PAL
11 Films
PAL
11 Included Films
Aliases: pal
Type: Keyword
Director: Frank Urson
Lobster Films DVD > Flicker Alley Blu-ray (Flicker Alley Blu-ray/DVD has every 25th PAL frame deleted)
Director: Frank Urson
Lobster Films DVD > Flicker Alley Blu-ray (Flicker Alley Blu-ray/DVD has every 25th PAL frame deleted)
Director: Otakar Vávra
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Otakar Vávra
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Universal PAL DVD (caveat: it's missing a minute of footage, plus usual PAL speed-up)
All Blu-ray tracks originate from the same transfer, but with strong noise gating and terrible EQ, adding a compensatory bass and treble boost, sounding boomy and accentuating the hiss despite less detail.
Universal PAL DVD (caveat: it's missing a minute of footage, plus usual PAL speed-up)
All Blu-ray tracks originate from the same transfer, but with strong noise gating and terrible EQ, adding a compensatory bass and treble boost, sounding boomy and accentuating the hiss despite less detail.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: John Woo
Arrow 4K Blu-ray or Shout! Factory 4K Blu-ray
Arrow has a different grade and a better encode, though the difference in either is not major.
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Director: John Woo
Arrow 4K Blu-ray or Shout! Factory 4K Blu-ray
Arrow has a different grade and a better encode, though the difference in either is not major.
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Director: Walter Salles
Original matrixed Dolby Stereo: Curzon 4K Blu-ray
Surround mix: Vision Film Polish PAL DVD (2000)
The surround mix is fully discrete, not a mere decode or upmix of the Dolby Stereo LCRS track. This mix has never appeared on any other releases.
Director: Walter Salles
Original matrixed Dolby Stereo: Curzon 4K Blu-ray
Surround mix: Vision Film Polish PAL DVD (2000)
The surround mix is fully discrete, not a mere decode or upmix of the Dolby Stereo LCRS track. This mix has never appeared on any other releases.
Mainframe Entertainment, one of the co-producers of this movie, while based in Canada, made their content for 25 FPS/the PAL standard, making the 2002 Australian PAL Universal DVD release the one closest to the original intent (and it also has a higher resolution of 576i compared to the 480i of the NTSC offerings).
Note, for the NTSC DVD offers, not all have the correct aspect ratio. The 2015 US and Canadian Universal releases have the intended 1.78:1, while the 2010 Universal and 2001 Lionsgate are both shown in 1.85:1.
Mainframe Entertainment, one of the co-producers of this movie, while based in Canada, made their content for 25 FPS/the PAL standard, making the 2002 Australian PAL Universal DVD release the one closest to the original intent (and it also has a higher resolution of 576i compared to the 480i of the NTSC offerings).
Note, for the NTSC DVD offers, not all have the correct aspect ratio. The 2015 US and Canadian Universal releases have the intended 1.78:1, while the 2010 Universal and 2001 Lionsgate are both shown in 1.85:1.
Stereo: Deaf Crocodile 4K Blu-ray
5.1: Budapest Film PAL DVD
Stereo: Deaf Crocodile 4K Blu-ray
5.1: Budapest Film PAL DVD
11 films