Midnight Cowboy (1969)
Drama • 1h 53m
Director: John Schlesinger
Cast: Jon Voight, Dustin Hoffman, Sylvia Miles, John McGiver, Brenda Vaccaro, Barnard Hughes, Ruth White, Jennifer Salt, Gilman Rankin, Gary Owens, T. Tom Marlow, George Eppersen, Al Scott, Linda Davis, J.T. Masters, Arlene Reeder, Georgann Johnson, Jonathan Kramer, Anthony Holland, Bob Balaban, Jan Tice, Paul Benjamin, Peter Scalia, Vito Siracusa, Peter Zamagias, Arthur Anderson, Tina Scala, Alma Felix, Richard Clarke, Ann Thomas, Viva, Paul Rossilli, Ultra Violet, Paul Jabara, International Velvet, Cecelia Lipson, Taylor Mead, Paul Morrissey, Joan Murphy, Al Stetson, M. Emmet Walsh, Sandy Duncan, Philip Bruns, Waldo Salt, Bill Walters, Jay Morran, Renee Semes, Jeffrey Walker, Mary Boylan, Marlene Clark, Paul Jasmin, Pat Ast, Randall Carver, Robert Dahdah, Trent Gough, Larry Sherman, Barbara Maggio, James Miller, Lucian Addario, William Door
Best English-friendly & video release · updated 18 days ago
Overview
Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.
No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.
The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Sony release without the filtering; Comparison between Sony and Criterion.
Mono: 1994 LaserDisc (marginally, unfiltered) or Criterion 4K Blu-ray (filtered)
5.1 Remix: Criterion 4K Blu-ray
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering; WB 4K early pressing has errors of a shot, later pressings fixed. Comparison between Criterion and WB.
6-Track 70mm mix: Criterion 4K Blu-ray (restored for the box set), 1997 MGM LaserDisc, 1998 MGM DVD
35mm Mono Mix: Criterion 4K Blu-ray
Matrixed Stereo Remix: MGM Japan LaserDisc (1985) [G158F5509]
5.1 Remix: Criterion 4K Blu-ray
Director: Steve James
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
StudioCanal Blu-ray
StudioCanal was overseen and approved by Nicolas Roeg and has a more filmic color grade than the Warner Archive Blu-Ray.
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Jack Cardiff
Video format: HD Streaming
HD Streaming
Director: Iain Softley
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Kathryn Bigelow
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Jonathan Kaplan
US Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray?
Fox 2002 NTSC DVD includes the original mix as discrete LCRS 4.0, later reelases only include a matrixed version an an inferior 5.1 upmix.
The matrixed stereo version on Shout! Factory's 4K Blu-ray sounds good.
Director: Kevin Costner
4K restoration of the extended cut to be screened in Locarno Film Festival
PQ looks the same for all BDs, but only Shout! Factory/Australia Via Vision Blu-ray/Germany Kinowelt Anniversary Blu-ray has both theatrical and extended cut
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