My American Uncle (1980)
Mon oncle d'Amérique
Comedy, Drama, Romance • 2h 3m
Overview
Prof. Henri Laborit uses the stories of the lives of three people to discuss behaviorist theories of survival, combat, rewards and punishment, and anxiety. René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing. Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite. Jean is a controversial career-climbing writer/politician at a crossroads in life.
Director: Alain Resnais
Cast: Gérard Depardieu, Nicole Garcia, Roger Pierre, Nelly Borgeaud, Pierre Arditi, Gérard Darrieu, Philippe Laudenbach, Marie Dubois, Henri Laborit, Bernard Malaterre, Laurence Roy, Alexandre Rignault, Véronique Silver, Jean Lescot, Geneviève Mnich, Maurice Gauthier, Guillaume Boisseau, Ina Bedart, Ludovic Salis, François Calvez, Stephanie Loustau, Monique Mauclair, Damien Boisseau, Gaston Vacchia, Bertrand Lepage, Jean-Philippe Puymartin, Catherine Frot, Valérie Dréville, Brigitte Roüan, Max Vialle, Yves Peneau, Jean-Bernard Guillard, Laurence Février, Charlotte Bonnet, Jean Dasté, Anne-Christine Joinneau, Sébastien Drai, Marjorie Godin, Liliane Gaudet, Isabelle Ganz, Maria Laborit, Albert Médina, Laurence Badie, Carène Ferrey, Sabine Thomas, Catherine Serre, Jacques Rispal, Héléna Manson, Serge Feuillard, Gilette Barbier, Dominique Rozan, Michel Muller
Director: Alain Resnais
Director: Alain Resnais
Director: Alain Resnais
Director: Alain Resnais
Director: Alain Resnais
Director: Alain Resnais
Director: Alain Resnais
No Blu-ray, potential resto
No Blu-ray, potential resto https://www.filmlinc.org/daily/nyff-51-providence-found-alain-resnais-70s-film-undergoes-a-renaissance/
Director: Alain Resnais
No Blu-ray, potential resto
No Blu-ray, potential resto https://www.filmlinc.org/daily/nyff-51-providence-found-alain-resnais-70s-film-undergoes-a-renaissance/
Director: Jacques Rivette
Director: Jacques Rivette
MoC > Kino Lorber (see slowpics for comparison). No information on Potemkine.
MoC has higher bitrate than Kino Lorber, also the contrast is increased. But there is no noticeable reduction in visible film damage presented between the two offerings.
MoC > Kino Lorber (see slowpics for comparison). No information on Potemkine.
MoC has higher bitrate than Kino Lorber, also the contrast is increased. But there is no noticeable reduction in visible film damage presented between the two offerings.
Director: Leos Carax
Shout! Factory BD (caveat: burned-in English subtitles)
The Indomina release (and possibly some other releases) censor a scene of full frontal nudity via optical blurring, the Shout release is uncensored.
Director: Leos Carax
Shout! Factory BD (caveat: burned-in English subtitles)
The Indomina release (and possibly some other releases) censor a scene of full frontal nudity via optical blurring, the Shout release is uncensored.
Criterion 4K Blu-ray > France Potemkine 4K Blu-ray > Germany StudioCanal 4K Blu-ray see caps. Criterion has the best encode.
While the framing of Criterion is different, they are actually both faithful to the original theatrical versions see post1 and post2 by b0b.
1993 New Line LaserDisc
Criterion 4K Blu-ray > France Potemkine 4K Blu-ray > Germany StudioCanal 4K Blu-ray see caps. Criterion has the best encode.
While the framing of Criterion is different, they are actually both faithful to the original theatrical versions see post1 and post2 by b0b.
1993 New Line LaserDisc
Director: Lars von Trier
Italy Eagle Pictures 4K Blu-ray or France Potemkine Blu-ray (needs gamma correction)
The movie was shot in HD and France Potemkine Blu-ray (needs gamma correction) has slightly stronger encoding than Italy Eagle Pictures 4K Blu-ray. Curzon Blu-ray is the worst of all three (not by much) see caps.
Director: Lars von Trier
Italy Eagle Pictures 4K Blu-ray or France Potemkine Blu-ray (needs gamma correction)
The movie was shot in HD and France Potemkine Blu-ray (needs gamma correction) has slightly stronger encoding than Italy Eagle Pictures 4K Blu-ray. Curzon Blu-ray is the worst of all three (not by much) see caps.
Director: Andrei Tarkovsky
Netherlands Lumière Blu-ray is best, but all releases of the 2K restoration have issues:
Criterion Blu-ray/Germany Filmjuwelen Blu-ray have yellow tint on sepia scenes
France Potemkine (Standalone) has raised blacks and poor encoding
France Potemkine (Boxset) has orange tint on sepia scenes and poor encoding
Netherlands Lumière has correct sepia scenes, good encode, but gamma is slightly off.
Italy General Video Recording has correct sepia scenes but gamma is off (more so than Netherlands Blu-ray and worse encode)
Director: Andrei Tarkovsky
Netherlands Lumière Blu-ray is best, but all releases of the 2K restoration have issues:
Criterion Blu-ray/Germany Filmjuwelen Blu-ray have yellow tint on sepia scenes
France Potemkine (Standalone) has raised blacks and poor encoding
France Potemkine (Boxset) has orange tint on sepia scenes and poor encoding
Netherlands Lumière has correct sepia scenes, good encode, but gamma is slightly off.
Italy General Video Recording has correct sepia scenes but gamma is off (more so than Netherlands Blu-ray and worse encode)
More Comedy on Blu-ray
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: George Sidney
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: George Sidney
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: John Waters
Director: John Waters
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
1991 Warner Bros LaserDisc (for original mono track)
1996 Warner Bros 25th Anniversary LaserDisc has isolated music and effects track (incorrectly labeled "music minus vocals") not present on any other release
1991 Warner Bros LaserDisc (for original mono track)
1996 Warner Bros 25th Anniversary LaserDisc has isolated music and effects track (incorrectly labeled "music minus vocals") not present on any other release
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Tommy Wirkola
Director: Tommy Wirkola
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
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