The Big Blue (1988)
Le Grand Bleu
Romance, Drama, Adventure • 2h 48m
Overview
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest -- determining who can dive deeper and longer without scuba gear -- Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
Director: Luc Besson
Cast: Jean-Marc Barr, Jean Reno, Rosanna Arquette, Paul Shenar, Sergio Castellitto, Jean Bouise, Marc Duret, Griffin Dunne, Valentina Vargas, Kimberly Beck, Alessandra Vazzoler, Andréas Voutsinas, Patrick Fontana, Geoffrey Carey, Jan Rouiller, Pierre Semmler, Pierre-Alain de Garrigues, Claude Besson, Bruce Guerre-Berthelot, Gregory Forstner, Eric Do, Jacques Lévy, Paul Herman, Franco Diogene, Konstantin Aleksandrov, Luc Besson, Valentina Castellani, Christian Gazio
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
Director: Luc Besson
Sony 4K Blu-ray included in the Luc Besson Collection
Sony 4K Blu-ray included in the Luc Besson Collection see caps
Original DVD has a few exclusive extras like a isolated score
Sony 4K Blu-ray included in the Luc Besson Collection
Sony 4K Blu-ray included in the Luc Besson Collection see caps
Original DVD has a few exclusive extras like a isolated score
Director: Luc Besson
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, it is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
Director: Luc Besson
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, it is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
Director: Luc Besson
2025 Sony 4K Blu-ray from the Luc Besson 9-Film Collection: has Dolby Vision, better than 2017/2020 Sony 4K Blu-ray
2025 Sony 4K Blu-ray from the Collection: has the English Original 5.1
This title was released many times on 4K Blu-ray and Steelbooks, there was a TC Entertainment 4K Blu-ray with 5.1 and Dolby Vision too before the Luc Besson Collection was released but differences are unknown, so not recommended for English users.
Director: Luc Besson
2025 Sony 4K Blu-ray from the Luc Besson 9-Film Collection: has Dolby Vision, better than 2017/2020 Sony 4K Blu-ray
2025 Sony 4K Blu-ray from the Collection: has the English Original 5.1
This title was released many times on 4K Blu-ray and Steelbooks, there was a TC Entertainment 4K Blu-ray with 5.1 and Dolby Vision too before the Luc Besson Collection was released but differences are unknown, so not recommended for English users.
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
Director: Michael Apted
Original matrixed Dolby Stereo: 2003 Sony/Columbia NTSC DVD 2.0
5.1 remix: 2024 Sony Blu-ray
The 5.1 track on the UHD is a remix originally included on the 2024 Blu-ray, but missing the LFE track. The UHD 2.0 track is a downmix of the faulty 5.1, severely lacking bass.
The digital track on the earlier LaserDisc is most likely the same as DVD, minus the lossy compression.
Director: Michael Apted
Original matrixed Dolby Stereo: 2003 Sony/Columbia NTSC DVD 2.0
5.1 remix: 2024 Sony Blu-ray
The 5.1 track on the UHD is a remix originally included on the 2024 Blu-ray, but missing the LFE track. The UHD 2.0 track is a downmix of the faulty 5.1, severely lacking bass.
The digital track on the earlier LaserDisc is most likely the same as DVD, minus the lossy compression.
Director: Rob Reiner
Director: Rob Reiner
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
Director: Albert Brooks
Director: Albert Brooks
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Antoine Fuqua
Director: Antoine Fuqua
More Romance on Blu-ray
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: George Sidney
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: George Sidney
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Vincent Ward
Director: Vincent Ward
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: John Waters
Director: John Waters
Director: John Ford
Director: John Ford
Director: Jean Vigo
Director: Jean Vigo
Director: Bryan Gordon
Director: Bryan Gordon
Edit History
6/5/2026
caps-a-holic
Added
https://caps-a-holic.com/c_list.php?c=3972
Added
https://caps-a-holic.com/c_list.php?c=3972
5/7/2026
Best Video Release
From
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. Studiocanal resolves finer detail but has encoding issues in highlights, the non-OCN shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
To
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
From
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. Studiocanal resolves finer detail but has encoding issues in highlights, the non-OCN shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
To
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
12/29/2025
Format
Added
UHD Blu-ray
Added
UHD Blu-ray
Best English-Friendly Release
Added
Added
Best Video Release
Added
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. Studiocanal resolves finer detail but has encoding issues in highlights, the non-OCN shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Added
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. Studiocanal resolves finer detail but has encoding issues in highlights, the non-OCN shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Blu-ray.com
Added
https://www.blu-ray.com/The-Big-Blue/22886/#Releases
Added
https://www.blu-ray.com/The-Big-Blue/22886/#Releases
