Pat Garrett & Billy the Kid (1973)
Western, Drama, History, Action, Adventure • 2h 2m
Director: Sam Peckinpah
Cast: James Coburn, Kris Kristofferson, Richard Jaeckel, Katy Jurado, Chill Wills, Barry Sullivan, Jason Robards, Bob Dylan, R.G. Armstrong, Luke Askew, Richard Bright, Matt Clark, Rita Coolidge, Jack Dodson, Jack Elam, Emilio Fernández, Paul Fix, L.Q. Jones, Slim Pickens, Jorge Russek, Charles Martin Smith, Harry Dean Stanton, Claudia Bryar, John Davis Chandler, Michael T. Mikler, Aurora Clavel, Rutanya Alda, Walter Kelley, Rudy Wurlitzer, Elisha Cook Jr., Gene Evans, Donnie Fritts, Dub Taylor, Don Levy, Bruce Dern, Sam Peckinpah, Larry Powell, Elizabeth Dupeyrón
Best English-friendly release
Updated 4 days ago
Best video release
UHD tiers
About the film
Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.
- TSPDT
- 2026: #6582025: #6382024: #6362023: #6212022: #621
- Alternative Titles
- Pat Garrett and Billy the Kid
Director: Sam Peckinpah
All pre-4K BDs (Twilight Time US, Suevia Spain, Imprint Australia, Koch Media Germany)
All pre-4K BDs (Twilight Time US, Suevia Spain, Imprint Australia, Koch Media Germany) are the same, and significantly better than the 4K restoration (Shout! Factory, Arrow, Kino Lorber), and a bit better than the MGM NTSC DVD.
Director: Sam Peckinpah
Via Vision Australia or StudioCanal Europe 4K Blu-ray
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original LaserDisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Sidney Lumet
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
1.85:1: Kino Lorber 4K / Capelight 4K
1.66:1: Criterion 4K but low pass filtered
Comparison between the 4Ks, Criterion on the AR choice
Other discs have unnecessary filtering and sound worse, the difference isn't substantial but audible
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Alfonso Cuarón
Sources: Criterion Forum (opens in a new tab)
Janus and thus Criterion likely to release 4K Blu-ray in 2027
Director: Hal Ashby
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
StudioCanal's 4K release is similar in encode quality, but has significant glitches in multiple frames. See comparisons 9-16 here: https://slow.pics/c/YkSVb3Ey
The pitch of the StudioCanal 4K's English audio is too high
Criterion has more extras than StudioCanal.
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
More Western on Blu-ray
Director: Anthony Mann
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
Director: Anthony Mann
The film only exists in MGM letterbox masters and the HD version upgrades the DVD presentation. Sadly the film still needs a modern restoration and a better audio source. The master holds up very well today regardless and has a very natural appearance. The Eureka BD is far superior to the Kino Lorber in encode and extras making it easily the only version to consider.
Director: James Neilson
The Universal HD master is appalling. This is a large format early Technirama film that has been hit with a massive amount of DNR resulting in a smeary appearance throughout with little detail. On one hand it is still a better scan than the old DVD with better color and element issues addressed. On the other it is barely above the DVD upscaled in other moments. The mono audio has been horribly processed to sound thin, canned and lacking in overall fidelity. The DVD clearly uses the same source element for picture and sound and here the sound is left alone. It sounds miles better. The Kino Lorber Blu-ray is technically the best US release but this master has been released in Europe where it likely has better encoding. The Kino Lorber Blu-ray adds a basic commentary. This film needs a proper transfer and audio presentation desperately. The HD master is so lackluster that the DVD despite its age is arguably preferable in visuals and certainly far superior in audio.
Director: George Stevens
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has unusually strong encode but only a minimal upgrade over the excellent Eureka Blu-ray
Director: Samuel Fuller
Video format: 1080p Blu-ray
Criterion Blu-Ray
Sources: Criterion Forum (opens in a new tab)
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Arrow's deluxe presentation is a fantastic package with great supplements, art and printed materials. Sadly the master is a heavily processed Paramount affair. It has seemingly been severely grain managed and the mono audio is horribly thin when it shouldn't be. Stereo and 5.1 options are also given but they seem to be more of home video remixes. They do not have the fidelity issue of the compromised mono but also show marked differences as if they were remixed from stem sources. This seems to have suffered lesser degrees of the problems that plagued The Man Who Shot Liberty Valance's 4K master. This is the best version to date but one wishes Paramount could leave scans alone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Sources: Criterion Forum (opens in a new tab)
The Arrow Video Blu-ray is the best iteration so far coming from a new restoration complete with great supplements and package. The original limited edition version included a second disc with the alternate 2.0:1 framed version. The primary disc is 1.85:1. Older releases pre-2008 were all in Academy ratio. 1.85 is the best compromise ratio for the visuals. As good as this release is, the master is showing its age and sadly has a number of frozen grain artifacts.
Edit history
Every recommendation follows the same method — how these calls are made.