Dune (1984)
Action, Science Fiction, Adventure • 2h 17m
Director: David Lynch
Cast: Kyle MacLachlan, Francesca Annis, Patrick Stewart, Linda Hunt, José Ferrer, Freddie Jones, Brad Dourif, Richard Jordan, Virginia Madsen, Silvana Mangano, Everett McGill, Sting, Kenneth McMillan, Jack Nance, Siân Phillips, Jürgen Prochnow, Leonardo Cimino, Paul L. Smith, Dean Stockwell, Max von Sydow, Alicia Witt, Sean Young, Danny Corkill, Honorato Magaloni, Judd Omen, Molly Wryn, Angélica Aragón, Thomas Ebert, Humberto Elizondo, Ricardo Hill, Ernesto Laguardia, David Lynch, Ramón Menéndez, Ana Ofelia Murguía, Claudia Ramírez, Julieta Rosen, John Sabol, Margarita Sanz, Jacqueline Voltaire, José Luis García Mainou
Best English-friendly release
Theatrical: Arrow 4K Blu-ray or Australia Imprint 4K Blu-ray?
TV Cut: Australia Imprint Blu-ray included in their 4K Blu-ray set?
Spicediver Cut: Germany Plaion Blu-ray included in their Ultimate Edition release
Updated 5 months ago
Best video release
Theatrical: Arrow 4K Blu-ray or Australian Imprint 4K Blu-ray?
TV Cut: Australia Imprint Blu-ray included in their 4K Blu-ray set?
Spicediver Cut: Germany Plaion Blu-ray included in their Ultimate Edition release
Best audio release
Universal 1998 DVD has the original 70mm 6-track mix in Dolby Digital 5.1
Dolby Stereo: Arrow 4K Blu-ray (5.1 mix is an inferior remix)
About the film
In the year 10,191, the most precious substance in the universe is the spice Melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The spice exists on only one planet in the entire universe, the vast desert planet Arrakis, also known as Dune. Its native inhabitants, the Fremen, have long held a prophecy that a man would come, a messiah who would lead them to true freedom.
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Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Sources: Blu-ray.com (opens in a new tab)
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
Director: Ben Stiller
Sources: slow.pics (opens in a new tab)
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
US Criterion 4K Blu-ray > UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: John Schlesinger
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
2027 Criterion 4K Blu-ray
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Director: Tony Scott
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · Reddit (opens in a new tab) · dvdexotica.com (opens in a new tab)
Criterion 4k resto, but it was AI upscaled although supervised and approved by Lynch https://www.reddit.com/r/davidlynch/comments/12klbw9/inland_empire_and_ai_upscaling/
See another detailed review: https://www.dvdexotica.com/2015/05/lets-get-serious-about-inland-empire.html
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
UK Arrow 4K Blu-ray in December
Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Sources: Blu-ray.com (opens in a new tab)
2026 Criterion 4K Blu-ray, confirmed to be uncut
Director: David Lynch
StudioCanal 4K Blu-ray > Criterion 4K Blu-ray.
StudioCanal 4K Blu-ray is encoded by FiM and doesn’t have the low-pass filter the Criterion 4K Blu-ray has.
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
Director: David Lynch
Sources: Criterion Forum (opens in a new tab)
SDR: Criterion 4K Blu-ray
HDR: StudioCanal 4K Blu-ray
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
British StudioCanal 4K Blu-Ray upcoming
5.1 on 4K Blu-ray is a remix. Original 5.1 is best on 2012 Japan Paramount Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
Criterion 4K Blu-ray > France Potemkine 4K Blu-ray > Germany StudioCanal 4K Blu-ray see caps. Criterion has the best encode.
While the framing of Criterion is different, they are actually both faithful to the original theatrical versions see post1 and post2 by b0b.
1993 New Line LaserDisc
Director: David Lynch
Sources: Criterion Forum (opens in a new tab)
Germany StudioCanal 4K Blu-ray slightly better
Germany StudioCanal 4K Blu-ray has best encoding. France Potemkine and Criterion UHDs slightly worse.
?
Director: David Lynch
Sources: Criterion Forum (opens in a new tab)
Director: Michael Cimino
2020 Shout! Factory 4K
2020 Shout! Factory 4K slightly better than StudioCanal in HDR10. Similar in DV
35mm mix: 1991 Universal LaserDisc
70mm mix: StudioCanal 4K Blu-ray
35mm mix: 1991 Universal LaserDisc marginally better than StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is downmix.
70mm mix: StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is remix.
Director: Doug Liman
Video format: 1080p Blu-ray
The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.
Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.
Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Leo McCarey
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Researched and maintained by
tyyux,vanshady,JojoTheMovieOtter,Hydra Spectre· last reviewed 5 months ago
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