Parasite (2019)
기생충
Comedy, Thriller, Drama • 2h 12m
Director: Bong Joon Ho
Cast: Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, Park So-dam, Lee Jung-eun, Chang Hyae-jin, Park Myung-hoon, Jung Ji-so, Jung Hyeon-jun, Park Keun-rok, Jung Yi-seo, Cho Jae-myung, Jeong Ik-han, Kim Kyu-baek, Ahn Seong-bong, Yoon Young-woo, Park Jae-wook, Lee Dong-yong, Jeon Eun-mi, Kim Geon, Lee Joo-hyung, Lee Ji-hye, Kim Bo-ryeong, Park Hye-sook, Baek Seung-hwan, Riccardo Ferraresso, Ko Kwan-jae, Lee Si-hoon, Seo Bok-hyeon, Shim Soo-mi, Yoon Hye-ree, Andreas Fronk, Anna Elisabeth Rihlmann, Rosie Peralta, Shin Seung-min, Park Seo-jun, Kwak Sin-ae, Choi Jeong-hyun, Kim Ha-eon, Lee Eun-hee, Choi Ji-won, Park Jae-wan, Hwang In-gyeong, Kim Yeong-jo, Kim Jung-woo, Lee Sang-kyung, Lee Si-hoo, Ahn Jin-sang
Best English-friendly release · updated 9 months ago
UHD tiers
Overview
All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Ingmar Bergman
Director: Jean-Luc Godard
Directors: Emeric Pressburger & Michael Powell
Imprint 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · filmalert101.blogspot.com (opens in a new tab) · slow.pics (opens in a new tab)
FiM encode and none of the low-pass filtering present on the Criterion 4K, resulting in more detail and better handling of highlights on Imprint
Review, comparisons
All HD and 4K sources use the same 2009 restoration. Criterion's master (also used by Imprint) is a bit more rolled off, though the difference is minor.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Sources: Criterion Forum (opens in a new tab)
For Blu-ray Criterion Demy Set > StudioCanal
Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab)
See chris's review
1991 Daiei LaserDisc
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: Bong Joon Ho
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Director: Bong Joon Ho
Video format: UHD Blu-ray
DNR-affected, low-res original 2K DI upscaled but strong compression and Atmos
Sources: Criterion Forum (opens in a new tab)
4k transfer. Shochiku Blu-ray is similar
Sources: Criterion Forum (opens in a new tab)
Curzon 4K Blu-ray scheduled for October 2026 release
Supposed to have better translation than Criterion.
Director: Wong Kar-Wai
Video format: 1080p Blu-ray
2010 US Kino Lorber or 2012 UK Artificial Eye
Sources: slow.pics (opens in a new tab)
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Andrei Tarkovsky
Theatrical Cut: UK Artificial Eye Blu-ray
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream
Sources: Criterion Forum (opens in a new tab) · YouTube (opens in a new tab)
Theatrical Cut: Netherlands Lumière Blu-ray has best encoding
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream
Theatrical Cut: UK Artificial Eye Blu-ray > Criterion
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: 2011/2018 RU Blu-ray
Passion According to Andrei Cut: ??
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
UK Artificial Eye vs France Carlotta no comparison
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