Apocalypse Now (1979)
Drama, War • 2h 30m
Overview
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
Director: Francis Ford Coppola
Cast: Martin Sheen, Marlon Brando, Frederic Forrest, Albert Hall, Laurence Fishburne, Sam Bottoms, Robert Duvall, G. D. Spradlin, Harrison Ford, Jerry Ziesmer, Scott Glenn, Kerry Rossall, James Keane, Tom Mason, Cynthia Wood, Dennis Hopper, Colleen Camp, Linda Carpenter, Aurore Clément, Jack Thibeau, Glenn Walken, Damien Leake, Marc Coppola, Bill Graham, Herb Rice, Jerry Ross, Nick Nicholson, Don Gordon Bell, R. Lee Ermey, Jim Gaines, Vittorio Storaro, Evan A. Lottman, Francis Ford Coppola, Henry Strzalkowski, William Upton, George Cantero, Joe Estevez, Bo Byers, Frank Villard, Christian Marquand, Michel Pitton, David Olivier, Chrystel Le Pelletier, Roman Coppola, Gian-Carlo Coppola, Robert Julian, Yvon LeSeaux, Daniel Kiewit, Hattie James
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
Director: John McTiernan
Director: John McTiernan
Director: John Ford
Director: John Ford
1991 Warner Bros LaserDisc (for original mono track)
1996 Warner Bros 25th Anniversary LaserDisc has isolated music and effects track (incorrectly labeled "music minus vocals") not present on any other release
1991 Warner Bros LaserDisc (for original mono track)
1996 Warner Bros 25th Anniversary LaserDisc has isolated music and effects track (incorrectly labeled "music minus vocals") not present on any other release
Director: Alfred E. Green
Director: Alfred E. Green
Director: John Waters
Director: John Waters
Director: Nicholas Ray
Director: Nicholas Ray
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Sony 2022 Steelbook 4K Blu-ray
Sony 2022 Steelbook 4K Blu-ray for Dolby Vision, original forced subtitles, updated a few scenes (see caps), and a few new extras on the 4K Blu-ray disc.
Sony 2022 Steelbook 4K Blu-ray
Sony 2022 Steelbook 4K Blu-ray for Dolby Vision, original forced subtitles, updated a few scenes (see caps), and a few new extras on the 4K Blu-ray disc.
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
Director: Francis Ford Coppola
Director: Wes Craven
France M6 Video 4K Blu-ray
France M6 Video - Geoff D review.
Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.
US releases for the original audio
Pay per view version audio is on the UK Entertainment in Video Blu-ray and the France M6 Video 4K Blu-ray
Lionsgate Limited 4K Blu-ray has exclusive extras
Director: Wes Craven
France M6 Video 4K Blu-ray
France M6 Video - Geoff D review.
Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.
US releases for the original audio
Pay per view version audio is on the UK Entertainment in Video Blu-ray and the France M6 Video 4K Blu-ray
Lionsgate Limited 4K Blu-ray has exclusive extras
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: John Woo
Director: John Woo
Director: Paul Feig
France 4K Blu-ray > Italy Eagle Pictures > US Lionsgate - caps
credits are in French though
Director: Paul Feig
France 4K Blu-ray > Italy Eagle Pictures > US Lionsgate - caps
credits are in French though
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Director: Ted Kotcheff
Lionsgate 4K Blu-ray (2026 Rambo set)
Lionsgate 4K Blu-ray (2026 Rambo set)
caps #1 (with FEL), caps #2
Lionsgate 4K Blu-ray (2026 Rambo set)
The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.
The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.
Director: Ted Kotcheff
Lionsgate 4K Blu-ray (2026 Rambo set)
Lionsgate 4K Blu-ray (2026 Rambo set)
caps #1 (with FEL), caps #2
Lionsgate 4K Blu-ray (2026 Rambo set)
The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.
The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
StudioCanal 4K Blu-ray is heavily denoised and smoothened, best Blu-ray is the 2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed), 35mm scan for the theatrical cut also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak CDS mix likely on the Artisan DVD and other Japan DVD.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
StudioCanal 4K Blu-ray is heavily denoised and smoothened, best Blu-ray is the 2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed), 35mm scan for the theatrical cut also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak CDS mix likely on the Artisan DVD and other Japan DVD.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
International Cut: Lionsgate 4K Blu-ray
Whole Bloody Affair 4K Blu-ray upcoming in July, but only has 1 bonus feature and cuts out the rest of the extras
International Cut: Lionsgate 4K Blu-ray, Upscaled from the 2K DI. Caps are here. While not as dramatic an upgrade as Jackie Brown, color reproduction and especially the reveal of additional highlight information that were completely blown-out on the old master make this a great upgrade regardless. See Uma Thurman’s face in the above cap. Japan Cut: Japan DVD
International Cut: Lionsgate 4K Blu-ray
Whole Bloody Affair 4K Blu-ray upcoming in July, but only has 1 bonus feature and cuts out the rest of the extras
International Cut: Lionsgate 4K Blu-ray, Upscaled from the 2K DI. Caps are here. While not as dramatic an upgrade as Jackie Brown, color reproduction and especially the reveal of additional highlight information that were completely blown-out on the old master make this a great upgrade regardless. See Uma Thurman’s face in the above cap. Japan Cut: Japan DVD
International Cut: Lionsgate 4K Blu-ray
Whole Bloody Affair 4K Blu-ray upcoming in July, but only has 1 bonus feature and cuts out the rest of the extras
International Cut: Lionsgate 4K Blu-ray
International Cut: Lionsgate 4K Blu-ray
Whole Bloody Affair 4K Blu-ray upcoming in July, but only has 1 bonus feature and cuts out the rest of the extras
International Cut: Lionsgate 4K Blu-ray
Director: Sam Raimi
Sony 4K Blu-ray steelbook upcoming
LaserDisc has the original Mono
Lionsgate 4K Blu-ray audio is in the wrong pitch
Director: Sam Raimi
Sony 4K Blu-ray steelbook upcoming
LaserDisc has the original Mono
Lionsgate 4K Blu-ray audio is in the wrong pitch
Edit History
12/29/2025
Best English-Friendly Release
From
Theatrical: Italian Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures
To
Theatrical: Italy Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures
From
Theatrical: Italian Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures
To
Theatrical: Italy Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures
Best Video Release
From
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
To
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
From
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
To
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Best Audio Release
From
Theatrical: German 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
To
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
From
Theatrical: German 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
To
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
Additional Info
From
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The German 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
To
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
From
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The German 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
To
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
12/28/2025
12/28/2025
Best English-Friendly Release
From
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray Redux Cut: Lionsgate vs Eagle Pictures? Final Cut: Lionsgate or Eagle Pictures 4K Blu-ray
To
Theatrical: Italian Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures
From
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray Redux Cut: Lionsgate vs Eagle Pictures? Final Cut: Lionsgate or Eagle Pictures 4K Blu-ray
To
Theatrical: Italian Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures
Best Video Release
From
Theatrical Cut: 4K Blu-ray Eagle Pictures Italian > Lionsgate US Redux Cut: Lionsgate vs Eagle Pictures? Final Cut: Both are meh (visible chroma noise)
To
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
From
Theatrical Cut: 4K Blu-ray Eagle Pictures Italian > Lionsgate US Redux Cut: Lionsgate vs Eagle Pictures? Final Cut: Both are meh (visible chroma noise)
To
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Best Audio Release
From
Theatrical Cut: German 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
To
Theatrical: German 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
From
Theatrical Cut: German 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
To
Theatrical: German 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
Additional Info
From
In the US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the lossless *original track. The German release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos
BD: Redux/Theatrical: truhd5.1
BD: Hearts of Darkness
BD: Special Feature
To
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The German 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
From
In the US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the lossless *original track. The German release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos
BD: Redux/Theatrical: truhd5.1
BD: Hearts of Darkness
BD: Special Feature
To
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The German 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
12/27/2025
Best Audio Release
To
Theatrical Cut: German 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
Additional Info
Added
In the US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the lossless *original track. The German release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos
BD: Redux/Theatrical: truhd5.1
BD: Hearts of Darkness
BD: Special Feature
Added
In the US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the lossless *original track. The German release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos
BD: Redux/Theatrical: truhd5.1
BD: Hearts of Darkness
BD: Special Feature
12/22/2025
Best English-Friendly Release
From
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray Redux Cut: Lionsgate Vinegar Syndrome Eagle Pictures? Final Cut: Lionsgate or Eagle Pictures 4K Blu-ray
To
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray Redux Cut: Lionsgate vs Eagle Pictures? Final Cut: Lionsgate or Eagle Pictures 4K Blu-ray
From
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray Redux Cut: Lionsgate Vinegar Syndrome Eagle Pictures? Final Cut: Lionsgate or Eagle Pictures 4K Blu-ray
To
Theatrical Cut: Italian Eagle Pictures 4K Blu-ray Redux Cut: Lionsgate vs Eagle Pictures? Final Cut: Lionsgate or Eagle Pictures 4K Blu-ray
Best Video Release
From
Theatrical Cut: 4K Blu-ray Eagle Pictures Italian > Lionsgate US Redux Cut: Lionsgate Vinegar Syndrome Eagle Pictures? Final Cut: Both are meh (visible chroma noise)
To
Theatrical Cut: 4K Blu-ray Eagle Pictures Italian > Lionsgate US Redux Cut: Lionsgate vs Eagle Pictures? Final Cut: Both are meh (visible chroma noise)
From
Theatrical Cut: 4K Blu-ray Eagle Pictures Italian > Lionsgate US Redux Cut: Lionsgate Vinegar Syndrome Eagle Pictures? Final Cut: Both are meh (visible chroma noise)
To
Theatrical Cut: 4K Blu-ray Eagle Pictures Italian > Lionsgate US Redux Cut: Lionsgate vs Eagle Pictures? Final Cut: Both are meh (visible chroma noise)
