Directors
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Billy Wilder

Billy Wilder

Complete filmography covered27 films6 in 4K19 in HD
Billy Wilder photo

Billy Wilder, born Samuel Wilder; June 22, 1906, was an Austrian-born director, screenwriter and producer who is regarded as one of the most successful filmmakers of Hollywood's golden age. Today he is best known for his comedies, although he also directed dramas and film noirs. Wilder is one of only five people who have won Academy Awards as producer, director, and writer for the same film (The Apartment). Wilder's career began in Germany, where he worked as a writer for comedy films from 1930. After the Nazis seized power in 1933, he emigrated to the United States, where he continued to write screenplays, including Ernst Lubitsch's Ninotchka (1939) and Howard Hawks' Ball of Fire (1941). From the early 1940s, Wilder was allowed to film his own screenplays and thus made a name for himself as a director. Initially, his greatest successes included predominantly dramatic film noirs such as Double Indemnity (1944), The Lost Weekend (1945), Sunset Boulevard (1950) and Ace in the Hole (1951). It was only then that he increasingly turned to comedy, including Stalag 17 (1953), Sabrina (1954) and The Seven Year Itch (1955), although he made a small detour to courtroom drama with Witness for the Prosecution (1957). With Some Like It Hot (1959) and The Apartment (1960) he made his most famous and probably most successful comedy films, the latter even receiving five Oscars. In One, Two, Three (1961), Wilder dealt with the conditions of the time in his former adopted country, Germany, and made the successful romantic comedy Irma la Douce (1963). In the two decades that followed, Wilder made seven more films, which were less well received by critics and audiences, although the German-French drama Fedora (1978) is viewed somewhat more favorably today by predominantly pretentious film experts. Some time later, Wilder was under discussion as director for Schindler's List, which he had wanted as the end of his long career, but ultimately had to turn it down due to his advanced age.

Biography from TMDB

6 in 4K

UHD Blu-ray or 4K streaming

Best English-Friendly:

Paramount 4K Blu-ray or Blu-ray

Sources: slow.pics (opens in a new tab)

Video Notes:

Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice

Best Audio:

Paramount 4K Blu-ray mono

Audio Notes:

Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.

Additional Info:

The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.

4K · Solid
Video Notes:

Kino Lorber 4K Blu-ray is a fine release with no glaring encode issues, the new master is also fine but graded to look quite dim in HDR/DV. Unsure whether that's really respectful to the source

Best Audio:

Kino Lorber 4K Blu-ray / Paramount EU Blu-ray

Audio Notes:

Old Warner Bros US release is inferior.

4K · Excellent
Best Video & Audio:

Arrow 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Audio Notes:

(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)

Additional Info:

Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.

19 in HD

Blu-ray or HD streaming

Co-director: Alexander Esway

Show all 19 in HD

2 in SD

DVD, SD streaming, LaserDisc or VHS

Co-director: Hans Burger

Best Video:

Included as extras in Oscilloscope DVD

Video format: DVD

Sources: therokuchannel.roku.com (opens in a new tab)

Best Video:

Spanish Region 0 PAL DVD or original VHS and Beta MGM releases

Video Notes:

There is very low quality streaming on Roku

Additional Info:

This film is cursed with only an early 80's tape master in 4:3 and a letterbox standard def master that was apparently made and abandoned without even a Laserdisc or DVD release. The only passable widescreen version is the Spanish PAL DVD which is low quality and noisy using this abandoned standard def master but sped up due to PAL. It uses the title Aqui, un Amigo. This film cries out for a proper transfer to happen at least once.

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