David Lynch Blu-rays

David Lynch

6 Films

David Lynch

6 Included Films

David Keith Lynch (January 20, 1946 – January 16, 2025) was an American filmmaker, visual artist, musician, and actor. Lynch received critical acclaim for his films, which are often distinguished by their surrealist, dreamlike qualities. In his 58-year career, he was awarded numerous accolades, including the Golden Lion for Lifetime Achievement in 2006 and an Honorary Academy Award in 2019. In 2007, a panel of critics convened by The Guardian announced that "after all the discussion, no one could fault the conclusion that David Lynch is the most important filmmaker of the current era." Lynch studied painting before he began making short films in the late 1960s. His first feature-length film was the independent surrealist film Eraserhead (1977), which saw success as a midnight movie. He was nominated for the Academy Award for Best Director for the biographical drama The Elephant Man (1980) and the mystery films Blue Velvet (1986) and Mulholland Drive (2001). His romantic crime drama Wild at Heart (1990) won the Palme d'Or at the Cannes Film Festival. He also directed the space opera adaptation Dune (1984), the surrealist neo-noir Lost Highway (1997), the biographical drama The Straight Story (1999), and the experimental film Inland Empire (2006). Lynch and Mark Frost created the ABC series Twin Peaks (1990–91), for which Lynch was nominated for two Primetime Emmy Awards for Outstanding Directing for a Drama Series and Outstanding Writing for a Drama Series. Lynch co-wrote and directed its film prequel, Twin Peaks: Fire Walk with Me (1992), and its limited series revival (2017). He has also worked as an actor, including his portrayals of FBI agent Gordon Cole in Twin Peaks and director John Ford in Steven Spielberg's The Fabelmans (2022), as well as guest roles in TV series such as The Cleveland Show (2010–13), Louie (2012), and Robot Chicken (2020, 2022). Lynch's other artistic endeavours included his work as a musician, encompassing the studio albums BlueBOB (2001), Crazy Clown Time (2011), and The Big Dream (2013), as well as painting and photography. He has written the books Images (1994), Catching the Big Fish (2006), and Room to Dream (2018). He has directed several music videos for artists such as Chris Isaak, X Japan, Moby, Interpol, Nine Inch Nails, and Donovan, and commercials for Calvin Klein, Dior, L'Oreal, Yves Saint Laurent, Gucci, and the New York City Department of Sanitation. A practitioner of Transcendental Meditation (TM), he founded the David Lynch Foundation, which seeks to fund the teaching of TM in schools and has since widened its scope to other at-risk populations, including the homeless, veterans, and refugees.

4.3

The Elephant Man (1980)

Director: David Lynch

UHD Blu-ray

Best English-Friendly:

Criterion or StudioCanal 4K Blu-ray

Best Video:

Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR

The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.

SC has a missing fade that Criterion reinstated.

Best Audio:

Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc

Restored stereo mix: Criterion / StudioCanal 4K Blu-ray

The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.

For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.

The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.

The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.

The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.