Ransom (1996)
Action, Thriller • 2h 1m
Director: Ron Howard
Cast: Mel Gibson, Rene Russo, Gary Sinise, Delroy Lindo, Lili Taylor, Brawley Nolte, Liev Schreiber, Donnie Wahlberg, Evan Handler, Nancy Ticotin, Michael Gaston, Kevin Neil McCready, José Zúñiga, Dan Hedaya, Allen Bernstein, Iraida Polanco, John Ortiz, A.J. Benza, Peter Anthony Tambakis, Daniel May Wong, Donna Hanover, Anton Evangelista, Joe Bacino, Carl S. Redding, James Georgiades, Christian Maelen, David Vadim, Michael Countryman, Cheryl Howard, James Ritz, Craig 'Radio Man' Castaldo, Joseph Badalucco Jr., Dell Maara, Mike Hodge, Mick O'Rourke, Henry Kingi Jr., Roy Farfel, Lex D. Geddings, Todd Hallowell
About the film
When a rich man's son is kidnapped, he cooperates with the police at first but then tries a unique tactic against the criminals.
Director: Ron Howard
Theatrical: Universal 4K Blu-ray
IMAX Cut: 2005 DVD
Theatrical: Cinema DTS
Director: Ron Howard
2026 Sony 4K Blu-ray Steelbook
2026 Sony 4K Blu-ray Steelbook added Dolby Vision
Director: Ron Howard
Sources: slow.pics (opens in a new tab)
Universal 4K Blu-ray - caps. Looks stunning against the horribly neutralized old master. Very glad Deakins supervised the new grade and had Universal restore his color filters.
Universal Blu-ray (included in the 4K edition) has the original 5.1 mix not on the 4K disc
The original 5.1 surround mix from the 2011 USA BD was included alongside the new Atmos upmix. The compatibility track is a downmix of the Atmos. The Atmos is overall lightly remixed with noticeably more high frequencies rolled-off relative to the old 5.1. I think the 5.1 sounds better. The 5.1 mix from the USA BD was used as it sounds essentially the same as the EUR BD (with some minor loudness differences) while not featuring the dither noise and low frequency noise that the EUR has. Commentaries between the USA UHD and USA BD are the same, with both featuring Dolby Surround metadata
Audio comparison: 5.1 surround
Director: Ron Howard
Theatrical Cut: Shout! Factory 4K Blu-ray
Extended Cut: The 30th Anniversary Extended Cut on fanedit.org
Sources: fanedit.org (opens in a new tab)
Theatrical Cut: Shout! Factory 4K Blu-ray
Extended Cut: The 30th Anniversary Extended Cut on fanedit.org has the additional TV footage and is also uncut.
The TV version is extended but is censored. The Shout! Factory 4K Blu-ray is restored from an interpositive, no release so far is confirmed to be from the Original Camera Negative.
Director: Ron Howard
Video format: 1080p Blu-ray
OOP British Eureka Blu-Ray
Director: Ron Howard
Theatrical: Sony 4K Blu-ray
Extended: Old Sony Blu-ray
Directors: David Hand & Ben Sharpsteen & William Cottrell & Larry Morey & Perce Pearce & Wilfred Jackson
Mono track is on the included Blu-ray; 4K Blu-ray missing original mono. LaserDisc probably better
Director: Mike Judge
Video format: 4K Streaming
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
Japan Studio Ghibli 4K Blu-ray announced for a November 25, 2026 release
Japanese audio: 2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray/US GKIDS Blu-ray
English dub (Disney): 1998 US Disney VHS has better sounding vocals despite altered music and sound effects, the US Disney LaserDisc has limited audio, and 2003 DVD is a fake 5.1 upmix
Releases from 2010 onward have the original music and sound effects, but distorted vocals
English dub (Streamline): 1996 Japan remastered LaserDisc, available in Ghibli Ga Ippai Collection boxset
Video format: 1080p Blu-ray
Director: M. Night Shyamalan
BD LPCM 5.1
The DTS-HD on the UHD has been dynamically compressed, has had its center channel boosted, and surrounds lowered (typical modern nearfield mix for soundbars). Very different from the BD and DVD tracks. The BD LPCM is basically just a lossless version of the DTS and AC3 from the original DVD (the AC3 actually being the superior mix on that particular release).
Video format: 4K Streaming
Director: Michael Bay
Video format: HD Streaming
Sources: Criterion Forum (opens in a new tab)
4K possibly teased?
Directors: Bill Roberts & Paul Satterfield & Wilfred Jackson & Ben Sharpsteen & James Algar & T. Hee & Hamilton Luske & Samuel Armstrong & Jim Handley & Norman Ferguson & David Hand & Ford Beebe Jr.
Sources: caps-a-holic (opens in a new tab)
1991 CAV LaserDisc includes an approximation of the original Fantasound mix in Dolby Surround using the surviving magnetic mixdown, using Stokowski's original mixing notes as a reference. Original aggressive pans and dynamic range are left in tact.
The 2000 DVD uses this same mix in discrete 5.0, but with some unnecessary dynamic range compression + a redub of all Deems Taylor audio with Corey Burton.
The 7.1 mix on the 2010 Blu-ray sounds poor, having been hit with excessive noise reduction, dynamic range compression, original aggressive pans no longer in tact, and the channel usage no longer resembles Stokowski's original intended sound design.
Director: Chris Columbus
Sources: slow.pics (opens in a new tab)
Disney 4K Blu-ray has encoding issues with bitrates dipping into 40mbps, and Kaleidescape has better encoding than Disney see caps
Old Fox Blu-ray master is stretched and sharpened
Director: Hayao Miyazaki
2014 "Hayao Miyazaki Collection" Studio Ghibli Japan Blu-ray or US Disney Blu-ray
Sources: slow.pics (opens in a new tab) · lddb.com (opens in a new tab)
2014 "Hayao Miyazaki Collection" Studio Ghibli Japan Blu-ray
2014 "Hayao Miyazaki Collection" Studio Ghibli Japan Blu-ray
Comparisons: https://slow.pics/c/6JWnlfit
All sources are within margin of error. Comparisons: Japanese, English
Alternate Streamline English dub is available only on 1994 Fox LD.
More Action on Blu-ray
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Buster Keaton
Kino Lorber new Seven Chances / Sherlock Jr. Blu-ray?
Sources: slow.pics (opens in a new tab)
MoC 4K Blu-ray late 2027
Lobster Films (Kino Lorber?) > Cohen/Eureka https://slow.pics/c/3KWXoMyR The new Kino Lorber's Seven Chances / Sherlock Jr. might be using the same restoration as Lobster Films
Director: George Lucas
Video format: UHD Blu-ray
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Director: Michael Anderson
Arrow 4K Blu-ray scheduled for Dec 2026 release
Paramount 4K Blu-ray Purist choice: Blu-ray
Sources: YouTube (opens in a new tab)
Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading
Blu-ray 5.1
The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
StudioCanal's 4K release is similar in encode quality, but has significant glitches in multiple frames. See comparisons 9-16 here: https://slow.pics/c/YkSVb3Ey
The pitch of the StudioCanal 4K's English audio is too high
Criterion has more extras than StudioCanal.
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