The Wolf of Wall Street (2013)
Crime, Drama, Comedy • 3h
Director: Martin Scorsese
Cast: Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Jon Favreau, Jean Dujardin, Joanna Lumley, Cristin Milioti, Christine Ebersole, Shea Whigham, Katarina Čas, P.J. Byrne, Kenneth Choi, Brian Sacca, Henry Zebrowski, Ethan Suplee, Barry Rothbart, Jake Hoffman, Mackenzie Meehan, Bo Dietl, Jon Spinogatti, Aya Cash, Rizwan Manji, Stephanie Kurtzuba, J.C. MacKenzie, Ashlie Atkinson, Thomas Middleditch, Stephen Kunken, Edward Herrmann, Jordan Belfort, Ted Griffin, Fran Lebowitz, Robert Clohessy, Natasha Newman-Thomas, Sandra Nelson, Johnnie Mae, Christina Jeffs, Sabina Maschi, Zana Markelson, Welker White, Danny Flaherty, Carla Corvo, Dustin Kerns, Ashley Blankenship, Madison McKinley, Dierdre Reimold, Kerry Malloy, Frank van Putten, Aaron Lazar, Steve Routman, Steve Witting, Charley Morgan, Michael Nathanson, Natalie Bensel, Tess Olivia, Jaclyn Keys, Krista Ashworth, Kathleen Fellegara, John Bernard Martin, Jamel Daniels, Dan Bittner, John Behlmann, Ward Horton, Bret Shuford, Paul Monte Jr., Ellen Sexton, Brian Tweedy, J.T. O'Connor, Steven Boyer, Danny A. Abeckaser, Tracy Friedman, Matthew Rauch, Michael Izquierdo, Donnie Keshawarz, Johnathan Tchaikovsky, Aaron Glaser, Ben Rameaka, Ben Loving, Brian Charles Johnson, Sebastian Tillinger, Chris Riggi, Dan Hunter, Meghan Rafferty, José Ramón Rosario, Davram Stiefler, Dan Daily, Ben Van Bergen, Matte Osian, Michael Devine, Jason Furlani, Scott Nicholson, Jeremy Bobb, Dean Auer, Tom Greer, Sharon Jones, Starr Duncan-Lowe, Saundra Williams, Emily Tremaine, Zineb Oukach, Loretta O. Booz, Shea Coleman, Giselle Eisenberg, Deema Aitken, Ashley Springer, Justin Anthony Long, Gregory Perri, Viki Boyle, Chris Caldovino, Marcos A. Gonzalez, Chris Matesevac, Justin Yllanes, Rémy Bennett, Catherine Curtin, Paul Urcioli, Jamie O'Connell, Michael O'Hara, Lawrence Lau, Michael Bryan French, Adria Baratta, Armen Garo, Garry Pastore, Louis Vanaria, Lawrence Smith, Hardy Winburn, Allyson Carr, Peter Youngblood Hills, Daniel Hepner, Brendan Griffin, Derek Milman, Victor Verhaeghe, Jared Houseman, Spike Jonze, Martin Scorsese, Silvia Kal, Tommy Bayiokos, Gianni Biasetti Jr., Rick Bolander, Spenser Granese, Julian Brand, Kenneth Carrella, Austin Farwell, Zach Miko, Tyler Evan Rowe, Stefano Villabona, Gregory Brown, Tucker Bryan, Michael Jefferson, Bryan Burton, Mike Catapano, Steven Conroy, Kelsey Deanne, Maria Di Angelis, London Hall, Rosemary Howard, Chris Kerson, Natasha Kojic, Ben Leasure, Will MacAdam, Jeff Moffitt, Chris Nuñez, Seregon O'Dassey, Joseph Oliveira, Michael Power, Nicole Rutigliano, Sibyl Santiago, Vitaliy Shtabnoy, Madeleine Wade, Blago Simon, David Wenzel, Joe Zaso, Claudette Lalí, Francis Brooke, Martin Klebba, Michael Dubuc, Geoffrey J.D. Payne, Judah McFadden
Best English-friendly & video release
Arrow UK 4K Blu-ray > Paramount US and Capelight DE, same black crush on all three but the Arrow is encoded by FiM and has very good new supplements, the Capelight looks slightly low-passed, but in motion it probably looks about the same as the Paramount, see caps comparison for all three.
Updated 3 days ago
Best audio release
Additional info
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray and Capelight DE 4K Blu-ray have MEL Dolby Vision
UHD tiers
same black crush as the US and DE discs but encoded by FiM and has very good new supplements
same black crush as the US and DE discs but encoded by FiM with very good new supplements
About the film
A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration. Based on Jordan Belfort's autobiography.
Director: Martin Scorsese
Other releases have horrendous DNR
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
(same as all tracks since the DVD)
Criterion 4K Blu-ray see caps
Phenomenal disc, and perhaps the single greatest testament to NexSpec's positive 180 this year. Highlights are beautifully handled and grain structure is fully intact in areas where NexSpec's (and Pixelogic's) encodes would frequently fall apart in 2025 and before then. Criterion BD encode also looks to be robust from linked caps, save for this one frame: https://slow.pics/c/cMjMefmi
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Sources: Blu-ray.com (opens in a new tab)
MVD 4K Blu-ray see caps but it has the encoding error with the dropped frames
Director: Martin Scorsese
2024 Second Sight 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab)
Director: Martin Scorsese
Director: Martin Scorsese
But Warner Bros 4K Blu-ray is very similar.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray vs Criterion
Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Director: Bernard Rose
Scream Factory/Arrow 4K Blu-ray or Turbine 4K Blu-Ray
SF and Turbine also have the 2004 Audio Commentary with Bernard Rose, Clive Barker, Alan Poul and actors Virginia Madsen, Tony Todd and Kasi Lemmons
Director: Peter Jackson
Sources: slow.pics (opens in a new tab)
Both will look identical in motion but the Turbine looks marginally better due to a higher bitrate allocation by each cut being given its own disc, whereas Arrow had FiM seamlessly branch the two onto one. However, Arrow has both cuts in Open Matte (on Blu-Ray) and corrected the opening Universal logo's aspect ratio. https://slow.pics/c/McvVcYDG
Director: Rob Reiner
Sources: Blu-ray.com (opens in a new tab) · instagram.com (opens in a new tab)
UK Arrow 4K Blu-ray > US Kino Lorber/Germany Capelight - caps and audio comparison on this page. Discussion is still ongoing about the 2.0 but as none of the three 4Ks seem to have the true original mix, I think it's fair to leave them all in the blue tier for now and only note that Kino Lorber has the worst PQ.
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
The 4K master has a shot at the very end of the movie (on James Caan's face) that looks incredibly soft and not good at all. This was visible on the DCP as well so it might just be a source issue rather than being the fault of Kino, Capelight or Arrow.
Director: Rob Reiner
Arrow 4K Blu-ray releasing December 14 2026
Like many of Capelight's other releases, the 4K Blu-ray is low-passed but still looks good.
30th Anniversary Shout! Factory BD has the original stereo mix
Director: Michael Anderson
Arrow 4K Blu-ray scheduled for Dec 2026 release
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
More Crime on Blu-ray
Director: Wong Kar-Wai
Video format: 1080p Blu-ray
2010 US Kino Lorber or 2012 UK Artificial Eye
Sources: slow.pics (opens in a new tab)
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible. However, Artificial Eye also includes the 2.0 stereo mix in addition to the 5.1 mix, while Kino only includes 5.1 mix.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
4K restoration of the original 3D left eye and right eye camera negatives
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: William Dieterle
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Karel Reisz
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is mis-credited to be an FiM encode. It isn't. Neither the encode nor the color grading are entirely satisfactory.
Director: Tony Gilroy
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Every recommendation follows the same method — how these calls are made.