Robert De Niro
35 Films
Robert De Niro
35 Included Films
Robert Anthony De Niro (born August 17, 1943) is an American actor and film producer. Considered one of his generation's greatest and most influential actors, De Niro has received various accolades, including two Academy Awards and a Golden Globe Award, as well as nominations for eight BAFTA Awards and four Emmy Awards. He was honoured with the AFI Life Achievement Award in 2003, the Kennedy Center Honors in 2009, the Cecil B. DeMille Award in 2011, and the Screen Actors Guild Life Achievement Award in 2019. De Niro was presented with the Presidential Medal of Freedom by U.S. President Barack Obama in 2016. De Niro studied acting at HB Studio, Stella Adler Conservatory, and Lee Strasberg's Actors Studio. His first credited screen role was in Brian de Palma's Greetings (1968). De Niro's first collaboration with Martin Scorsese was with the crime drama film Mean Streets (1973). De Niro has earned two Academy Awards: one for Best Supporting Actor for his role as Vito Corleone in Francis Ford Coppola's The Godfather Part II (1974) and the other for Best Actor portraying Jake LaMotta in Scorsese's drama Raging Bull (1980). De Niro was also Oscar-nominated for Taxi Driver (1976), The Deer Hunter (1978), Awakenings (1990), Cape Fear (1991), Silver Linings Playbook (2012), and Killers of the Flower Moon (2023). He is also known for his film roles in Bang the Drum Slowly (1973), 1900 (1976), The King of Comedy (1982), Once Upon a Time in America(1984), Brazil (1985), The Mission (1986), Angel Heart (1987), The Untouchables (1987), Goodfellas (1990), This Boy's Life (1993), Mary Shelley's Frankenstein (1994), Heat (1995), Casino (1995), Jackie Brown (1997), Joker (2019), and The Irishman (2019). He directed and acted in A Bronx Tale (1993) and The Good Shepherd (2006). His comedic roles include Hi, Mom! (1970), Midnight Run (1988), Wag the Dog (1997), Analyze This (1999) and its sequel, Analyze That (2002), the Meet the Parents films (2000–2010), and The Intern (2015). Also known for his television roles, De Niro portrayed Bernie Madoff in the HBO film The Wizard of Lies (2017), earning a nomination for the Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie. He received further Emmy Award nominations for producing the Netflix limited series When They See Us (2019) and for portraying Robert Mueller on Saturday Night Live. De Niro and producer Jane Rosenthal founded the film and television production company TriBeCa Productions in 1989, which has produced several films alongside his own. Also with Rosenthal, he founded the Tribeca Film Festival in 2002. Many of De Niro's films are considered classics of American cinema. Six of De Niro's films have been inducted into the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant" as of 2023. Five films are featured on the American Film Institute's (AFI) list of the 100 greatest American films ever. Timeout magazine's list of 100 best movies included seven of De Niro's films, as chosen by actors in the industry.
Director: Brian De Palma
Radiance 4K Blu-ray see caps vs Arrow
Director: Brian De Palma
Radiance 4K Blu-ray see caps vs Arrow
Director: Martin Scorsese
2024 Second Sight 4K Blu-ray
2024 Second Sight 4K Blu-ray
Director: Martin Scorsese
2024 Second Sight 4K Blu-ray
2024 Second Sight 4K Blu-ray
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Martin Scorsese
2024 Sony 4K Blu-ray
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot from Columbia Classics 4K Blu-ray
Director: Martin Scorsese
2024 Sony 4K Blu-ray
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot from Columbia Classics 4K Blu-ray
Director: Bernardo Bertolucci
Director: Martin Scorsese
Director: Michael Cimino
2020 Shout! Factory 4K slightly better than StudioCanal in HDR10. Similar in DV
35mm mix: 1991 Universal LaserDisc marginally better than StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is downmix.
70mm mix: StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is remix.
Director: Michael Cimino
2020 Shout! Factory 4K slightly better than StudioCanal in HDR10. Similar in DV
35mm mix: 1991 Universal LaserDisc marginally better than StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is downmix.
70mm mix: StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is remix.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Terry Gilliam
Director's Cut: Criterion 4K Blu-ray
US Theatrical Cut: Universal Blu-Ray
Love Conquers All Cut: Criterion Blu-Ray
Director's Cut: Criterion 4K Blu-ray
US Theatrical Cut: Universal Blu-Ray
Love Conquers All Cut: Criterion Blu-Ray
Director: Terry Gilliam
Director's Cut: Criterion 4K Blu-ray
US Theatrical Cut: Universal Blu-Ray
Love Conquers All Cut: Criterion Blu-Ray
Director's Cut: Criterion 4K Blu-ray
US Theatrical Cut: Universal Blu-Ray
Love Conquers All Cut: Criterion Blu-Ray
Director: Roland Joffé
Director: Roland Joffé
Director: Alan Parker
Director: Alan Parker
Director: Brian De Palma
Director: Brian De Palma
Director: Martin Brest
Shout! Factory 4K Blu-ray new master much better than their 2016 artificially sharpened Blu-ray but grain managed
Shout! Factory 4K Blu-ray "OG audio" is a downmix, R1 DVD has the original with much better dynamics than Shout! Factory's upmix
Director: Martin Brest
Shout! Factory 4K Blu-ray new master much better than their 2016 artificially sharpened Blu-ray but grain managed
Shout! Factory 4K Blu-ray "OG audio" is a downmix, R1 DVD has the original with much better dynamics than Shout! Factory's upmix
Director: Martin Scorsese
1991 WB LaserDisc, but Warner Bros 4K Blu-ray is very similar.
Director: Martin Scorsese
1991 WB LaserDisc, but Warner Bros 4K Blu-ray is very similar.
Director: Penny Marshall
Director: Penny Marshall
Director: Ron Howard
1991 Universal LaserDisc [41131]
Director: Ron Howard
1991 Universal LaserDisc [41131]
Director: Martin Scorsese
Director: Martin Scorsese
Director: Robert De Niro
Director: Robert De Niro
35 films