Willem Dafoe
43 Films
Willem Dafoe
43 Included Films
William James "Willem" Dafoe (born July 22, 1955) is an American actor. Known for his prolific career portraying diverse roles in both mainstream and arthouse films, he is the recipient of various accolades, including the Volpi Cup for Best Actor as well as nominations for four Academy Awards, a BAFTA Award, four Golden Globe Awards, four Critics' Choice Movie Awards, and five Screen Actors Guild Awards. He has frequently collaborated with filmmakers Paul Schrader, Abel Ferrara, Lars von Trier, Julian Schnabel, Wes Anderson, and Robert Eggers. Dafoe was a founding member of experimental theatre company The Wooster Group. He made his film debut with an uncredited role in Heaven's Gate (1980). Dafoe's early career includes credits for The Loveless (1982), Streets of Fire (1984), and To Live and Die in L.A. (1985). He earned his first Academy Award nomination for the war drama Platoon (1986), followed by nominations for his roles in Shadow of the Vampire (2000), The Florida Project (2017), and the Vincent van Gogh biopic At Eternity's Gate (2018). He also gained acclaim and wide recognition for his roles as Jesus Christ in The Last Temptation of Christ (1988) and as the supervillain Norman Osborn in the superhero film Spider-Man (2002), a role he reprised in its sequels Spider-Man 2 (2004) and Spider-Man 3 (2007), and the Marvel Cinematic Universe film Spider-Man: No Way Home (2021). His other film appearance include roles in Mississippi Burning (1988), Born on the Fourth of July (1989), Wild at Heart (1990), Light Sleeper (1992), Body of Evidence (1993), Clear and Present Danger (1994), The English Patient (1996), Affliction (1997), New Rose Hotel(1998), Existenz (1999), The Boondock Saints (1999), American Psycho (2000), Auto Focus (2002), Finding Nemo (2003), The Life Aquatic with Steve Zissou (2004), Inside Man (2006), Mr. Bean's Holiday (2007), Antichrist (2009), Fantastic Mr. Fox (2009), Nymphomaniac (2013), The Fault in Our Stars (2014), John Wick (2014), The Grand Budapest Hotel (2014), Aquaman (2018), The Lighthouse (2019), Nightmare Alley (2021), Poor Things (2023), and Beetlejuice Beetlejuice (2024).
Director: Michael Cimino
Director: Michael Cimino
Director: Tony Scott
Director: Tony Scott
Director: Walter Hill
Director: Walter Hill
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Director: Oliver Stone
A improved Shout! Factory 4K Blu-ray teased by Oliver Stone
MGM Blu-ray, better than 2022 Shout! Factory 4K Blu-ray due to poor encode and heavy DNR (review)
Director: Oliver Stone
A improved Shout! Factory 4K Blu-ray teased by Oliver Stone
MGM Blu-ray, better than 2022 Shout! Factory 4K Blu-ray due to poor encode and heavy DNR (review)
Director: Alan Parker
Germany Capelight 4K Blu-ray, newly encoded 2025 disc only
Capelight 4K Blu-ray 2025 Disc
Director: Alan Parker
Germany Capelight 4K Blu-ray, newly encoded 2025 disc only
Capelight 4K Blu-ray 2025 Disc
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Australia Imprint Blu-ray upcoming included in After Dark Neo-Noir Cinema Vol. 4
2026 Criterion 4K Blu-ray
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Australia Imprint Blu-ray upcoming included in After Dark Neo-Noir Cinema Vol. 4
2026 Criterion 4K Blu-ray
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Director: John Waters
Kino Lorber 4K Blu-ray has poor encoding see caps but still a huge improvement over the 2014 Universal Blu-ray
Kino Lorber 4K Blu-ray Both the 2.0 and 5.1 tracks are improvements over the 2014 Universal Blu-ray
Theatrical cut is on the 4K disc, but the restored Director's Cut is only on the Blu-Ray disc. Director's Cut utilizes the same 4K transfer as the theatrical cut for 86 minutes, but the 6 minutes of restored footage could only be salvaged from a standard definition source and are thus needed to be upscaled.
Director: John Waters
Kino Lorber 4K Blu-ray has poor encoding see caps but still a huge improvement over the 2014 Universal Blu-ray
Kino Lorber 4K Blu-ray Both the 2.0 and 5.1 tracks are improvements over the 2014 Universal Blu-ray
Theatrical cut is on the 4K disc, but the restored Director's Cut is only on the Blu-Ray disc. Director's Cut utilizes the same 4K transfer as the theatrical cut for 86 minutes, but the 6 minutes of restored footage could only be salvaged from a standard definition source and are thus needed to be upscaled.
Director: Paul Schrader
Director: Paul Schrader
US Lionsgate Blu-ray looks very different from either Italy Eagle Pictures or Germany Kinowelt Blu-ray: https://caps-a-holic.com/c_list.php?c=502 but other than color grading looks better
Expecting Criterion 4K release in 2025 see https://forum.blu-ray.com/showthread.php?t=381814
US Lionsgate Blu-ray looks very different from either Italy Eagle Pictures or Germany Kinowelt Blu-ray: https://caps-a-holic.com/c_list.php?c=502 but other than color grading looks better
Expecting Criterion 4K release in 2025 see https://forum.blu-ray.com/showthread.php?t=381814
Director: Julian Schnabel
Criterion 4K Blu-ray, in B&W
Director: Julian Schnabel
Criterion 4K Blu-ray, in B&W
Director: David Cronenberg
Director: David Cronenberg
Director: Mary Harron
Lionsgate 25th Anniversary 4K Blu-ray
Lionsgate 25th Anniversary 4K Blu-ray (slightly better than the old 4K)
UK 15th Anniversary Blu-ray, DTS-HD MA 5.1 (to 4K Blu-ray: -125ms)
Britain Blu-ray has an exclusive extra
Director: Mary Harron
Lionsgate 25th Anniversary 4K Blu-ray
Lionsgate 25th Anniversary 4K Blu-ray (slightly better than the old 4K)
UK 15th Anniversary Blu-ray, DTS-HD MA 5.1 (to 4K Blu-ray: -125ms)
Britain Blu-ray has an exclusive extra
Director: Sam Raimi
Director: Sam Raimi
Director: Sam Raimi
Theatrical: Sony 4K Blu-ray
Theatrical: Sony 4K Blu-ray
2.1 Cut received a 4K remaster for a cinema release. No announced home video release yet.
Director: Sam Raimi
Theatrical: Sony 4K Blu-ray
Theatrical: Sony 4K Blu-ray
2.1 Cut received a 4K remaster for a cinema release. No announced home video release yet.
Director: Martin Scorsese
Director: Martin Scorsese
Criterion 4K Blu-ray is best, but has surrounds 3 dB too loud
Criterion 4K Blu-ray is best, but has surrounds 3 dB too loud
43 films
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