu-rays, Germany StudioCanal Blu-ray > MoC Blu-ray see caps
BFI 4K Blu-ray
All disc sourced from the 4K restoration use the same solid audio track. Older DVD releases are from a higher generation source with less detail and more hiss.
BFI 4K Blu-ray is significantly better than older Blu-ray however the HDR grade is questionable as it introduces black crushes, see nic's review and caps
For Blu-rays, Germany StudioCanal Blu-ray > MoC Blu-ray see caps
BFI 4K Blu-ray
All disc sourced from the 4K restoration use the same solid audio track. Older DVD releases are from a higher generation source with less detail and more hiss.
Director: Nagisa Ōshima
Criterion 4K Blu-ray (caps)
Criterion is a very nice uptick in detail and resolution. The color grade is very similar, but leans more neutral, reducing the greenish/blueish hues seen on the MoC disc.
Unrestored: Shochiku JP NTSC DVD
Restored: Masters of Cinema UK Blu-ray
The JP DVD track is unfiltered and sounds much more natural and detailed, but suffers from a strong CRT whine and an intermittent low-end hum. The track used on all later restorations is a bit muffled and has overemphasized bass.
Criterion applied additional EQ and roll-off to the restored track, but the audible difference is minimal.
Criterion has a different translation to MoC, but both are solid and trade blows, see comparison.
Director: Nagisa Ōshima
Criterion 4K Blu-ray (caps)
Criterion is a very nice uptick in detail and resolution. The color grade is very similar, but leans more neutral, reducing the greenish/blueish hues seen on the MoC disc.
Unrestored: Shochiku JP NTSC DVD
Restored: Masters of Cinema UK Blu-ray
The JP DVD track is unfiltered and sounds much more natural and detailed, but suffers from a strong CRT whine and an intermittent low-end hum. The track used on all later restorations is a bit muffled and has overemphasized bass.
Criterion applied additional EQ and roll-off to the restored track, but the audible difference is minimal.
Criterion has a different translation to MoC, but both are solid and trade blows, see comparison.
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