Inferno (2016)
Mystery, Thriller, Action • 2h 1m
Director: Ron Howard
Cast: Tom Hanks, Felicity Jones, Omar Sy, Irrfan Khan, Sidse Babett Knudsen, Ben Foster, Ana Ularu, Ida Darvish, Paolo Antonio Simioni, Alessandro Grimaldi, Fausto Maria Sciarappa, Robin Mugnaini, Paul Ritter, Vincenzo Tanassi, Alessandro Fabrizi, Simone Mariani, Gábor Urmai, Jon Donahue, Fortunato Cerlino, Attila Árpa, Kata Sarbó, Francesca Inaudi, Maria Grazia Mandruzzato, Philip Arditti, Mehmet Ergen, Vincent Riotta, Luca Fiorilli, Cristian Stelluti, Alberto Basaluzzo, Gábor Nagypál, Gianni Annoni, Yang Haiwen, Mirjam Novak, Rebecka Johnston, Sardar Tagirovsky, Gäbor Atlasz, Gábor Dióssy, Peter Schueller, Lili Gesler, Felipe Torres Urso, Dino Conti, Mario Acampa, Pasquale Corrente, Kerem Ozen, Xavier Laurent, Büyükkol Mehmet Onur, Bálint Adorjáni, Zsolt Páll, Peter Linka
Best English-friendly & video release · updated 11 months ago
Overview
After waking up in a hospital with amnesia, professor Robert Langdon and a doctor must race against time to foil a deadly global plot.
Director: Ron Howard
Theatrical: Universal 4K Blu-ray
IMAX Cut: 2005 DVD
Theatrical: Cinema DTS
Director: Ron Howard
2026 Sony 4K Blu-ray Steelbook
2026 Sony 4K Blu-ray Steelbook added Dolby Vision
Director: Ron Howard
Sources: slow.pics (opens in a new tab)
Universal 4K Blu-ray - caps. Looks stunning against the horribly neutralized old master. Very glad Deakins supervised the new grade and had Universal restore his color filters.
Universal Blu-ray (included in the 4K edition) has the original 5.1 mix not on the 4K disc
The original 5.1 surround mix from the 2011 USA BD was included alongside the new Atmos upmix. The compatibility track is a downmix of the Atmos. The Atmos is overall lightly remixed with noticeably more high frequencies rolled-off relative to the old 5.1. I think the 5.1 sounds better. The 5.1 mix from the USA BD was used as it sounds essentially the same as the EUR BD (with some minor loudness differences) while not featuring the dither noise and low frequency noise that the EUR has. Commentaries between the USA UHD and USA BD are the same, with both featuring Dolby Surround metadata
Audio comparison: 5.1 surround
Director: Ron Howard
Theatrical Cut: Shout! Factory 4K Blu-ray
Extended Cut: The 30th Anniversary Extended Cut on fanedit.org
Sources: fanedit.org (opens in a new tab)
Theatrical Cut: Shout! Factory 4K Blu-ray
Extended Cut: The 30th Anniversary Extended Cut on fanedit.org has the additional TV footage and is also uncut.
The TV version is extended but is censored. The Shout! Factory 4K Blu-ray is restored from an interpositive, no release so far is confirmed to be from the Original Camera Negative.
Director: Ron Howard
Video format: 1080p Blu-ray
OOP British Eureka Blu-Ray
Director: Ron Howard
Director: Ron Howard
Theatrical: Sony 4K Blu-ray
Extended: Old Sony Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Director: Frank Capra
Director: John Carpenter
Sony 4K Blu-ray or Carlotta 4K Blu-ray (FiM encode)
Sony 4K Blu-ray and France Carlotta 4K Blu-ray (FiM encode) are similar
Director: Michael Arias
Sources: slow.pics (opens in a new tab)
GKIDS 4K Blu-ray is a sharpened upscale. Caps
GKIDS 4K Blu-ray has a true lossless English dub and correct volume levels for the Japanese audio
Director: David Fincher
4K Blu-ray has exclusive “unrated” audio with a small change to one line under the request of David Fincher (removed the poor dub over of frickin’ in the line “Screw it, let’s gut the f**kin’ nerd.”).
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Michael Apted
Video format: HD Streaming
Director: Richard Linklater
Sources: caps-a-holic (opens in a new tab)
Criterion Blu-ray uses the same transfer as Sony but the encoding is slightly worse than Sony and barely noticeable see caps
Germany StudioCanal Blu-ray in viewing looks very similar to both the Criterion and Sony caps, but no side by side comparison available
Germany StudioCanal Blu-ray is part of a 3-film box set like the Criterion
More Mystery on Blu-ray
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: M. Night Shyamalan
BD LPCM 5.1
The DTS-HD on the UHD has been dynamically compressed, has had its center channel boosted, and surrounds lowered (typical modern nearfield mix for soundbars). Very different from the BD and DVD tracks. The BD LPCM is basically just a lossless version of the DTS and AC3 from the original DVD (the AC3 actually being the superior mix on that particular release).
Director: Roman Polanski
Director: Gus Van Sant
Sources: slow.pics (opens in a new tab)
Shout! Factory and Carlotta use the same scan https://slow.pics/c/Wcn5YFlw, the Carlotta has two extra bonus features
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab)
See chris's review
1991 Daiei LaserDisc
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
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