Melancholia (2011)
Drama, Science Fiction • 2h 16m
Overview
Justine and Michael are celebrating their marriage at a sumptuous party in the home of her sister Claire, and brother-in-law John. Despite Claire’s best efforts, the wedding is a fiasco, with family tensions mounting and relationships fraying. Meanwhile, a planet called Melancholia is heading directly towards Earth…
Director: Lars von Trier
Cast: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård, Cameron Spurr, Stellan Skarsgård, John Hurt, Brady Corbet, Jesper Christensen, Charlotte Rampling, Udo Kier, James Cagnard, Deborah Fronko, Charlotta Miller, Claire Miller, Gary Whitaker, Katrine A. Sahlstrøm, Christian Geisnæs
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Directors: Gene Kelly & Stanley Donen
Directors: Gene Kelly & Stanley Donen
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Ridley Scott
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
1982 Theatrical Mix: Embassy Video releases, HD-DVD for the 70mm 6-track mix
International Cut Dolby Stereo: Criterion Collection LaserDisc, HD-DVD for the 70mm 6-track mix
1992 Director's Cut Dolby Stereo: WB CAV LaserDisc 2.0 PCM-best fidelity of any mix, HD-DVD for the 70mm 6-track mix
Workprint: WB 30th Anniversary Blu-ray Set DTS-HD MA 5.1
2007 Final Cut remix: Blu-ray Dolby TrueHD 5.1
WB 4K Blu-ray only has Final Cut and contains a bad Atmos remix with new sound effects. Original Final Cut mix was removed.
Director: Ridley Scott
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
1982 Theatrical Mix: Embassy Video releases, HD-DVD for the 70mm 6-track mix
International Cut Dolby Stereo: Criterion Collection LaserDisc, HD-DVD for the 70mm 6-track mix
1992 Director's Cut Dolby Stereo: WB CAV LaserDisc 2.0 PCM-best fidelity of any mix, HD-DVD for the 70mm 6-track mix
Workprint: WB 30th Anniversary Blu-ray Set DTS-HD MA 5.1
2007 Final Cut remix: Blu-ray Dolby TrueHD 5.1
WB 4K Blu-ray only has Final Cut and contains a bad Atmos remix with new sound effects. Original Final Cut mix was removed.
Director: Ingmar Bergman
Director: Ingmar Bergman
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Kenji Mizoguchi
Director: Kenji Mizoguchi
Director: Béla Tarr
Curzon 4K Blu-ray see caps
Director: Béla Tarr
Curzon 4K Blu-ray see caps
Director: Lars von Trier
4K Restoration: Curzon 4K Blu-ray
Director: Lars von Trier
4K Restoration: Curzon 4K Blu-ray
Director: Lars von Trier
Italy Eagle Pictures 4K Blu-ray or France Potemkine Blu-ray (needs gamma correction)
The movie was shot in HD and France Potemkine Blu-ray (needs gamma correction) has slightly stronger encoding than Italy Eagle Pictures 4K Blu-ray. Curzon Blu-ray is the worst of all three (not by much) see caps.
Director: Lars von Trier
Italy Eagle Pictures 4K Blu-ray or France Potemkine Blu-ray (needs gamma correction)
The movie was shot in HD and France Potemkine Blu-ray (needs gamma correction) has slightly stronger encoding than Italy Eagle Pictures 4K Blu-ray. Curzon Blu-ray is the worst of all three (not by much) see caps.
Director: Lars von Trier
Director: Lars von Trier
Director: Lars von Trier
Director: Lars von Trier
Director: Lars von Trier
Director: Lars von Trier
Director: Andrei Tarkovsky
Mosfilm official 4K Youtube Streaming is the only release for the new 4K restoration. Mosfilm's release has no sepia, and whether or not if this is the original color grading is still under debate.
For other releases: Netherlands Lumière Blu-ray is best, but all releases of the 2K restoration have issues:
German Filmjuwelen 4K Blu-ray is 2K upscale and has incorrectly pitched Russian audio. See caps
Criterion Blu-ray/Germany Filmjuwelen Blu-ray have yellow tint on sepia scenes
France Potemkine (Standalone) has raised blacks and poor encoding
France Potemkine (Boxset) has orange tint on sepia scenes and poor encoding
Netherlands Lumière has correct sepia scenes, good encode, but gamma is slightly off.
Italy General Video Recording has correct sepia scenes but gamma is off (more so than Netherlands Blu-ray and worse encode)
Director: Andrei Tarkovsky
Mosfilm official 4K Youtube Streaming is the only release for the new 4K restoration. Mosfilm's release has no sepia, and whether or not if this is the original color grading is still under debate.
For other releases: Netherlands Lumière Blu-ray is best, but all releases of the 2K restoration have issues:
German Filmjuwelen 4K Blu-ray is 2K upscale and has incorrectly pitched Russian audio. See caps
Criterion Blu-ray/Germany Filmjuwelen Blu-ray have yellow tint on sepia scenes
France Potemkine (Standalone) has raised blacks and poor encoding
France Potemkine (Boxset) has orange tint on sepia scenes and poor encoding
Netherlands Lumière has correct sepia scenes, good encode, but gamma is slightly off.
Italy General Video Recording has correct sepia scenes but gamma is off (more so than Netherlands Blu-ray and worse encode)
Director: Éric Rohmer
Director: Éric Rohmer
Director: Jacques Rivette
Director: Jacques Rivette
MoC > Kino Lorber (see slowpics for comparison). No information on Potemkine.
MoC has higher bitrate than Kino Lorber, also the contrast is increased. But there is no noticeable reduction in visible film damage presented between the two offerings.
MoC > Kino Lorber (see slowpics for comparison). No information on Potemkine.
MoC has higher bitrate than Kino Lorber, also the contrast is increased. But there is no noticeable reduction in visible film damage presented between the two offerings.
Director: Leos Carax
Shout! Factory BD (caveat: burned-in English subtitles)
The Indomina release (and possibly some other releases) censor a scene of full frontal nudity via optical blurring, the Shout release is uncensored.
Director: Leos Carax
Shout! Factory BD (caveat: burned-in English subtitles)
The Indomina release (and possibly some other releases) censor a scene of full frontal nudity via optical blurring, the Shout release is uncensored.
Criterion 4K Blu-ray > France Potemkine 4K Blu-ray > Germany StudioCanal 4K Blu-ray see caps. Criterion has the best encode.
While the framing of Criterion is different, they are actually both faithful to the original theatrical versions see post1 and post2 by b0b.
1993 New Line LaserDisc
Criterion 4K Blu-ray > France Potemkine 4K Blu-ray > Germany StudioCanal 4K Blu-ray see caps. Criterion has the best encode.
While the framing of Criterion is different, they are actually both faithful to the original theatrical versions see post1 and post2 by b0b.
1993 New Line LaserDisc
Edit History
Made with ❤️ 📀 by vanshady