Wild at Heart (1990)
Crime, Thriller, Romance • 2h 7m
Director: David Lynch
Cast: Nicolas Cage, Laura Dern, Willem Dafoe, Diane Ladd, Harry Dean Stanton, J.E. Freeman, Isabella Rossellini, Grace Zabriskie, Calvin Lockhart, William Morgan Sheppard, Crispin Glover, Sheryl Lee, Sherilyn Fenn, Jack Nance, Pruitt Taylor Vince, Glenn Walker Harris Jr., Marvin Kaplan, David Patrick Kelly, Freddie Jones, John Lurie, Gregg Dandridge, Frances Bay, Charlie Spradling, Blair Bruce Bever, Sally Boyle, Peter Bromilow, Lisa Ann Cabasa, Frank A. Caruso, Frank Collison, Eddy Dixon, Brent David Fraser, Cage S. Johnson, Valli Leigh, Nicholas Love, Daniel Quinn, Mia M. Ruiz, Billy Swan, Koko Taylor, Ed Wright, Darrell Zwerling, Debra Lamb
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Best English-friendly & video release · updated 18 days ago
Upcoming
2026 Criterion 4K Blu-ray, confirmed to be uncut
Overview
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
> BFI 4K Blu-ray. caps Criterion presents the master as originally graded in SDR whereas FiM added HDR / Dolby Vision for the BFI.
Criterion 4K Blu-ray's audio mix has more detail than BFI’s and same applies to the subtitles, covering both English and France spoken word
Director: Luis Buñuel
Sources: Criterion Forum (opens in a new tab)
Sources: Criterion Forum (opens in a new tab)
For Blu-ray Criterion Demy Set > StudioCanal
Video format: 1080p Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Gaumont Blu-ray but no English subtitles: https://www.blu-ray.com/movies/Deux-sous-de-violettes-Blu-ray/288976/
Director: Nuri Bilge Ceylan
Sources: slow.pics (opens in a new tab)
Caps for France vs Germany vs UK vs Turkish release https://slow.pics/c/jYBS2CWE not sure what the correct grading is but Germany release looks too dark
Director: Carol Reed
StudioCanal 4K Blu-ray or Lionsgate Limited 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray/Lionsgate Limited 4K Blu-ray (shared encode); slight improvement over the 2015 StudioCanal Blu-ray
StudioCanal/LG UHDs
StudioCanal/LG UHDs port the 1999 Criterion DVD, considered the best source
StudioCanal has a remastered Blu-ray, Lionsgate only a 4K Blu-ray
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Roberto Rossellini
Sources: Criterion Forum (opens in a new tab)
Director: Michelangelo Antonioni
Sources: Criterion Forum (opens in a new tab)
Sources: Criterion Forum (opens in a new tab)
> Artificial Eye Blu-ray, Korea Nova Media 4K Blu-ray release is AI upscaled
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · Reddit (opens in a new tab) · dvdexotica.com (opens in a new tab)
Criterion 4k resto, but it was AI upscaled although supervised and approved by Lynch https://www.reddit.com/r/davidlynch/comments/12klbw9/inland_empire_and_ai_upscaling/
See another detailed review: https://www.dvdexotica.com/2015/05/lets-get-serious-about-inland-empire.html
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
UK Arrow 4K Blu-ray in December
Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: David Lynch
StudioCanal 4K Blu-ray is encoded by FiM and doesn’t have the low-pass filter the Criterion 4K Blu-ray has.
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
Director: David Lynch
Sources: Criterion Forum (opens in a new tab)
SDR: Criterion 4K Blu-ray
HDR: StudioCanal 4K Blu-ray
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Theatrical: Arrow 4K Blu-ray or Australia Imprint 4K Blu-ray?
TV Cut: Australia Imprint Blu-ray included in their 4K Blu-ray set?
Spicediver Cut: Germany Plaion Blu-ray included in their Ultimate Edition release
Sources: Criterion Forum (opens in a new tab)
Theatrical: Arrow 4K Blu-ray or Australian Imprint 4K Blu-ray?
TV Cut: Australia Imprint Blu-ray included in their 4K Blu-ray set?
Spicediver Cut: Germany Plaion Blu-ray included in their Ultimate Edition release
Universal 1998 DVD has the original 70mm 6-track mix in Dolby Digital 5.1
Dolby Stereo: Arrow 4K Blu-ray (5.1 mix is an inferior remix)
Director: David Lynch
British StudioCanal 4K Blu-Ray upcoming
5.1 on 4K Blu-ray is a remix. Original 5.1 is best on 2012 Japan Paramount Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
> France Potemkine 4K Blu-ray > Germany StudioCanal 4K Blu-ray see caps. Criterion has the best encode.
While the framing of Criterion is different, they are actually both faithful to the original theatrical versions see post1 and post2 by b0b.
1993 New Line LaserDisc
Director: David Lynch
Sources: Criterion Forum (opens in a new tab)
Germany StudioCanal 4K Blu-ray slightly better
Germany StudioCanal 4K Blu-ray has best encoding. France Potemkine and Criterion UHDs slightly worse.
?
Director: David Lynch
Sources: Criterion Forum (opens in a new tab)
Director: Steve James
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Sources: Criterion Forum (opens in a new tab)
Director: Ingmar Bergman
Director: Ingmar Bergman
Director: Nicolas Roeg
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray poor compression, otherwise Second Sight has best Blu-ray
Director: Jean-Luc Godard
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Director: Peter Bogdanovich
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Eureka UK are considering doing a 4K and actively exploring the possibility: https://forum.blu-ray.com/showpost.php?p=24363810&postcount=264
Wonderful underlying remaster by Criterion and Resillion, but NexSpec encode has clipped highlights with the occasional blockiness. The Criterion Blu-Ray, sourced from their 4K remaster, ironically makes for a more consistent and overall pleasing experience.
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