An Officer and a Spy (2019)
J'accuse
History, Drama, Thriller • 2h 12m
Director: Roman Polanski
Cast: Jean Dujardin, Louis Garrel, Emmanuelle Seigner, Grégory Gadebois, Hervé Pierre, Wladimir Yordanoff, Didier Sandre, Melvil Poupaud, Eric Ruf, Mathieu Amalric, Laurent Stocker, Vincent Perez, Michel Vuillermoz, Vincent Grass, Denis Podalydès, Damien Bonnard, Laurent Natrella, Bruno Raffaelli, Christophe Maratier, Pierre Poirot, Stefan Godin, Yannik Landrein, Luca Barbareschi, Mohammed Lakhdar-Hamina, Kevin Garnichat, Vincent de Boüard, Luce Mouchel, Fabien Tucci, Fred Epaud, Nicolas Wanczycki, Franck Mercadal, Philippe Magnan, Pierre Forest, Édith Le Merdy, Jeanne Rosa, Benoît Allemane, Ludovic Paris, Gérard Chaillou, Nicolas Bridet, André Marcon, Pierre Aussedat, Rafaël de Ferran, Jean-Marie Frin, Swan Starosta, Jean-Gilles Barbier, Jean-Marie Lecoq, Thierry Gimenez, Clément Jacqmin, Boris Ventura-Diaz, Lionel Mur, Raphaël Caraty, Yves-Pol Deniélou, Élodie Auger, Margritte Gouin, Élodie Lobjois, Mélanie Malet, Carole Mongin, Laurine Ristroph, Thibault Signovert, Valentin Cotton, Florian Blot, Adrien Boulanger, Julien Francomano, Camille-Raphaël Bérard, Marc Legrand, Jean-Baptiste Souchon, Emmanuel Borghi, Jérome Duhamel, Patrick Perrin, Jean-Jacques Breniaud, Benjamin Dubos, Romain Mestre, Guy Chaillaud, Charles Lapierre, Mickael Cartier, Brigitte Boucher, Mathieu Cayrou, Michèle Clément, Nicolas de Lavergne, Benjamin Gouzien, Pierre Hurel, Romain Lehnhoff, Pierre Léon Luneau, Roman Polanski, Charles Tesnière, Antoine Zerbini
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About the film
In 1894, French Captain Alfred Dreyfus is wrongfully convicted of treason and sentenced to life imprisonment at the Devil’s Island penal colony.
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: Roman Polanski
Kino Lorber disc has audio pitch errors
Director: Roman Polanski
Director: Roman Polanski
Paramount disappointing 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: Roman Polanski
Video format: 1080p Blu-ray
Video format: 1080p Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Gaumont Blu-ray but no English subtitles: https://www.blu-ray.com/movies/Deux-sous-de-violettes-Blu-ray/288976/
Director: René Clair
Video format: 1080p Blu-ray
Director: Jean Renoir
Sources: Blu-ray.com (opens in a new tab) · DVDBeaver (opens in a new tab)
(both from the same flawed restoration)
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Luc Besson
Sources: caps-a-holic (opens in a new tab)
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Director: Christian-Jaque
Video format: 1080p Blu-ray
Director: Robert Bresson
Directors: Eric Summer & Éric Warin
2D Version: Entertainment One Canada Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
2D Version: Gaumont France Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
Original French audio: Gaumont France Blu-ray
English export dub: StudioCanal Australia Blu-ray
Also known as: Leap!.
France Blu-ray has the best video and best audio for the original French version, but has no English subtitles.
Canada Blu-ray has inferior video and audio to other versions, but is the only version that has French audio with English subtitles (dubtitles from the export dub).
UK Blu-ray censors one of the songs. Australia and Canada Blu-rays present the uncensored export dub, with better audio in the former.
US Blu-ray only has the redub.
Spain 3D Blu-ray has the English export dub titles instead of the original French titles.
Director: Maurice Pialat
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Gaumont France Blu-ray with english subtitles.
The source from Eclair lab has their usual teal tint see BD provided extras for before and after https://slow.pics/c/GEOvltF0
Director: Henri Verneuil
Video format: 1080p Blu-ray
English-friendly, and 2K restoration from Original Camera Negative
More History on Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: David Lean
Sources: Blu-ray.com (opens in a new tab)
The 5.1 on Sony 4K Blu-ray is from the 1989 70mm mix. The original is 4-track. not on the disc.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
US Criterion 4K Blu-ray > UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: Masaaki Yuasa
Director: David Lean
Director: Martin Scorsese
Other releases have horrendous DNR
Director: Ingmar Bergman
Director: Miloš Forman
Theatrical: WB 4K Blu-ray
Extended: Warner Bros Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Warner Bros 4K Blu-ray: Huge improvement in colors and detail. The restoration was done by the Academy instead of WB MPI which explains that there’s no grain management or issues with colors. They also accessed the original credit optical and scanned that one instead of recreating them digitally
Theatrical: WB 4K Blu-ray, according to Saentz, the 5.0 is a recreation of the original and subsequently 70mm mix from original elements.
StudioCanal Blu-ray
StudioCanal was overseen and approved by Nicolas Roeg and has a more filmic color grade than the Warner Archive Blu-Ray.
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Every recommendation follows the same method — how these calls are made.