Apocalypse Now (1979)
Drama, War • 2h 30m
Overview
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
Director: Francis Ford Coppola
Cast: Martin Sheen, Marlon Brando, Frederic Forrest, Albert Hall, Laurence Fishburne, Sam Bottoms, Robert Duvall, G. D. Spradlin, Harrison Ford, Jerry Ziesmer, Scott Glenn, Kerry Rossall, James Keane, Tom Mason, Cynthia Wood, Dennis Hopper, Colleen Camp, Linda Carpenter, Aurore Clément, Jack Thibeau, Glenn Walken, Damien Leake, Marc Coppola, Bill Graham, Herb Rice, Jerry Ross, Nick Nicholson, Don Gordon Bell, R. Lee Ermey, Jim Gaines, Vittorio Storaro, Evan A. Lottman, Francis Ford Coppola, Henry Strzalkowski, William Upton, George Cantero, Joe Estevez, Bo Byers, Frank Villard, Christian Marquand, Michel Pitton, David Olivier, Chrystel Le Pelletier, Roman Coppola, Gian-Carlo Coppola, Robert Julian, Yvon LeSeaux, Daniel Kiewit, Hattie James
Director: Rob Reiner
Director: Rob Reiner
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: Bert Stern
Director: Bert Stern
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
Directors: Ernest B. Schoedsack & Merian C. Cooper
Directors: Ernest B. Schoedsack & Merian C. Cooper
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
Director: Francis Ford Coppola
Director: Francis Ford Coppola
Criterion 2.0 Surround Track
Director: Francis Ford Coppola
Criterion 2.0 Surround Track
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 restoration, while an imperfect outdated disc, is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Despite being restored alongside the Coppola Restorations of The Godfather: Parts I and II, the Part III restoration is not officially labelled a Coppola Restoration.
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 restoration, while an imperfect outdated disc, is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Despite being restored alongside the Coppola Restorations of The Godfather: Parts I and II, the Part III restoration is not officially labelled a Coppola Restoration.
Sony 2022 Steelbook 4K Blu-ray
Sony 2022 Steelbook 4K Blu-ray for Dolby Vision, original forced subtitles, updated a few scenes (see caps), and a few new extras on the 4K Blu-ray disc.
Sony 2022 Steelbook 4K Blu-ray
Sony 2022 Steelbook 4K Blu-ray for Dolby Vision, original forced subtitles, updated a few scenes (see caps), and a few new extras on the 4K Blu-ray disc.
Director: Steven Shainberg
Director: Steven Shainberg
Director: Kathryn Bigelow
Director: Kathryn Bigelow
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
4K discs in the correct pitch https://forum.blu-ray.com/showthread.php?t=364711&page=8
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
4K discs in the correct pitch https://forum.blu-ray.com/showthread.php?t=364711&page=8
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
4Ks have low-pitched music and sound effects (and that includes Shaun's baas) correct-pitch voices: https://forum.blu-ray.com/showpost.php?p=21536116&postcount=109
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
4Ks have low-pitched music and sound effects (and that includes Shaun's baas) correct-pitch voices: https://forum.blu-ray.com/showpost.php?p=21536116&postcount=109
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
Shout! Factory 4K 5.1 track for The Wrong Trousers is in its correct pitch both in music and voices https://forum.blu-ray.com/showpost.php?p=21535755&postcount=103
Unaltered track with the original music cues is on the LaserDisc.
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
Shout! Factory 4K 5.1 track for The Wrong Trousers is in its correct pitch both in music and voices https://forum.blu-ray.com/showpost.php?p=21535755&postcount=103
Unaltered track with the original music cues is on the LaserDisc.
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
None of the 4K, nor any of the 2009 Blu-ray has the correct pitch see https://forum.blu-ray.com/showthread.php?t=364711&page=8
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
None of the 4K, nor any of the 2009 Blu-ray has the correct pitch see https://forum.blu-ray.com/showthread.php?t=364711&page=8
Director: Jamie Babbit
Lionsgate 4K Blu-ray is a disaster. The compression on the base layer is horrid, and the oversized 18 Mbps FEL barely helps.
Lionsgate 4K Blu-ray includes original matrixed Dolby Stereo mix, albeit lossy, and a 5.1 surround upmix. The stereo track on previous BD and DVD releases is also lossy and sounds about the same.
Director: Jamie Babbit
Lionsgate 4K Blu-ray is a disaster. The compression on the base layer is horrid, and the oversized 18 Mbps FEL barely helps.
Lionsgate 4K Blu-ray includes original matrixed Dolby Stereo mix, albeit lossy, and a 5.1 surround upmix. The stereo track on previous BD and DVD releases is also lossy and sounds about the same.
Director: David Twohy
Lionsgate 4K Blu-ray has terrible compression, but still beats out the old disc which was sourced from a mediocre old scan with edge enhancement, and which has compression issues of its own.
Original 5.1 mix: 1997 Pioneer LaserDisc or 1997 Live Entertainment NTSC DVD
Original matrixed Dolby Stereo mix: Lionsgate 4K Blu-ray
The film originally premiered with two mixes, a 5.1 for upgraded theaters, and a distinct matrixed Dolby Stereo mix for older venues. The original 5.1 mix can only be found on the earliest LD/DVD releases, as all later releases replace it with a mediocre 7.1 mix with reduced dynamic range.
The Atmos mix is based off of the previous 7.1 remix, but with futher alterations as per director's wishes. One scene intentionally drops out into silence, see this post for details.
Director: David Twohy
Lionsgate 4K Blu-ray has terrible compression, but still beats out the old disc which was sourced from a mediocre old scan with edge enhancement, and which has compression issues of its own.
Original 5.1 mix: 1997 Pioneer LaserDisc or 1997 Live Entertainment NTSC DVD
Original matrixed Dolby Stereo mix: Lionsgate 4K Blu-ray
The film originally premiered with two mixes, a 5.1 for upgraded theaters, and a distinct matrixed Dolby Stereo mix for older venues. The original 5.1 mix can only be found on the earliest LD/DVD releases, as all later releases replace it with a mediocre 7.1 mix with reduced dynamic range.
The Atmos mix is based off of the previous 7.1 remix, but with futher alterations as per director's wishes. One scene intentionally drops out into silence, see this post for details.
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