Manhunter (1986)
Crime, Horror, Thriller • 2h
Overview
FBI Agent Will Graham, retired after catching notorious cannibal Hannibal Lecter, returns to duty to engage in a risky cat-and-mouse game with Lecter to capture a new killer.
Director: Michael Mann
Cast: William Petersen, Tom Noonan, Dennis Farina, Brian Cox, Kim Greist, Joan Allen, Stephen Lang, David Seaman, Benjamin Hendrickson, Chris Elliott, Michael Talbott, Dan Butler, Paul Perri, Patricia Charbonneau, Alexandra Neil, Frankie Faison, Garcelle Beauvais, Joanne Camp, David Allen Brooks, Kin Shriner, John Posey, Kristin Holby, Bill Smitrovich, Peter Maloney, Michael D. Roberts, Marshall Bell, Annie McEnroe, Michele Shay, Robin Moseley, Bill Cwikowski, Norman Snow, Jim Zubiena, Elisabeth Ryall, Gary Chavaras, Chris Cianciolo, Ken Colquitt, Ron Fitzgerald, Dennis Quick, David Meeks, Sherman Michaels, Robin Trapp, LA Winters, Daniel T. Snow, Cynthia Chvatal, King White, Mickey Lloyd, Dawn Carmen, David Fitzsimmons, Robert A. Burton, Steve Hogan, Mickey Pugh, Greg Kelly, Brian Kelly, Ryan Langhorne, Hannah Caggiano, Lindsey Fonora, Jason Frair, Bryant Arrants, Christopher Arrants, Melvin Clark, Renee Ayala, Dana Dewey, Stephen Hawkins, Leonard Johnson, Keith Pyles, Michael Russell, Michael Vitug, Pat Williams, Charles Yarbaugh, Gusmano Cesaretti, Melody Gold
Director: Michael Mann
Arrow 4K Blu-ray is encoded by FiM encode is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Michael Mann
Arrow 4K Blu-ray is encoded by FiM encode is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Michael Mann
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
Director: Michael Mann
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
Director: Michael Mann
OOP KL Blu-ray
Director: Michael Mann
OOP KL Blu-ray
Director: Michael Mann
Director: Michael Mann
Director: Michael Mann
Paramount/Plaion Spain/Italy 4K Blu-ray has better encoding than the US 4K Blu-ray.
Paramount US 4K Blu-ray: the EUR 4K has missing dialog.
Director: Michael Mann
Paramount/Plaion Spain/Italy 4K Blu-ray has better encoding than the US 4K Blu-ray.
Paramount US 4K Blu-ray: the EUR 4K has missing dialog.
Director: Michael Mann
Theatrical: Universum Film Germany Blu-ray 2004 Director's Cut: Sony Director's Cut DVD 2017 Director's Cut: Sony Blu-ray
Director: Michael Mann
Theatrical: Universum Film Germany Blu-ray 2004 Director's Cut: Sony Director's Cut DVD 2017 Director's Cut: Sony Blu-ray
Director: Michael Mann
Imprint 4K Blu-ray is slightly better than the Vinegar Syndrome 4K Blu-ray see caps https://slow.pics/c/E1WBYjTH
See also this Vinegar Syndrome 4K Blu-ray vs Blu-ray caps https://slow.pics/c/OzvKrEEl
Imprint 4K Blu-ray has the same audio as Vinegar Syndrome
Director: Michael Mann
Imprint 4K Blu-ray is slightly better than the Vinegar Syndrome 4K Blu-ray see caps https://slow.pics/c/E1WBYjTH
See also this Vinegar Syndrome 4K Blu-ray vs Blu-ray caps https://slow.pics/c/OzvKrEEl
Imprint 4K Blu-ray has the same audio as Vinegar Syndrome
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming
Director: Michael Mann
Director: Michael Mann
Director: Michael Mann
Director: Michael Mann
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
Unsure whether the Imprint 4K Blu-ray is better or worse than Icon.
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
Unsure whether the Imprint 4K Blu-ray is better or worse than Icon.
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Gary Ross
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's a older master.
Shout! Factory 4K Blu-ray, but a shot was cut from the film. See comparison
Warner Bros Blu-ray for the uncut version, but it's a older master.
Director: Gary Ross
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's a older master.
Shout! Factory 4K Blu-ray, but a shot was cut from the film. See comparison
Warner Bros Blu-ray for the uncut version, but it's a older master.
Directors: Frank Oz & Jim Henson
Directors: Frank Oz & Jim Henson
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Plaion 4K Blu-ray available in June
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Plaion 4K Blu-ray available in June
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Gordon Douglas
Shout! Factory 4K Blu-ray see caps
SF is in 1.66 aspect ratio. Whether this is the intended ratio or a compromise isn't clear.
American Film Institute's catalog and Variety's contemporary review list it as 1.66, but other sources disagree.
Exhibitor's contemporary review lists it as 1.85, IMDB and an internal pre-production note from Warner Bros. list it as 1.75.
Director: Gordon Douglas
Shout! Factory 4K Blu-ray see caps
SF is in 1.66 aspect ratio. Whether this is the intended ratio or a compromise isn't clear.
American Film Institute's catalog and Variety's contemporary review list it as 1.66, but other sources disagree.
Exhibitor's contemporary review lists it as 1.85, IMDB and an internal pre-production note from Warner Bros. list it as 1.75.
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: Jonathan Kaplan
US Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray?
US Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray?
Fox 2002 NTSC DVD includes the original mix as discrete LCRS 4.0, later reelases only include a matrixed version an an inferior 5.1 upmix.
The matrixed stereo version on Shout! Factory's 4K Blu-ray sounds good.
Director: Jonathan Kaplan
US Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray?
US Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray?
Fox 2002 NTSC DVD includes the original mix as discrete LCRS 4.0, later reelases only include a matrixed version an an inferior 5.1 upmix.
The matrixed stereo version on Shout! Factory's 4K Blu-ray sounds good.
Director: Ringo Lam Ling-Tung
Director: Ringo Lam Ling-Tung
More Crime on Blu-ray
Director: Richard Fleischer
Director: Richard Fleischer
Director: Mario Caiano
Director: Mario Caiano
Director: Pierre Perifel
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
Director: Pierre Perifel
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
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