Eddington (2025)
Western, Comedy, Crime • 2h 29m
Director: Ari Aster
Cast: Joaquin Phoenix, Deirdre O'Connell, Emma Stone, Micheal Ward, Pedro Pascal, Cameron Mann, Matt Gomez Hidaka, Luke Grimes, Amélie Hoeferle, Clifton Collins Jr., William Belleau, Austin Butler, Landall Goolsby, Elise Falanga, King Orba, Rachel de la Torre, David Pinter, Keith Jardine, David Midthunder, Juwan Lakota, Christine Hughes, William Sterchi, James Cady, Thom Rivera, Mickey Bond, Manny Rubio, Vic Browder, Diane Villegas, Kristin K. Berg, Robyn Reede, Dan Davidson, Guia Peel, Amadeo Arzola, Mack MacReady, Marcela Salmon, Sterlin English, Jason Potter, Jean Dumont, Emery Jean-Luc Barrera, Steven Foldy II, Eddie Garcia, Justice McLean-Davis, Abby Townsend, Kaleb Naquin, Auburn Ashley, Gigi Bella, Ophelia Benally, Sam Quinn, Gabe Kessler, Bill Capskas, Robyn Casper, Bendicion Garcia, Giancarlo Beltran, Blane Aranyosi, Rainer King, Daniel Clowes, Erika Clowes, Ari Aster, James Woods
Best English-friendly & video release
Updated 8 months ago
UHD tiers
About the film
In May of 2020, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.
Director: Ari Aster
Theatrical Cut: Germany 4K Blu-ray
Director's Cut: A24 4K Blu-ray
Theatrical Cut: Japan 4K Blu-ray
Theatrical Cut Blu-ray has extras that the DC 4K Blu-ray lacks
Director: Ari Aster
Lionsgate 4K Blu-ray or the newly released UK Entertainment in Video 4K Blu-ray?
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Sources: Blu-ray.com (opens in a new tab)
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
Director: Damien Chazelle
Video format: UHD Blu-ray
US Lionsgate Limited 4K Blu-ray re-release announced with Dolby Vision, a new exclusive bonus, and the previously retailer pre-order bonus-exclusive/Hong Kong-exclusive bonus interviews in HD
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else and only included as retailer-exclusive pre-order bonus DVDs with the US Blu-ray
Director: Sian Heder
Sources: slow.pics (opens in a new tab)
Apple TV 4K Blu-ray with Atmos
(Eagle Pictures is 5.1)
Video format: UHD Blu-ray
Sources: slow.pics (opens in a new tab) · Criterion Forum (opens in a new tab)
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
229 min cut (Theatrical): WB Blu-ray
139 min cut (US theatrical): VHS
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
229 min cut: Warner Bros LaserDisc
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Renny Harlin
Sources: caps-a-holic (opens in a new tab)
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Pick your poison between Eagle Pictures or Sony.
Director: Akira Kurosawa
Italy Eagle Pictures 4K Blu-ray >StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Peter MacDonald
Video format: UHD Blu-ray
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal but no forced subs on non-English dialogue
Video format: UHD Blu-ray
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal
More Western on Blu-ray
Director: Sam Peckinpah
Director: George Stevens
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has unusually strong encode but only a minimal upgrade over the excellent Eureka Blu-ray
Director: Samuel Fuller
Video format: 1080p Blu-ray
Criterion Blu-Ray
Sources: Criterion Forum (opens in a new tab)
TV series
4K restoration from Original Camera Negative for all episodes
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Arrow's deluxe presentation is a fantastic package with great supplements, art and printed materials. Sadly the master is a heavily processed Paramount affair. It has seemingly been severely grain managed and the mono audio is horribly thin when it shouldn't be. Stereo and 5.1 options are also given but they seem to be more of home video remixes. They do not have the fidelity issue of the compromised mono but also show marked differences as if they were remixed from stem sources. This seems to have suffered lesser degrees of the problems that plagued The Man Who Shot Liberty Valance's 4K master. This is the best version to date but one wishes Paramount could leave scans alone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Sources: Criterion Forum (opens in a new tab)
The Arrow Video Blu-ray is the best iteration so far coming from a new restoration complete with great supplements and package. The original limited edition version included a second disc with the alternate 2.0:1 framed version. The primary disc is 1.85:1. Older releases pre-2008 were all in Academy ratio. 1.85 is the best compromise ratio for the visuals. As good as this release is, the master is showing its age and sadly has a number of frozen grain artifacts.
Director: Anthony Mann
Video format: 1080p Blu-ray
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
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