Lost Highway (1997)
Drama, Thriller, Mystery • 2h 14m
Director: David Lynch
Cast: Patricia Arquette, Bill Pullman, Balthazar Getty, Robert Blake, Robert Loggia, Michael Massee, Natasha Gregson Wagner, Richard Pryor, Gary Busey, Lucy Butler, Jack Nance, Jack Kehler, Henry Rollins, Giovanni Ribisi, Scott Coffey, John Roselius, Louis Eppolito, Jenna Maetlind, Michael Shamus Wiles, Mink Stole, Leonard Termo, Ivory Ocean, David Byrd, Gene Ross, F. William Parker, Guy Siner, Alexander Folk, Carl Sundstrom, John Solari, Jack, Al Garrett, Heather Stephens, Amanda Anka, Jennifer Syme, Matt Sigloch, Gilbert B. Combs, Greg Travis, Lisa Boyle, Leslie Bega, Marilyn Manson, Jeordie White, Metin Bereketli, Dru Berrymore, Bill McAdams Jr., Lou Slaughter
Best English-friendly & video release
· updated 1 year agoGermany StudioCanal 4K Blu-ray slightly better
Germany StudioCanal 4K Blu-ray has best encoding. France Potemkine and Criterion UHDs slightly worse.
UHD tiers
Overview
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · Reddit (opens in a new tab) · dvdexotica.com (opens in a new tab)
Criterion 4k resto, but it was AI upscaled although supervised and approved by Lynch https://www.reddit.com/r/davidlynch/comments/12klbw9/inland_empire_and_ai_upscaling/
See another detailed review: https://www.dvdexotica.com/2015/05/lets-get-serious-about-inland-empire.html
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
UK Arrow 4K Blu-ray in December
Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Sources: Blu-ray.com (opens in a new tab)
2026 Criterion 4K Blu-ray, confirmed to be uncut
Director: David Lynch
StudioCanal 4K Blu-ray is encoded by FiM and doesn’t have the low-pass filter the Criterion 4K Blu-ray has.
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
Director: David Lynch
Sources: Criterion Forum (opens in a new tab)
SDR: Criterion 4K Blu-ray
HDR: StudioCanal 4K Blu-ray
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Theatrical: Arrow 4K Blu-ray or Australia Imprint 4K Blu-ray?
TV Cut: Australia Imprint Blu-ray included in their 4K Blu-ray set?
Spicediver Cut: Germany Plaion Blu-ray included in their Ultimate Edition release
Sources: Criterion Forum (opens in a new tab)
Theatrical: Arrow 4K Blu-ray or Australian Imprint 4K Blu-ray?
TV Cut: Australia Imprint Blu-ray included in their 4K Blu-ray set?
Spicediver Cut: Germany Plaion Blu-ray included in their Ultimate Edition release
Universal 1998 DVD has the original 70mm 6-track mix in Dolby Digital 5.1
Dolby Stereo: Arrow 4K Blu-ray (5.1 mix is an inferior remix)
Director: David Lynch
British StudioCanal 4K Blu-Ray upcoming
5.1 on 4K Blu-ray is a remix. Original 5.1 is best on 2012 Japan Paramount Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
> France Potemkine 4K Blu-ray > Germany StudioCanal 4K Blu-ray see caps. Criterion has the best encode.
While the framing of Criterion is different, they are actually both faithful to the original theatrical versions see post1 and post2 by b0b.
1993 New Line LaserDisc
Director: David Lynch
Sources: Criterion Forum (opens in a new tab)
Director: Paul King
StudioCanal UK 4K Blu-ray minimal picture upgrade (2K upscale)
StudioCanal UK 4K Blu-ray has good new Atmos mix
Director: Hayao Miyazaki
Video format: UHD Blu-ray
2026 Japan Studio Ghibli (remastered) Blu-ray
France 4K Blu-ray announced
Remastered Blu-ray only included as a pack-in with the 4K Blu-ray. Includes English subtitles and a dub, which the 4K Blu-ray does not.
Japan Studio Ghibli 4K Blu-ray
UK StudioCanal Blu-ray for the English dub
4K Blu-ray includes the original 5.1 mix in its unaltered form, all other releases after the LaserDisc, as well as the remastered Blu-ray, had its dynamic range lowered.
For the English dub, the UK StudioCanal Blu-ray is the least limited mix.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: Roman Polanski
Kino Lorber disc has audio pitch errors
Director: Celine Song
Sources: Blu-ray.com (opens in a new tab)
UK StudioCanal Blu-ray is the better release. Plaion Italy 4K Blu-ray has macroblocking and chroma noise issues, and the US Lionsgate Blu-ray has elevated gamma levels and macroblocking https://forum.blu-ray.com/showpost.php?p=22310555&postcount=31
Director: Carol Reed
StudioCanal 4K Blu-ray or Lionsgate Limited 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray/Lionsgate Limited 4K Blu-ray (shared encode); slight improvement over the 2015 StudioCanal Blu-ray
StudioCanal/LG UHDs
StudioCanal/LG UHDs port the 1999 Criterion DVD, considered the best source
StudioCanal has a remastered Blu-ray, Lionsgate only a 4K Blu-ray
2D: Spain Emon Blu-ray
3D: US Lionsgate, Germany StudioCanal, or Netherlands Entertainment One 3D Blu-ray?
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
More Drama on Blu-ray
Director: Toshiharu Ikeda
UK Third Window Blu-ray and US Error 4444 Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Director: Arthur Penn
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Sources: caps-a-holic (opens in a new tab)
Directors: Emeric Pressburger & Michael Powell
Sources: Criterion Forum (opens in a new tab) · filmalert101.blogspot.com (opens in a new tab) · slow.pics (opens in a new tab)
FiM encode and none of the low-pass filtering present on the Criterion 4K, resulting in more detail and better handling of highlights on Imprint
Review, comparisons
All HD and 4K sources use the same 2009 restoration. Criterion's master (also used by Imprint) is a bit more rolled off, though the difference is minor.
Director: Doug Liman
International Cut: International Universal Blu-ray but slightly filtered and DNR'd
The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.
Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.
Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.
Director: Stanley Kubrick
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored
Mono: Criterion 4K Blu-ray (restored for the box set)/1999 WB R1 DVD
5.1 remix: Criterion 4K Blu-ray
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Directors: Ethan Coen & Joel Coen
Video format: UHD Blu-ray
UK StudioCanal UHD
Sources: Criterion Forum (opens in a new tab)
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