Ransom (1996)
Action, Thriller • 2h 1m
Overview
When a rich man's son is kidnapped, he cooperates with the police at first but then tries a unique tactic against the criminals.
Director: Ron Howard
Cast: Mel Gibson, Rene Russo, Gary Sinise, Delroy Lindo, Lili Taylor, Brawley Nolte, Liev Schreiber, Donnie Wahlberg, Evan Handler, Nancy Ticotin, Michael Gaston, Kevin Neil McCready, José Zúñiga, Dan Hedaya, Allen Bernstein, Iraida Polanco, John Ortiz, A.J. Benza, Peter Anthony Tambakis, Daniel May Wong, Donna Hanover, Anton Evangelista, Joe Bacino, Carl S. Redding, James Georgiades, Christian Maelen, David Vadim, Michael Countryman, Cheryl Howard, James Ritz, Craig 'Radio Man' Castaldo, Joseph Badalucco Jr., Dell Maara, Mike Hodge, Mick O'Rourke, Henry Kingi Jr., Roy Farfel, Lex D. Geddings, Todd Hallowell
Director: Ron Howard
Theatrical: Universal 4K Blu-ray
IMAX Cut: 2005 DVD
Theatrical: Universal 4K Blu-ray
IMAX Cut: 2005 DVD
Theatrical: Cinema DTS
Director: Ron Howard
Theatrical: Universal 4K Blu-ray
IMAX Cut: 2005 DVD
Theatrical: Universal 4K Blu-ray
IMAX Cut: 2005 DVD
Theatrical: Cinema DTS
Director: Ron Howard
2026 Sony 4K Blu-ray Steelbook
2026 Sony 4K Blu-ray Steelbook added Dolby Vision
Director: Ron Howard
2026 Sony 4K Blu-ray Steelbook
2026 Sony 4K Blu-ray Steelbook added Dolby Vision
Director: Ron Howard
Director: Ron Howard
Director: Ron Howard
Universal 4K Blu-ray - caps. Looks stunning against the horribly neutralized old master. Very glad Deakins supervised the new grade and had Universal restore his color filters.
Universal Blu-ray (included in the 4K edition) has the original 5.1 mix not on the 4K disc
The original 5.1 surround mix from the 2011 USA BD was included alongside the new Atmos upmix. The compatibility track is a downmix of the Atmos. The Atmos is overall lightly remixed with noticeably more high frequencies rolled-off relative to the old 5.1. I think the 5.1 sounds better. The 5.1 mix from the USA BD was used as it sounds essentially the same as the EUR BD (with some minor loudness differences) while not featuring the dither noise and low frequency noise that the EUR has. Commentaries between the USA UHD and USA BD are the same, with both featuring Dolby Surround metadata
Audio comparison: 5.1 surround
Director: Ron Howard
Universal 4K Blu-ray - caps. Looks stunning against the horribly neutralized old master. Very glad Deakins supervised the new grade and had Universal restore his color filters.
Universal Blu-ray (included in the 4K edition) has the original 5.1 mix not on the 4K disc
The original 5.1 surround mix from the 2011 USA BD was included alongside the new Atmos upmix. The compatibility track is a downmix of the Atmos. The Atmos is overall lightly remixed with noticeably more high frequencies rolled-off relative to the old 5.1. I think the 5.1 sounds better. The 5.1 mix from the USA BD was used as it sounds essentially the same as the EUR BD (with some minor loudness differences) while not featuring the dither noise and low frequency noise that the EUR has. Commentaries between the USA UHD and USA BD are the same, with both featuring Dolby Surround metadata
Audio comparison: 5.1 surround
Director: Ron Howard
Theatrical Cut: Shout! Factory 4K Blu-ray
Extended Cut: The 30th Anniversary Extended Cut on fanedit.org has the additional TV footage and is also uncut.
Theatrical Cut: Shout! Factory 4K Blu-ray
Extended Cut: The 30th Anniversary Extended Cut on fanedit.org has the additional TV footage and is also uncut.
The TV version is extended but is censored. The Shout! Factory 4K Blu-ray is restored from an interpositive, no release so far is confirmed to be from the Original Camera Negative.
Director: Ron Howard
Theatrical Cut: Shout! Factory 4K Blu-ray
Extended Cut: The 30th Anniversary Extended Cut on fanedit.org has the additional TV footage and is also uncut.
Theatrical Cut: Shout! Factory 4K Blu-ray
Extended Cut: The 30th Anniversary Extended Cut on fanedit.org has the additional TV footage and is also uncut.
The TV version is extended but is censored. The Shout! Factory 4K Blu-ray is restored from an interpositive, no release so far is confirmed to be from the Original Camera Negative.
Director: Ron Howard
1991 Universal LaserDisc [41131]
Director: Ron Howard
1991 Universal LaserDisc [41131]
Director: Ron Howard
Director: Ron Howard
Director: Ron Howard
Director: Ron Howard
Director: Ron Howard
Theatrical: Sony 4K Blu-ray
Extended: Old Sony Blu-ray
Theatrical: Sony 4K Blu-ray
Extended: Old Sony Blu-ray
Director: Ron Howard
Theatrical: Sony 4K Blu-ray
Extended: Old Sony Blu-ray
Theatrical: Sony 4K Blu-ray
Extended: Old Sony Blu-ray
Director: Ron Howard
Director: Ron Howard
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: George P. Cosmatos
Disney 4K Blu-ray for the 4K Theatrical Cut or 2002 Vista Series DVD for the Director's Cut, alleycat's DC restoration better
Theatrical Cut: Disney 4K Blu-ray caps
Director's Cut: 2002 Vista Series DVD, alleycat's DC restoration better
Closest to original: 1994 Hollywood Pictures LaserDisc, other LDs are probably the same
Blu-rays only have 5.1 upmixes but probably fine
Director: George P. Cosmatos
Disney 4K Blu-ray for the 4K Theatrical Cut or 2002 Vista Series DVD for the Director's Cut, alleycat's DC restoration better
Theatrical Cut: Disney 4K Blu-ray caps
Director's Cut: 2002 Vista Series DVD, alleycat's DC restoration better
Closest to original: 1994 Hollywood Pictures LaserDisc, other LDs are probably the same
Blu-rays only have 5.1 upmixes but probably fine
3D: Disney International 3D Blu-ray or Apple Vision Pro
3D: Disney International 3D Blu-ray or Apple Vision Pro
3D: Disney International 3D Blu-ray or Apple Vision Pro
3D: Disney International 3D Blu-ray or Apple Vision Pro
Director: Tim Burton
Director: Tim Burton
Director: David Fincher
Disney 4K Blu-ray or Fox 2009 Blu-ray or Kinowelt Entertainment 2008 Germany Blu-ray for a purist version
Disney 4K Blu-ray or Fox 2009 Blu-ray for a purist version or Kinowelt Entertainment 2008 Germany Blu-ray from the original 1999 telecine transfer
Disney 4K Blu-ray, while a good release by itself, is very revisionist albeit made by Fincher. It has a huge amount of tinkering, a different grade, and at times uncanny with the sharpening. Caps of just how revisionist the new master is.
Cinema DTS - all Blu-ray tracks have significant limiting.
Disney 4K Blu-ray has some alterations, otherwise similar to the Fox Blu-ray
A blog article going over the home video history of Fight Club: https://notonbluray.com/blog/fight-club-compared-blu-ray-vs-itunes-vs-d-vhs-vs-dvd-vs-laserdisc/
Director: David Fincher
Disney 4K Blu-ray or Fox 2009 Blu-ray or Kinowelt Entertainment 2008 Germany Blu-ray for a purist version
Disney 4K Blu-ray or Fox 2009 Blu-ray for a purist version or Kinowelt Entertainment 2008 Germany Blu-ray from the original 1999 telecine transfer
Disney 4K Blu-ray, while a good release by itself, is very revisionist albeit made by Fincher. It has a huge amount of tinkering, a different grade, and at times uncanny with the sharpening. Caps of just how revisionist the new master is.
Cinema DTS - all Blu-ray tracks have significant limiting.
Disney 4K Blu-ray has some alterations, otherwise similar to the Fox Blu-ray
A blog article going over the home video history of Fight Club: https://notonbluray.com/blog/fight-club-compared-blu-ray-vs-itunes-vs-d-vhs-vs-dvd-vs-laserdisc/
Director: Robert Stevenson
Director: Robert Stevenson
Director: Ridley Scott
Director: Ridley Scott
More Action on Blu-ray
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: John McTiernan
Director: John McTiernan
Director: John Woo
Director: John Woo
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Tommy Wirkola
Director: Tommy Wirkola
Director: John Woo
Director: John Woo
Edit History
11/10/2025
Best English-Friendly Release
From
Theatrical: Disney UHD
Extended: Laserdisc or fan restoration
11/10/2025
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1080p Blu-ray
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1080p Blu-ray
Best English-Friendly Release
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Theatrical: Disney UHD
Extended: Laserdisc or fan restoration
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Theatrical: Disney UHD
Extended: Laserdisc or fan restoration
Best Video Release
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Theatrical: Disney UHD
Extended: Laserdisc or fan restoration
Added
Theatrical: Disney UHD
Extended: Laserdisc or fan restoration
Blu-ray.com
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https://www.blu-ray.com/Ransom/61491/#Releases
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https://www.blu-ray.com/Ransom/61491/#Releases
caps-a-holic
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