Heat (1995)
Crime, Drama, Action • 2h 54m
Director: Michael Mann
Cast: Al Pacino, Robert De Niro, Val Kilmer, Jon Voight, Tom Sizemore, Diane Venora, Amy Brenneman, Ashley Judd, Mykelti Williamson, Wes Studi, Ted Levine, Natalie Portman, William Fichtner, Kevin Gage, Hank Azaria, Dennis Haysbert, Tom Noonan, Danny Trejo, Kim Staunton, Susan Traylor, Henry Rollins, Ricky Harris, Jerry Trimble, Martin Ferrero, Tone Loc, Begonya Plaza, Hazelle Goodman, Ray Buktenica, Jeremy Piven, Xander Berkeley, Rick Avery, Brad Baldridge, Andrew Camuccio, Brian Camuccio, Max Daniels, Vince Deadrick Jr., Charles Duke, Thomas Elfmont, Kenny Endoso, Kimberly Flynn, Steven Ford, Farrah Forke, Hannes Fritsch, Amanda Graves, Emily Graves, Niki Haris, Ted Harvey, Patricia Healy, Paul Herman, Cindy Katz, Brian Libby, Bill McIntosh, Dan Martin, Rick Marzan, Terry Miller, Paul Moyer, Daniel O'Haco, Mario Roberts, Phillip Robinson, Thomas Rosales Jr., Rainell Saunders, Kai Soremekun, Rey Verdugo, Wendy L. Walsh, Yvonne Zima, Monica Lee Bellais, Peter Blackwell, Trevor Coppola, Bud Cort, Annette Goodman, Mick Gould, Mary Kircher, David Koseruba, Darin Mangan, Melissa S. Markess, Andre McCoy, Darren Melton, Robert Miranda, Kathryn Mullen, Manny Perry, Jimmy N. Roberts, Iva Franks-Singer, Jimmy Star, Gloria Koehn Straube, Viviane Vives, Tim Werner, Heidi Miller
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray
Best English-friendly & video release · updated 22 days ago
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
UHD tiers
controversially regraded and too dark overall
Overview
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Ingmar Bergman
Director: Jean-Luc Godard
Directors: Emeric Pressburger & Michael Powell
Imprint 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · filmalert101.blogspot.com (opens in a new tab) · slow.pics (opens in a new tab)
FiM encode and none of the low-pass filtering present on the Criterion 4K, resulting in more detail and better handling of highlights on Imprint
Review, comparisons
All HD and 4K sources use the same 2009 restoration. Criterion's master (also used by Imprint) is a bit more rolled off, though the difference is minor.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Sources: Criterion Forum (opens in a new tab)
For Blu-ray Criterion Demy Set > StudioCanal
Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab)
See chris's review
1991 Daiei LaserDisc
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: Michael Mann
Director: Michael Mann
Netherlands Remain in Light or UK Universal 4K Blu-ray
Sources: slow.pics (opens in a new tab)
Netherlands Remain in Light or UK Universal 4K Blu-ray, See caps: Ferrari (2023) | Slowpoke Pics
Netherlands Remain in Light
All three discs come from the same master and share the same Dolby Vision grade, with identical dynamic metadata and CMv4.0 on all three. The Eagle Pictures disc is the only Profile 7 FEL, the Remain in Light and Universal UK discs are both MEL. On paper that gives the Italian finer coding precision, but it doesn't buy anything on this film, the grain is heavy enough to hide base layer quantisation on its own and none of the three discs bands. It also costs something, the Eagle Pictures encode noticeably smooths grain in flatter, low contrast areas, so a fair bit of fine texture that both other discs keep is simply gone. Edges and overall definition are fine, but the Dutch and UK discs clearly hold the film's texture better and are the ones to get. Between those two it's very close, with the Dutch keeping slightly more grain across most of the scenes checked. Worth noting as well, the Dutch and UK discs have their title cards in English while the Italian keeps them in Italian.
Caps comp: Ferrari (2023) | Slowpoke Pics
Director: Michael Mann
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
UK StudioCanal Final Cut 4K Blu-ray
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM encode is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Michael Mann
Paramount/Plaion Spain/Italy 4K Blu-ray has better encoding than the US 4K Blu-ray.
The EUR 4K has missing dialog.
Director: Michael Mann
Theatrical: Universum Film Germany Blu-ray 2004 Director's Cut: Sony Director's Cut DVD 2017 Director's Cut: Sony Blu-ray
Director: Michael Mann
Sources: slow.pics (opens in a new tab)
Imprint 4K Blu-ray is slightly better than the Vinegar Syndrome 4K Blu-ray see caps https://slow.pics/c/E1WBYjTH
See also this Vinegar Syndrome 4K Blu-ray vs Blu-ray caps https://slow.pics/c/OzvKrEEl
Imprint 4K Blu-ray has the same audio as Vinegar Syndrome
Director: Michael Mann
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Martin Rosen
Sources: Criterion Forum (opens in a new tab)
Director: Roman Polanski
Director: Michael B. Jordan
Caveat: No IMAX expanded aspect ratio
Director: James Gunn
Commentary is only on Streaming
Warner Bros 4K Blu-ray (includes Extended Cut on regular Blu-ray)
Original theatrical 6.1 mix: 2009 Warner Bros Blu-ray Ultimate Edition (Theatrical Cut only)
Extended Cut 5.1 mix: Warner Bros Blu-ray
DTS:X remix: Warner Bros 4K Blu-ray
The film is titled Sorcerer's Stone in the US, India, and the Philippines.
Wizard's/Hogwarts Collection has all the bonus features for all the 8 films.
The lossless version of the original 6.1 mix is only available on the ultimate edition blu-ray not to be confused with the ultimate collectors edition blu-ray.
Director: Stanley Kubrick
Criterion Box Set coming October 20th with FiM encode, new restoration/remastering of the mono mix which should be better than the 1999 WB DVD, revised colour timing to make the film look more like it did in 1987 and for the first time ever on physical media, the film will be in its original aspect ratio of 1.85:1.
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