Phantom of the Rue Morgue (1954)
Thriller, Crime, Mystery, Horror • 1h 23m
Director: Roy Del Ruth
Cast: Karl Malden, Claude Dauphin, Patricia Medina, Steve Forrest, Allyn Ann McLerie, Anthony Caruso, Veola Vonn, Dolores Dorn, Merv Griffin, Paul Richards, Rolfe Sedan, Erin O'Brien-Moore, Henry Kulky, Abdullah Abbas, Rico Alaniz, Fred Aldrich, Monya Andre, Larry Arnold, Richard Avonde, Baynes Barron, Max Barwyn, Herman Belmonte, Joan Blair, Marie Blake, Nan Boardman, Nina Borget, Chet Brandenburg, Paul Brinegar, Virginia Brissac, Buck Bucko, Gordon Carveth, Charles Cirillo, Edward Colmans, Henry Corden, Chuck Couch, Walter Coy, Paul Cristo, Jane Crowley, George Davis, Helen Dickson, Claire Du Brey, Billy Engle, Joe Evans, Raoul Freeman, Charles Gemora, John Gifford, Joe Gilbert, Dolores Graham, Don Graham, Creighton Hale, Sam Harris, Tom Hernández, Mary Lou Holloway, Charles Horvath, Robert Hunter, Fred Kelsey, Jack Kenny, Frank Lackteen, Carl M. Leviness, George J. Lewis, Hank Mann, John Marlin, Louis Merrill, John Merton, Carl Milletaire, Belle Mitchell, George Nardelli, Anton Northpole, Artie Ortego, John Parrish, Leonard Penn, Paul Ravel, Edna Ryan, Sam Savitsky, George Selk, Allen D. Sewall, Bert Stevens, James Stone, Ruth Swanson, Jack Tesler, Nick Thompson, Louis Tomei, Arthur Tovey, Tito Vuolo, Tom Wilson, Jack Wise
Best English-friendly & video release
4K restoration of the original 3D left eye and right eye camera negatives
Updated today
Compare the discs
About the film
When several women are found mutilated and murdered, the Paris police are baffled as to who the killer may be. All evidence points to Dupin, but soon it becomes apparent that it is someone (or something) stronger and deadlier than a human.
Directors: Vincente Minnelli & Lemuel Ayers & Roy Del Ruth & George Sidney & Robert Lewis
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: Vincent Sherman
4K restoration from Original Camera Negative
Director: George Pal
4K restoration from Original Camera Negative
Director: Compton Bennett
4K restoration from original technicolor negatives
Director: Jack Conway
4K restoration from safety preservation elements
4K restoration from safety preservation elements
Director: Jack Conway
4K restoration from safety preservation elements
Director: William Dieterle
4K restoration from Original Camera Negative
More Thriller on Blu-ray
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Jonathan Demme
Video format: UHD Blu-ray
Sources: vitalpassenger.com (opens in a new tab)
FiM are mistakenly credited, one of the four known instances of this for a Cinématographe title (the other three being Thieves Like Us, Who Killed Teddy Bear?, and The Gambler). 4K encode was done by Vital Passenger. https://vitalpassenger.com/our-work
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Video format: UHD Blu-ray
WB 4K
Sources: YouTube (opens in a new tab)
An undeniably significant improvement from the BD yet still severely flawed. See DFIC's review.
Director: Bernard Rose
Scream Factory/Arrow 4K Blu-ray or Turbine 4K Blu-Ray
SF and Turbine also have the 2004 Audio Commentary with Bernard Rose, Clive Barker, Alan Poul and actors Virginia Madsen, Tony Todd and Kasi Lemmons
Director: Rob Reiner
Sources: Blu-ray.com (opens in a new tab) · instagram.com (opens in a new tab)
UK Arrow 4K Blu-ray > US Kino Lorber/Germany Capelight - caps and audio comparison on this page. Discussion is still ongoing about the 2.0 but as none of the three 4Ks seem to have the true original mix, I think it's fair to leave them all in the blue tier for now and only note that Kino Lorber has the worst PQ.
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
The 4K master has a shot at the very end of the movie (on James Caan's face) that looks incredibly soft and not good at all. This was visible on the DCP as well so it might just be a source issue rather than being the fault of Kino, Capelight or Arrow.
Director: Steven Spielberg
Video format: UHD Blu-ray
Universal 4K
Dolby Vision grading looks identical to a cinema DCP, which is the highest compliment that could be given. Encode is perfectly solid in motion.
Director: Satoshi Kon
Sources: Blu-ray.com (opens in a new tab)
Edit history
Every recommendation follows the same method — how these calls are made.