Antoine & Antoinette (1947)
Antoine et Antoinette
Drama, Comedy, Romance • 1h 28m
Overview
1947, in France, Antoine and Antoinette, a young couple living in Paris, lead a monotonous existence: he works in a print shop while she is a shop assistant. But one evening, they regain hope: Antoine finds a winning lottery ticket in his girlfriend's handbag. He decides to cash it in, but loses his wallet. What follows is a series of twists and turns that redefine the couple's priorities while forcing them to remain optimistic.
Director: Jacques Becker
Cast: Roger Pigaut, Claire Mafféi, Noël Roquevert, Gaston Modot, Louis de Funès, Brigitte Auber, Made Siamé, Charles Camus, Charles Vissières, Jean-Marc Tennberg, Pierre Trabaud, Jacques Meyran, François Joux, Huguette Faget, Émile Drain, Gérard Oury, Marcelle Hainia, Annette Poivre, Nicolas Amato, Odette Barencey, Léon Bary, Nicole Courcel, Bob Ingarao, Paulette Jan, Pierre Leproux, Yette Lucas, Maurice Marceau, Marthe Mellot, René Stern, Jean-Marc Thibault, Renée Thorel, Paul Barge
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Criterion Blu-ray> Artificial Eye Blu-ray, Korea Nova Media 4K Blu-ray release is AI upscaled
Criterion Blu-ray> Artificial Eye Blu-ray, Korea Nova Media 4K Blu-ray release is AI upscaled
Director: Federico Fellini
2022 Paramount Blu-ray
2014 Criterion Blu-ray is from the same master and has only slightly worse compression. JP/DE/FR releases all have incorrect levels. Caps
2022 Paramount Blu-ray
All Blu-ray releases are from the same mastering, superior to the one on older DVD releases which is sourced from a higher generation source. They all sound about the same, with the exception of Criterion, which sounds worse due to extraneous filtering.
Paramount's disc also includes a contemporary English dub, previously unreleased on home video.
Director: Federico Fellini
2022 Paramount Blu-ray
2014 Criterion Blu-ray is from the same master and has only slightly worse compression. JP/DE/FR releases all have incorrect levels. Caps
2022 Paramount Blu-ray
All Blu-ray releases are from the same mastering, superior to the one on older DVD releases which is sourced from a higher generation source. They all sound about the same, with the exception of Criterion, which sounds worse due to extraneous filtering.
Paramount's disc also includes a contemporary English dub, previously unreleased on home video.
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Claude Lelouch
Director: Claude Lelouch
Director: Ruben Östlund
Director: Ruben Östlund
Director: Andrzej Wajda
Martin Scorsese Presents: Masterpieces of Polish Cinema, Volume 1 Blu-ray
Martin Scorsese Presents: Masterpieces of Polish Cinema, Volume 1 Blu-ray or potentially French Intersections Blu-ray but not English-friendly
There are no comparisons, and all releases are likely the same transfer from 2K restoration. However, given that other releases in the Martin Scorsese Presents: Masterpieces of Polish Cinema, Volume 1 Blu-ray are superior to other Polish releases, likely the same conclusion applies here.
Director: Andrzej Wajda
Martin Scorsese Presents: Masterpieces of Polish Cinema, Volume 1 Blu-ray
Martin Scorsese Presents: Masterpieces of Polish Cinema, Volume 1 Blu-ray or potentially French Intersections Blu-ray but not English-friendly
There are no comparisons, and all releases are likely the same transfer from 2K restoration. However, given that other releases in the Martin Scorsese Presents: Masterpieces of Polish Cinema, Volume 1 Blu-ray are superior to other Polish releases, likely the same conclusion applies here.
Director: Chen Kaige
Director: Chen Kaige
Kino Lorber Blu-ray and StudioCanal looks exactly the same https://caps-a-holic.com/c.php?d1=15631&d2=10712&c=4277
Kino Lorber Blu-ray and StudioCanal looks exactly the same https://caps-a-holic.com/c.php?d1=15631&d2=10712&c=4277
Director: Jacques Becker
Director: Jacques Becker
Director: Jacques Becker
France StudioCanal Blu-ray better encode than UK/Germany StudioCanal Blu-ray
Director: Jacques Becker
France StudioCanal Blu-ray better encode than UK/Germany StudioCanal Blu-ray
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Vigo
Director: Jean Vigo
Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Director: Christian-Jaque
Director: Christian-Jaque
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Robert Bresson
Director: Robert Bresson
Director: Louis Malle
Director: Louis Malle
Directors: Eric Summer & Éric Warin
2D Version: Entertainment One Canada Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
2D Version: Gaumont France Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
Original French audio: Gaumont France Blu-ray
English export dub: StudioCanal Australia Blu-ray
Also known as: Leap!.
France Blu-ray has the best video and best audio for the original French version, but has no English subtitles.
Canada Blu-ray has inferior video and audio to other versions, but is the only version that has French audio with English subtitles (dubtitles from the export dub).
UK Blu-ray censors one of the songs. Australia and Canada Blu-rays present the uncensored export dub, with better audio in the former.
US Blu-ray only has the redub.
Spain 3D Blu-ray has the English export dub titles instead of the original French titles.
Directors: Eric Summer & Éric Warin
2D Version: Entertainment One Canada Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
2D Version: Gaumont France Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
Original French audio: Gaumont France Blu-ray
English export dub: StudioCanal Australia Blu-ray
Also known as: Leap!.
France Blu-ray has the best video and best audio for the original French version, but has no English subtitles.
Canada Blu-ray has inferior video and audio to other versions, but is the only version that has French audio with English subtitles (dubtitles from the export dub).
UK Blu-ray censors one of the songs. Australia and Canada Blu-rays present the uncensored export dub, with better audio in the former.
US Blu-ray only has the redub.
Spain 3D Blu-ray has the English export dub titles instead of the original French titles.
Director: Maurice Pialat
Director: Maurice Pialat
Director: Henri Verneuil
Director: Henri Verneuil
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