Founded in Rome in 1986 by Ciro and Stefano Dammicco, Eagle Pictures is an independent Italian film distributor now owned by Tarak Ben Ammar's Quinta Communications. On home video it handles Paramount and Sony titles in Italy alongside its own catalogue. Its 4Kult collection, launched in September 2019, issues restored films as numbered limited 4K UHD plus Blu-ray editions, from Apocalypse Now to Terminator 2.
Eagle Pictures
24 films on Best BluraysBest video release: 22 in 4K2 in HD1 more for audio only
- Excellent6
- Solid9
- Superior Imports1
- Disappointing1
Films where Eagle Pictures' release is the pick. How picks are made
Films where Eagle Pictures' release is the pick. How picks are made
22 in 4K
Best video release on UHD Blu-ray or 4K streaming
Theatrical: Italy Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures
Sources: Blu-ray.com (opens in a new tab)
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
Director: Damien Chazelle
Italy Eagle Pictures
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else
Italy Eagle Pictures 4K Blu-ray
> Shout! Factory 4K Blu-ray > StudioCanal 4K Blu-ray (Shout! Factory has Dolby Vision while Eagle Pictures doesn't)
2.0: Shout! Factory
> StudioCanal. Italy Eagle Pictures doesn't have it.
Director: Ari Aster
Italy Eagle Pictures 4K Blu-ray
> US A24 4K Blu-ray
Director: Akira Kurosawa
Italy Eagle Pictures 4K Blu-ray
>StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Italy Eagle Pictures 4K Blu-ray
Sources: slow.pics (opens in a new tab) · Criterion Forum (opens in a new tab)
Eagle Pictures 4K Blu-ray
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
229 min cut (Theatrical): WB Blu-ray
139 min cut (US theatrical): VHS
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
229 min cut: Warner Bros LaserDisc
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: John Carpenter
Pick your poison between the 3 UHDs or maybe the remastered Shout! Factory Blu-ray?
Italy Eagle Pictures 4K Blu-ray has consistently mediocre encoding + no original audio. StudioCanal encoding is better a lot of the time, but is terrible in others. Shout! Factory 4K Blu-ray has good encoding but wrong colour space
Director: Paul Verhoeven
Italy Eagle Pictures 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
US LaserDisc 2.0, or Eagle Pictures 4K Blu-ray 5.1
Director: Renny Harlin
Italy Eagle Pictures 4K Blu-ray
Sources: caps-a-holic (opens in a new tab)
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Pick your poison between Eagle Pictures or Sony.
2 in HD
Best video release on Blu-ray or HD streaming · by Letterboxd rating
Director: Terry Gilliam
1 with a weaker 4K
Best 4K release rated Disappointing or Worse Than BD · by Letterboxd rating
Director: Lars von Trier
Italy Eagle Pictures 4K Blu-ray or France Potemkine Blu-ray
Sources: slow.pics (opens in a new tab)
1 for audio only
The best audio is Eagle Pictures'; the video and English-friendly picks are other releases · by Letterboxd rating
2017 Eagle Pictures Rock Blu-ray
(same as the 4K Blu-ray)
2024 Mercury 4K
2024 Mercury 4K Blu-ray release without HDR shows very little improvement over the 2017 Blu-ray
Know a film where the Eagle Pictures release is the one to buy? Suggest it















