Stray Dog (1949)
野良犬
Crime, Drama, Thriller • 2h 2m
Director: Akira Kurosawa
Cast: Toshirō Mifune, Takashi Shimura, Keiko Awaji, Eiko Miyoshi, Noriko Sengoku, Noriko Honma, Reikichi Kawamura, Chōko Iida, Eijirō Tōno, Yasushi Nagata, Kappei Matsumoto, Isao Kimura, Teruko Kishi, Minoru Chiaki, Ichirō Sugai, Gen Shimizu, Kan Yanagiya, Reizaburo Yamamoto, Hajime Izu, Masao Shimizu, Kokuten Kōdō, Yūnosuke Itō, Akira Ubukata, Fujio Nagahama, Isao Ubukata, Shiro Mizutani, Eizo Tanaka, Kazuko Motohashi, Haruko Tōgō, Haruko Toda, Haruko Toyama, Mie Asô, Rikie Sanjō, Ishirō Honda
Best English-friendly & video release
Best audio release
Criterion NTSC DVD overall. The 4K restoration's track is denoised and sounds muffled, but has a few of moments where it edges out in detail
Audio analysis between the Criterion 4K Blu-ray, BFI Blu-ray and Toho 4K Blu-ray
UHD tiers
About the film
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab)
Director: Akira Kurosawa
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
France Carlotta > Criterion 4K Blu-ray see caps: https://slow.pics/c/s7AfL3XW
Grain is sharper/clearer on the new Carlotta/Criterion 4K; BFI's grain resolves slightly worse and more so in motion, being a standard Blu-ray; The Toho 4K's grain is softer, probably DNR'd.
BFI Player used to have the same mastering available to stream in 2019.
Director: Akira Kurosawa
Italy Eagle Pictures 4K Blu-ray >StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Akira Kurosawa
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
No clear winner, Criterion SDR 4K Blu-ray has better defined grain and is cleaned-up more thoroughly. But looks grayer and flatter in daytime scenes. BFI 4K Blu-ray's HDR/DV is better in contrast but the grading can be debatable.
Director: Akira Kurosawa
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab)
179 min cut: Toho 4K Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Sidney Lumet
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
1.85:1: Kino Lorber 4K / Capelight 4K
1.66:1: Criterion 4K but low pass filtered
Comparison between the 4Ks, Criterion on the AR choice
Other discs have unnecessary filtering and sound worse, the difference isn't substantial but audible
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Sam Peckinpah
Director: Alfonso Cuarón
Sources: Criterion Forum (opens in a new tab)
Janus and thus Criterion likely to release 4K Blu-ray in 2027
Director: Hal Ashby
Sources: slow.pics (opens in a new tab)
See caps https://slow.pics/c/lVdZaG0W
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
StudioCanal's 4K release is similar in encode quality, but has significant glitches in multiple frames. See comparisons 9-16 here: https://slow.pics/c/YkSVb3Ey
The pitch of the StudioCanal 4K's English audio is too high
Criterion has more extras than StudioCanal.
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
More Crime on Blu-ray
4K restoration of the original 3D left eye and right eye camera negatives
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Richard Brooks
4K restoration from Original Camera Negative
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: William Dieterle
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
Director: Karel Reisz
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is mis-credited to be an FiM encode. It isn't. Neither the encode nor the color grading are entirely satisfactory.
Sources: slow.pics (opens in a new tab)
Arrow UK 4K Blu-ray > Paramount US and Capelight DE, same black crush on all three but the Arrow is encoded by FiM and has very good new supplements, the Capelight looks slightly low-passed, but in motion it probably looks about the same as the Paramount, see caps comparison for all three.
Arrow and Paramount basically sound the same, the Arrow has a slightly higher bitrate. Capelight is probably the same too but for now it's TBA.
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray and Capelight DE 4K Blu-ray have MEL Dolby Vision
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