The Substance (2024)
Horror, Science Fiction, Drama, Comedy • 2h 21m
Director: Coralie Fargeat
Cast: Demi Moore, Margaret Qualley, Dennis Quaid, Edward Hamilton-Clark, Gore Abrams, Oscar Lesage, Christian Erickson, Robin Greer, Tom Morton, Hugo Diego Garcia, Daniel Knight, Jonathon Carley, Jiselle Henderkott, Akil Wingate, Vincent Colombe, Billy Bentley, Lennard Ridsdale, Jordan Ford Silver, Oscar Salem, Viviane Bossina, Matthew Luret, Jana Bittnerová, Olivier Raynal, Tiffany Hofstetter, Nicolas Royer, Nathan Rippy, Manon Arizmendi, Virginie Kotlinski, Brett Gillen, Charlotte Marquardt, Léa Hengl, Gaëlle Raymond, Claire Lemaire, Lila Boughoufala, Aurélien Lorgnier, Ivan Sellier, Philip Schurer, Christian Bourmier, Martin Graham, Christian Bordeleau, Patrick Hamel, Didier Dhondt, Jacques-Yves Dorges, Jean-Claude Matthey, Olivier Jarcin, Jean-Luc Magneron, Charlotte Murray, Aaron Kahn, Gabriela Arnon, Nancy Josephson Lahoussine, Andrew Eldridge, Denise Powers, Bryan Jones, Adam Carage, Maria McClurg, Andrew Desmond, Rebecca Lafont, Laura Puech, Ryan Chidester, Cécile Vogt, Yannick Guérin, Jean Miel, Paul Descoings, Benoit Lévêque, Arthur Molinet, Manon Sachot, Bastien Jorelle, Kelly Hoarau, Michel Juskiewicz, Louise Greggory, Christophe Sartirano, Florent Torres, Romain Caldeira, Barthelemy Thomas, Axel Baille, Ashley Lambert, Ranjani Brow, Chase Fein, Shane Sweet, William Calvert, Michael Corbett, Stephen Apostolina, Yann Bean, Audjyan Alcide, Jonathan Jenvrin, Mimi Maury, Amelye Solange, Kévin Table, Laura Boera, Cissy Duc, Sophie Mercier, Marie Valton, Katrina Budzynski, Alicia Maury, Megane Adamik, Annalisa Pagnotta, Maelle Dantigny, Aleksandra Kedzierska Fontaine, Pauline Sagetat, Agustina Fitzsimons, Elena Shcheglova, Eve Marchant, Lola Donati, Kate Matthews, Ophélie Jonard, Pauline Richard, Laureen Cappelliez, Daria Panchenko, Delphine Beaulieu, Victoria Brun, Cara Chapman, Katharine Matthews, Alexandra Faget, Clémence Juville, Margot L'Entete, Hillary Sukhonos, Matthew Géczy, Namory Bakayoko, Gregory Defleur, Coralie Fargeat
Best English-friendly & video release
Updated 1 year ago
UHD tiers
About the film
A fading celebrity decides to use a black market drug, a cell-replicating substance that temporarily creates a younger, better version of herself.
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Sources: Blu-ray.com (opens in a new tab)
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
Director: Damien Chazelle
Video format: UHD Blu-ray
US Lionsgate Limited 4K Blu-ray re-release announced with Dolby Vision, a new exclusive bonus, and the previously retailer pre-order bonus-exclusive/Hong Kong-exclusive bonus interviews in HD
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else and only included as retailer-exclusive pre-order bonus DVDs with the US Blu-ray
Director: Sian Heder
Sources: slow.pics (opens in a new tab)
Apple TV 4K Blu-ray with Atmos
(Eagle Pictures is 5.1)
Video format: UHD Blu-ray
Sources: slow.pics (opens in a new tab) · Criterion Forum (opens in a new tab)
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
229 min cut (Theatrical): WB Blu-ray
139 min cut (US theatrical): VHS
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
229 min cut: Warner Bros LaserDisc
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Renny Harlin
Sources: caps-a-holic (opens in a new tab)
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Pick your poison between Eagle Pictures or Sony.
Director: Akira Kurosawa
Italy Eagle Pictures 4K Blu-ray >StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Peter MacDonald
Video format: UHD Blu-ray
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal but no forced subs on non-English dialogue
Video format: UHD Blu-ray
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal
More Horror on Blu-ray
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
4K restoration of the original 3D left eye and right eye camera negatives
Directors: Ernest B. Schoedsack & Merian C. Cooper
Director: Bernard Rose
Scream Factory/Arrow 4K Blu-ray or Turbine 4K Blu-Ray
SF and Turbine also have the 2004 Audio Commentary with Bernard Rose, Clive Barker, Alan Poul and actors Virginia Madsen, Tony Todd and Kasi Lemmons
Director: Peter Jackson
Sources: slow.pics (opens in a new tab)
Both will look identical in motion but the Turbine looks marginally better due to a higher bitrate allocation by each cut being given its own disc, whereas Arrow had FiM seamlessly branch the two onto one. However, Arrow has both cuts in Open Matte (on Blu-Ray) and corrected the opening Universal logo's aspect ratio. https://slow.pics/c/McvVcYDG
Director: Guillermo del Toro
Criterion 4K Blu-ray also includes exclusive "Reborn Cut"
Director: Lam Nai-choi
88 Films UK or Vinegar Syndrome US Blu-ray (preference)
Different color gradings, 88 Films disc is encoded by FiM but Vinegar Syndrome encode (by Marcus Johnson) is more than robust
Vinegar Syndrome potentially has better audio than 88 Films, due to VinSyn possibly having EQ'd the audio mix after Fortune Star scanned the track in a way that makes it sound too hot, whereas 88 left it alone without addressing that issue. However, no direct comparisons exist
Director: Tobe Hooper
4K Blu-ray has both the original Dolby Stereo mix and a 5.1 remix.
HBO Max Streaming includes the theatrical version with original credits, goofs. 1080p with the 5.1 remix
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.
US Cut: 1999 WB DVD/Criterion 4K Blu-ray
No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.
The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
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