Total Recall (1990)
Action, Adventure, Science Fiction • 1h 53m
Overview
Construction worker Douglas Quaid's obsession with the planet Mars leads him to visit Recall, a company that manufactures memories. When his memory implant goes wrong, Doug can no longer be sure what is and isn't reality.
Director: Paul Verhoeven
Cast: Arnold Schwarzenegger, Rachel Ticotin, Sharon Stone, Ronny Cox, Michael Ironside, Marshall Bell, Mel Johnson Jr., Michael Champion, Roy Brocksmith, Ray Baker, Rosemary Dunsmore, David Knell, Alexia Robinson, Dean Norris, Mark Carlton, Debbie Lee Carrington, Lycia Naff, Robert Costanzo, Michael LaGuardia, Priscilla Allen, Ken Strausbaugh, Marc Alaimo, Michael Gregory, Ken Gildin, Mickey Jones, Ellen Gollas, Parker Whitman, Gloria Dorson, Erika Carlsson, Benny Corral, Bob Tzudiker, Erik Cord, Frank Kopyc, Chuck Sloan, Dave Nicolson, Paula McClure, Rebecca Ruth, Milt Tarver, Roger Cudney, Monica Steuer, Sasha Rionda, Linda Howell, Robert Picardo, Kamala Lopez, Morgan Lofting, Patti Attar, Bob Bergen, Joe Unger, Karlyn Michelson, Joel Kramer, Andy Armstrong, Graeme Crowther, Thomas Ebert, Frank Allen Forbes, Allan Graf, Peter Kent, Steven Lambert, Billy D. Lucas, Bennie Moore, Terry Richards
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
Director: Bertrand Blier
The older Studio Canal disc has incorrect pitch - 0.7 semitones lower than it should be. As their PAL DVD release was pitched correctly despite running at 25 FPS, it's likely they just took that master and slowed it down without accounting for that.
Director: Bertrand Blier
The older Studio Canal disc has incorrect pitch - 0.7 semitones lower than it should be. As their PAL DVD release was pitched correctly despite running at 25 FPS, it's likely they just took that master and slowed it down without accounting for that.
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: James Gray
Director: James Gray
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Paul Verhoeven
88 Films Blu-Ray
88 Films Blu-Ray
Director: Paul Verhoeven
88 Films Blu-Ray
88 Films Blu-Ray
Director: Paul Verhoeven
OOP Arrow LE has Theatrical Cut not on the standard release
Director: Paul Verhoeven
OOP Arrow LE has Theatrical Cut not on the standard release
Director: Paul Verhoeven
Lionsgate and StudioCanal 4K Blu-ray share the same video master: both have considerable improvement over the old awful Blu-ray but marred by teal grading and DNR. Lionsgate is additionally better compressed than StudioCanal.
Lionsgate 4K Blu-ray has the original theatrical 2.0 track, sourced from LaserDisc (absent on StudioCanal 4K Blu-ray), but the 5.1 track has issues which are not present on their new Blu-ray (LFE channel is missing, and instead it's the back left surround duplicated)
Director: Paul Verhoeven
Lionsgate and StudioCanal 4K Blu-ray share the same video master: both have considerable improvement over the old awful Blu-ray but marred by teal grading and DNR. Lionsgate is additionally better compressed than StudioCanal.
Lionsgate 4K Blu-ray has the original theatrical 2.0 track, sourced from LaserDisc (absent on StudioCanal 4K Blu-ray), but the 5.1 track has issues which are not present on their new Blu-ray (LFE channel is missing, and instead it's the back left surround duplicated)
Director: Paul Verhoeven
Vinegar Syndrome 4K Blu-ray (replacement disc), the subtitles on the initial release has some issues.
Vinegar Syndrome 4K Blu-ray (replacement disc)
Vinegar Syndrome 4K: The 5.1 track on the initial release has an error. This is corrected on the later "v2" discs.
Director: Paul Verhoeven
Vinegar Syndrome 4K Blu-ray (replacement disc), the subtitles on the initial release has some issues.
Vinegar Syndrome 4K Blu-ray (replacement disc)
Vinegar Syndrome 4K: The 5.1 track on the initial release has an error. This is corrected on the later "v2" discs.
Director: Paul Verhoeven
Director: Paul Verhoeven
Director: Paul Verhoeven
2022 Sony 4K Blu-ray
2022 Sony 4K Blu-ray
Director: Paul Verhoeven
2022 Sony 4K Blu-ray
2022 Sony 4K Blu-ray
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Paul Feig
France 4K Blu-ray > Italy Eagle Pictures > US Lionsgate - caps
credits are in French though
Director: Paul Feig
France 4K Blu-ray > Italy Eagle Pictures > US Lionsgate - caps
credits are in French though
Director: Bernardo Bertolucci
2023 Eagle Pictures Italy 4K Blu-ray: color is fine
2023 Eagle Pictures Italy 4K Blu-ray: color is fine
Director: Bernardo Bertolucci
2023 Eagle Pictures Italy 4K Blu-ray: color is fine
2023 Eagle Pictures Italy 4K Blu-ray: color is fine
Director: Renny Harlin
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Pick your poison between Eagle Pictures or Sony.
Director: Renny Harlin
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Italy Eagle Pictures 4K Blu-ray has better compression than StudioCanal 4K Blu-ray, green-ish SC master that restores some blown-out highlights compared to the Sony master, but bad HDR10 compression (details). The 2023 Sony 4K Blu-ray steelbook has different grading and Dolby Vision that some may prefer, good encoding, but heavy DNR for about 15% of the runtime.
Pick your poison between Eagle Pictures or Sony.
Director: Alan Parker
Director: Alan Parker
Director: Akira Kurosawa
Italy Eagle Pictures 4K Blu-ray >StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Akira Kurosawa
Italy Eagle Pictures 4K Blu-ray >StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Peter MacDonald
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal but no forced subs on non-English dialogue
Director: Peter MacDonald
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal but no forced subs on non-English dialogue
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal
Director: Damien Chazelle
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else
Director: Damien Chazelle
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else
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