Angel Heart (1987)
Horror, Mystery • 1h 53m
Director: Alan Parker
Cast: Mickey Rourke, Robert De Niro, Lisa Bonet, Charlotte Rampling, Stocker Fontelieu, Brownie McGhee, Elizabeth Whitcraft, Eliott Keener, Charles Gordone, Dann Florek, Kathleen Wilhoite, George Buck, Judith Drake, Pruitt Taylor Vince, Dave Petitjean, Rick Washburn, Neil Newlon, Karen Davis, Gerald Orange
Best English-friendly & video release
· updated 5 months agoUHD tiers
Overview
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
Director: Alan Parker
Video format: 1080p Blu-ray
Spain and Italy Blu-rays are bootlegs. Others listed on Blu-ray.com are placeholders don't actually exist.
2005 US DVD
HDTV stream for HD
Sources: Blu-ray.com (opens in a new tab)
Director: Alan Parker
Video format: UHD Blu-ray
Germany Capelight 4K Blu-ray, newly encoded 2025 disc only
Capelight 4K Blu-ray 2025 Disc
Director: Damien Chazelle
Video format: UHD Blu-ray
US Lionsgate Limited 4K Blu-ray re-release announced with Dolby Vision, a new exclusive bonus, and the previously retailer pre-order bonus-exclusive/Hong Kong-exclusive bonus interviews in HD
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else and only included as retailer-exclusive pre-order bonus DVDs with the US Blu-ray
Director: Sian Heder
Sources: slow.pics (opens in a new tab)
Apple TV 4K Blu-ray with Atmos
(Eagle Pictures is 5.1)
Video format: UHD Blu-ray
Sources: slow.pics (opens in a new tab) · Criterion Forum (opens in a new tab)
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
229 min cut (Theatrical): WB Blu-ray
139 min cut (US theatrical): VHS
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
229 min cut: Warner Bros LaserDisc
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Renny Harlin
Sources: caps-a-holic (opens in a new tab)
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Pick your poison between Eagle Pictures or Sony.
Director: Akira Kurosawa
>StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Peter MacDonald
Video format: UHD Blu-ray
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
> StudioCanal UK, better compression than StudioCanal but no forced subs on non-English dialogue
Video format: UHD Blu-ray
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
> StudioCanal UK, better compression than StudioCanal
Video format: 4K Streaming
France/Germany StudioCanal Blu-ray has more extras
More Horror on Blu-ray
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.
US Cut: 1999 WB DVD/Criterion 4K Blu-ray
No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.
The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Lewis Teague
> disappointing US Kino Lorber 4K Blu-ray
Director: Alexandre Aja
Theatrical Cut: Austria NSM Blu-ray
Director's Cut: France Metropolitan Blu-ray
Metropolitan got better picture (higher bitrate + better grain + more detail) than Lionsgate
Director: Glen Morgan
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: George Pavlou
Arrow 4K Blu-ray teased
Germany Wicked Vision 4K Blu-ray better than US Kino Lorber?
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
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