French Cancan (1954)
Comedy, Drama, Romance, Music • 1h 42m
Overview
Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.
Director: Jean Renoir
Cast: Jean Gabin, Françoise Arnoul, María Félix, Anna Amendola, Jean-Roger Caussimon, Dora Doll, Giani Esposito, Gaston Gabaroche, Jacques Jouanneau, Jean Parédès, Franco Pastorino, Michèle Philippe, Michel Piccoli, Albert Rémy, France Roche, Jean-Marc Tennberg, Valentine Tessier, Philippe Clay, Édith Piaf, Patachou, Cora Vaucaire, André Claveau, Mario Juillard, Jean Raymond, Martine Alexis, Claude Arnay, Robert Auboyneau, Bruno Balp, Maurice Barnay, Laurence Bataille, Claude Berri, Dorothée Blanck, Geneviève Bujold, Léo Campion, Jaque Catelain, René-Jean Chauffard, Jacques Ciron, Max Dalban, Sylvine Delannoy, Hubert Deschamps, Valentino Garavani, Henri-Roland Hercé, Jacques Hilling, Corinne Jansen, Jedlinska, Lydia Johnson, François Joux, Maïa Jusanova, Ursula Vian-Kübler, Palmyre Levasseur, Jacques Marin, Paul Mercey, Anne-Marie Mersen, Gaston Modot, Pierre Moncorbier, Annik Morice, Jean Mortier, Michèle Nadal, André Numès, Pierre Olaf, René Pascal, André Philip, Jean Sylvère, Rosy Varte, Madame Pâquerette
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
2021 StudioCanal Blu-ray
2021 StudioCanal Blu-ray has better encode and gamma levels compared to older StudioCanal Blu-ray caps
Director: Jean Renoir
2021 StudioCanal Blu-ray
2021 StudioCanal Blu-ray has better encode and gamma levels compared to older StudioCanal Blu-ray caps
StudioCanal 4k transfer
StudioCanal 4k transfer
Director: Jean Renoir
Kino Lorber/Raro Blu-ray
Director: Jean Renoir
Kino Lorber/Raro Blu-ray
Director: Jean Renoir
StudioCanal France and Spain have BDs
Director: Jean Renoir
StudioCanal France and Spain have BDs
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Criterion 4K Blu-ray see caps
Criterion 4K Blu-ray (same as all tracks since the DVD)
Criterion 4K Blu-ray see caps
Criterion 4K Blu-ray (same as all tracks since the DVD)
Director: Neil Jordan
Criterion 4K Blu-ray (caps)
Criterion is a new restoration from the original camera negative, supervised and approved by director Neil Jordan, graded using a 35mm print from the Academy Film Archive as a color reference.
Original matrixed Dolby Stereo: Criterion 4K Blu-ray
Criterion is a new transfer from the magnetic track and sounds better than previous releases. The 5.1 track on the NTSC DVD is a poor quality upmix.
Director: Neil Jordan
Criterion 4K Blu-ray (caps)
Criterion is a new restoration from the original camera negative, supervised and approved by director Neil Jordan, graded using a 35mm print from the Academy Film Archive as a color reference.
Original matrixed Dolby Stereo: Criterion 4K Blu-ray
Criterion is a new transfer from the magnetic track and sounds better than previous releases. The 5.1 track on the NTSC DVD is a poor quality upmix.
Director: Nagisa Ōshima
Criterion 4K Blu-ray (caps)
Criterion is a very nice uptick in detail and resolution. The color grade is very similar, but leans more neutral, reducing the greenish/blueish hues seen on the MoC disc.
Unrestored: Shochiku JP NTSC DVD
Restored: Masters of Cinema UK Blu-ray
The JP DVD track is unfiltered and sounds much more natural and detailed, but suffers from a strong CRT whine and an intermittent low-end hum. The track used on all later restorations is a bit muffled and has overemphasized bass.
Criterion applied additional EQ and roll-off to the restored track, but the audible difference is minimal.
Criterion has a different translation to MoC, but both are solid and trade blows, see comparison.
Director: Nagisa Ōshima
Criterion 4K Blu-ray (caps)
Criterion is a very nice uptick in detail and resolution. The color grade is very similar, but leans more neutral, reducing the greenish/blueish hues seen on the MoC disc.
Unrestored: Shochiku JP NTSC DVD
Restored: Masters of Cinema UK Blu-ray
The JP DVD track is unfiltered and sounds much more natural and detailed, but suffers from a strong CRT whine and an intermittent low-end hum. The track used on all later restorations is a bit muffled and has overemphasized bass.
Criterion applied additional EQ and roll-off to the restored track, but the audible difference is minimal.
Criterion has a different translation to MoC, but both are solid and trade blows, see comparison.
Director: Claire Denis
Director: Claire Denis
Director: Jennie Livingston
Director: Jennie Livingston
Director: Gordon Parks
Director: Gordon Parks
Director: Delmer Daves
Criterion 4K Blu-ray see caps
All audio tracks originate from the same DVD-era master, no real audible differences between them, but Carlotta is least filtered out of all
Director: Delmer Daves
Criterion 4K Blu-ray see caps
All audio tracks originate from the same DVD-era master, no real audible differences between them, but Carlotta is least filtered out of all
Director: Alan J. Pakula
Director: Alan J. Pakula
More Comedy on Blu-ray
Director: Charles Walters
Warner Archive 4K Blu-ray is a VistaVision remaster, FiM encode
Warner Archive 4K Blu-ray's new Atmos is based on the original tracks and the mono is said to be excellent
Director: Charles Walters
Warner Archive 4K Blu-ray is a VistaVision remaster, FiM encode
Warner Archive 4K Blu-ray's new Atmos is based on the original tracks and the mono is said to be excellent
Director: Joe Dante
Director: Joe Dante
Director: Tim Burton
Director: Tim Burton
Director: Mark Jones
Lionsgate US 4K Blu-ray (replacement disc)
Lionsgate US 4K Blu-ray (replacement disc)
Original matrixed Ultra Stereo mix: Lionsgate 2014 US Blu-ray
5.1 remix: Lionsgate US 4K Blu-ray
Both 4K discs include a mono downmix instead of a proper stereo.
Original Lionsgate disc was encoded in incorrect colorspace and used a lossy->lossless transcode for the 5.1 mix.
Director: Mark Jones
Lionsgate US 4K Blu-ray (replacement disc)
Lionsgate US 4K Blu-ray (replacement disc)
Original matrixed Ultra Stereo mix: Lionsgate 2014 US Blu-ray
5.1 remix: Lionsgate US 4K Blu-ray
Both 4K discs include a mono downmix instead of a proper stereo.
Original Lionsgate disc was encoded in incorrect colorspace and used a lossy->lossless transcode for the 5.1 mix.
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Cinema DTS
The old 2 disc DVD has extras missing from 4K Blu-Ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Cinema DTS
The old 2 disc DVD has extras missing from 4K Blu-Ray
Director: Blake Edwards
Mono: Kino Lorber US Blu-ray possibly?
Director: Blake Edwards
Mono: Kino Lorber US Blu-ray possibly?
Director: Michael Pataki
Director: Michael Pataki
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Takashi Miike
Director: Takashi Miike
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