Sanjuro (1962)
椿三十郎
Drama, Action, Comedy • 1h 36m
Director: Akira Kurosawa
Cast: Toshirō Mifune, Tatsuya Nakadai, Keiju Kobayashi, Yūzō Kayama, Reiko Dan, Takashi Shimura, Kamatari Fujiwara, Takako Irie, Masao Shimizu, Yūnosuke Itō, Akira Kubo, Hiroshi Tachikawa, Yoshio Tsuchiya, Kunie Tanaka, Tatsuyoshi Ehara, Akihiko Hirata, Toranosuke Ogawa, Sachio Sakai, Kenzô Matsui, Toshiko Higuchi, Tatsuhiko Namisato, Yutaka Sada, Gen Shimizu, Shin Ōtomo, Shōichi Hirose, Minoru Itō, Kōji Uruki, Hiroyoshi Yamaguchi, Fuminori Ōhashi
Best English-friendly, video & audio release
About the film
Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
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Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Sources: Blu-ray.com (opens in a new tab)
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
Director: Ben Stiller
Sources: slow.pics (opens in a new tab)
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
US Criterion 4K Blu-ray > UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: John Schlesinger
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
2027 Criterion 4K Blu-ray
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
Director: Akira Kurosawa
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
France Carlotta > Criterion 4K Blu-ray see caps: https://slow.pics/c/s7AfL3XW
Grain is sharper/clearer on the new Carlotta/Criterion 4K; BFI's grain resolves slightly worse and more so in motion, being a standard Blu-ray; The Toho 4K's grain is softer, probably DNR'd.
BFI Player used to have the same mastering available to stream in 2019.
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
Criterion NTSC DVD overall. The 4K restoration's track is denoised and sounds muffled, but has a few of moments where it edges out in detail
Audio analysis between the Criterion 4K Blu-ray, BFI Blu-ray and Toho 4K Blu-ray
Director: Akira Kurosawa
Italy Eagle Pictures 4K Blu-ray >StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Akira Kurosawa
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
No clear winner, Criterion SDR 4K Blu-ray has better defined grain and is cleaned-up more thoroughly. But looks grayer and flatter in daytime scenes. BFI 4K Blu-ray's HDR/DV is better in contrast but the grading can be debatable.
Director: Akira Kurosawa
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab)
179 min cut: Toho 4K Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Sidney Lumet
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
1.85:1: Kino Lorber 4K / Capelight 4K
1.66:1: Criterion 4K but low pass filtered
Comparison between the 4Ks, Criterion on the AR choice
Other discs have unnecessary filtering and sound worse, the difference isn't substantial but audible
Director: Sam Peckinpah
Director: Alfonso Cuarón
Sources: Criterion Forum (opens in a new tab)
Janus and thus Criterion likely to release 4K Blu-ray in 2027
Director: Hal Ashby
Sources: slow.pics (opens in a new tab)
See caps https://slow.pics/c/lVdZaG0W
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
StudioCanal's 4K release is similar in encode quality, but has significant glitches in multiple frames. See comparisons 9-16 here: https://slow.pics/c/YkSVb3Ey
The pitch of the StudioCanal 4K's English audio is too high
Criterion has more extras than StudioCanal.
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
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