The Substance (2024)
Horror, Science Fiction, Drama, Comedy • 2h 21m
Overview
A fading celebrity decides to use a black market drug, a cell-replicating substance that temporarily creates a younger, better version of herself.
Director: Coralie Fargeat
Cast: Demi Moore, Margaret Qualley, Dennis Quaid, Edward Hamilton-Clark, Gore Abrams, Oscar Lesage, Christian Erickson, Robin Greer, Tom Morton, Hugo Diego Garcia, Daniel Knight, Jonathon Carley, Jiselle Henderkott, Akil Wingate, Vincent Colombe, Billy Bentley, Lennard Ridsdale, Jordan Ford Silver, Oscar Salem, Viviane Bossina, Matthew Luret, Jana Bittnerová, Olivier Raynal, Tiffany Hofstetter, Nicolas Royer, Nathan Rippy, Manon Arizmendi, Virginie Kotlinski, Brett Gillen, Charlotte Marquardt, Léa Hengl, Gaëlle Raymond, Claire Lemaire, Lila Boughoufala, Aurélien Lorgnier, Ivan Sellier, Philip Schurer, Christian Bourmier, Martin Graham, Christian Bordeleau, Patrick Hamel, Didier Dhondt, Jacques-Yves Dorges, Jean-Claude Matthey, Olivier Jarcin, Jean-Luc Magneron, Charlotte Murray, Aaron Kahn, Gabriela Arnon, Nancy Josephson Lahoussine, Andrew Eldridge, Denise Powers, Bryan Jones, Adam Carage, Maria McClurg, Andrew Desmond, Rebecca Lafont, Laura Puech, Ryan Chidester, Cécile Vogt, Yannick Guérin, Jean Miel, Paul Descoings, Benoit Lévêque, Arthur Molinet, Manon Sachot, Bastien Jorelle, Kelly Hoarau, Michel Juskiewicz, Louise Greggory, Christophe Sartirano, Florent Torres, Romain Caldeira, Barthelemy Thomas, Axel Baille, Ashley Lambert, Ranjani Brow, Chase Fein, Shane Sweet, William Calvert, Michael Corbett, Stephen Apostolina, Yann Bean, Audjyan Alcide, Jonathan Jenvrin, Mimi Maury, Amelye Solange, Kévin Table, Laura Boera, Cissy Duc, Sophie Mercier, Marie Valton, Katrina Budzynski, Alicia Maury, Megane Adamik, Annalisa Pagnotta, Maelle Dantigny, Aleksandra Kedzierska Fontaine, Pauline Sagetat, Agustina Fitzsimons, Elena Shcheglova, Eve Marchant, Lola Donati, Kate Matthews, Ophélie Jonard, Pauline Richard, Laureen Cappelliez, Daria Panchenko, Delphine Beaulieu, Victoria Brun, Cara Chapman, Katharine Matthews, Alexandra Faget, Clémence Juville, Margot L'Entete, Hillary Sukhonos, Matthew Géczy, Namory Bakayoko, Gregory Defleur, Coralie Fargeat
Director: Coralie Fargeat
Director: Coralie Fargeat
Director: Paul Feig
France 4K Blu-ray > Italy Eagle Pictures > US Lionsgate - caps
credits are in French though
Director: Paul Feig
France 4K Blu-ray > Italy Eagle Pictures > US Lionsgate - caps
credits are in French though
Director: Bernardo Bertolucci
2023 Eagle Pictures Italy 4K Blu-ray: color is fine
2023 Eagle Pictures Italy 4K Blu-ray: color is fine
Director: Bernardo Bertolucci
2023 Eagle Pictures Italy 4K Blu-ray: color is fine
2023 Eagle Pictures Italy 4K Blu-ray: color is fine
Director: Renny Harlin
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Pick your poison between Eagle Pictures or Sony.
Director: Renny Harlin
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Pick your poison between Eagle Pictures or Sony.
Director: Alan Parker
Director: Alan Parker
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Akira Kurosawa
Italy Eagle Pictures 4K Blu-ray >StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Akira Kurosawa
Italy Eagle Pictures 4K Blu-ray >StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Peter MacDonald
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal but no forced subs on non-English dialogue
Director: Peter MacDonald
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal but no forced subs on non-English dialogue
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal
Director: Damien Chazelle
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else
Director: Damien Chazelle
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else
More Horror on Blu-ray
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
Director: Wes Craven
France M6 Video 4K Blu-ray
France M6 Video - Geoff D review.
Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.
US releases for the original audio
Pay per view version audio is on the UK Entertainment in Video Blu-ray and the France M6 Video 4K Blu-ray
Lionsgate Limited 4K Blu-ray has exclusive extras
Director: Wes Craven
France M6 Video 4K Blu-ray
France M6 Video - Geoff D review.
Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.
US releases for the original audio
Pay per view version audio is on the UK Entertainment in Video Blu-ray and the France M6 Video 4K Blu-ray
Lionsgate Limited 4K Blu-ray has exclusive extras
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Director: Peter Medak
Imprint 4K Blu-ray scheduled for August 2026 release
Director: Peter Medak
Imprint 4K Blu-ray scheduled for August 2026 release
Director: Roger Donaldson
88 Films & Scream Factory 4K Blu-ray
Imprint 4K Blu-ray scheduled for August 2026 release
88 Films tied with Scream Factory 4K Blu-ray (88 Films is FiM encoded)
88 Films and Scream Factory have exclusive extras
Director: Roger Donaldson
88 Films & Scream Factory 4K Blu-ray
Imprint 4K Blu-ray scheduled for August 2026 release
88 Films tied with Scream Factory 4K Blu-ray (88 Films is FiM encoded)
88 Films and Scream Factory have exclusive extras
Director: Gordon Douglas
Director: Gordon Douglas
Director: George A. Romero
Mono: 35mm scan, old Shout! Factory and Australia Umbrella Blu-ray sounds better than the rest of the discs, but has noise reduction
Stereo: Shout! Factory 4K Blu-ray has a transfer of the 1986 Japan LaserDisc Stereo
Director: George A. Romero
Mono: 35mm scan, old Shout! Factory and Australia Umbrella Blu-ray sounds better than the rest of the discs, but has noise reduction
Stereo: Shout! Factory 4K Blu-ray has a transfer of the 1986 Japan LaserDisc Stereo
Director: Tod Browning
Director: Tod Browning
Edit History
10/21/2025
Best English-Friendly Release
From
MUBI UHD
From
MUBI UHD
Best Video Release
From
MUBI UHD
From
MUBI UHD
Blu-ray.com
Added
https://www.blu-ray.com/The-Substance/1651528/
Added
https://www.blu-ray.com/The-Substance/1651528/
3/20/2025
