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The Bourne Identity (2002)
The Bourne Identity (2002) poster
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The Bourne Identity (2002)

Action, Drama, Mystery, Thriller • 1h 59m

Director: Doug Liman

Letterboxd
IMDbThe Movie Database (TMDB)

Best video release

US Cut: US Universal HD-DVD

International Cut: International Universal HD-DVD

1080p Blu-ray
Video notes:

The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.

Updated 12 days ago


Best audio release

Universal Blu-ray DTS-HD 5.1

Additional info

Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.

Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.

UHD tiers

Worse Than BD
Universal:

poor encoding and DNR (best is the HD-DVD)


About the film

Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?

More from Doug Liman

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Director: Doug Liman

Best Video:

Theatrical Cut: Fox Blu-ray
Director's Cut: France Blu-ray

Video Notes:

Theatrical Cut: Fox Blu-ray
Director's Cut: France Blu-ray (no English subtitles, prone to disc rot), or 2006 Fox DVD (SD, but has English subtitles)

Director: Doug Liman

4K · Excellent
Best Video:

WB 4K Blu-ray

Best Audio:

4K Blu-ray or 2014 Blu-ray 7.1

Audio Notes:

4K Blu-ray or 2014 Blu-ray 7.1 (more bass but clipped)

Additional Info:

The OOP Best Buy Exclusive Blu-ray has a exclusive extra

More from Universal

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Director: Anthony Mann

4K · Solid
Best English-Friendly:

Criterion 4K Blu-ray, Universal 2008 DVD

Sources: Criterion Forum (opens in a new tab)

Best Audio:

2008 Universal DVD mono

Audio Notes:

The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original LaserDisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin. 

Additional Info:

The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.

Director: James Neilson

Best English-Friendly:

Kino Lorber Blu-ray

Best Audio:

2003 Universal DVD

Additional Info:

The Universal HD master is appalling. This is a large format early Technirama film that has been hit with a massive amount of DNR resulting in a smeary appearance throughout with little detail. On one hand it is still a better scan than the old DVD with better color and element issues addressed. On the other it is barely above the DVD upscaled in other moments. The mono audio has been horribly processed to sound thin, canned and lacking in overall fidelity. The DVD clearly uses the same source element for picture and sound and here the sound is left alone. It sounds miles better. The Kino Lorber Blu-ray is technically the best US release but this master has been released in Europe where it likely has better encoding. The Kino Lorber Blu-ray adds a basic commentary. This film needs a proper transfer and audio presentation desperately. The HD master is so lackluster that the DVD despite its age is arguably preferable in visuals and certainly far superior in audio.

Director: Alicia MacDonald

Best Video:

Universal Blu-ray

Director: Michael Cimino

4K · Solid
Best English-Friendly:

StudioCanal 4K Blu-ray

Best Video:

2020 Shout! Factory 4K

Video Notes:

2020 Shout! Factory 4K slightly better than StudioCanal in HDR10. Similar in DV

Best Audio:

35mm mix: 1991 Universal LaserDisc

70mm mix: StudioCanal 4K Blu-ray

Audio Notes:

35mm mix: 1991 Universal LaserDisc marginally better than StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is downmix.

70mm mix: StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is remix.

Director: Brian De Palma

4K · Excellent
Best Video:

Arrow 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Best Audio:

1993 Universal LaserDisc

Additional Info:

Carlito’s Way was released theatrically in both Dolby Stereo and DTS. The 2.0 on the Arrow UHD is the original stereo mix, unknown if the 5.1 mix on the  Arrow disc is the original DTS mix.

Director: H. C. Potter

Best Video:

Universal Blu-ray

Director: David Butler

Best Video:

Universal Blu-ray

Director: Marion Gering

Best Video:

Universal Blu-ray

Director: Matthew Vaughn

Video Notes:

Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.

Best Audio:

Universal Blu-ray?

Audio Notes:

The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.

Additional Info:

The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.

The Universal UHD has no extras.

Director: Joel Coen

4K · Disappointing
Best Video:

Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD

Sources: Blu-ray.com (opens in a new tab)

Video Notes:

https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)

More Action on Blu-ray

Director: Wong Kar-Wai

Video format: 1080p Blu-ray

4K · Disappointing
Best English-Friendly:

2010 US Kino Lorber or 2012 UK Artificial Eye

Sources: slow.pics (opens in a new tab)

Best Video:

2017 JP Kadokawa Blu-ray

Video Notes:

2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.


Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible. However, Artificial Eye also includes the 2.0 stereo mix in addition to the 5.1 mix, while Kino only includes 5.1 mix.

The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.

Caps: old master, old master vs 4K restoration

Wong Kar-Wai on the framing:

With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.

Director: John Woo

4K · Excellent

Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)

Upcoming Release:

Plaion Germany 4K Blu-ray

Video Notes:

Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56

Best Audio:

Original mix: Shout! Factory 4K Blu-ray

Alternate mix: Scanbox Nordic PAL DVD

Surround remix: HK Video France 4K Blu-ray (5.0)

Audio Notes:

Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)

Alternate mix: Scanbox Nordic PAL DVD

Surround remix: HK Video France 4K Blu-ray (5.0)

Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.

Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.

Additional Info:

Arrow has a much better translation.

Arrow LE has the Taiwan Extended Cut which will not be present on the standard edition. However, Imprint is FiM and has its own archival extras not present on the Arrow.

Director: Buster Keaton

Best English-Friendly:

Kino Lorber new Seven Chances / Sherlock Jr. Blu-ray?

Sources: slow.pics (opens in a new tab)

Upcoming Release:

MoC 4K Blu-ray late 2027

Video Notes:

Lobster Films (Kino Lorber?) > Cohen/Eureka https://slow.pics/c/3KWXoMyR The new Kino Lorber's Seven Chances / Sherlock Jr. might be using the same restoration as Lobster Films

Director: Sam Peckinpah

4K · Excellent
Best English-Friendly:

Criterion 4K Blu-ray or Germany Plaion Blu-ray or WB DVD depending on the cut.

Best Video:

First Preview (Turner): Germany Plaion Blu-ray

Second Preview (Final Preview): Germany Plaion Blu-ray

Theatrical: Criterion 4K Blu-ray

2005 Cut: WB DVD

2024 Cut: Criterion 4K Blu-ray

Video Notes:

Director: Roland Emmerich

4K · Solid
Best Video & Audio:

Sony 4K Blu-ray

Director: George Lucas

Video format: UHD Blu-ray

Best Video:

OG: "4K77" or "D+77" on high seas.

Special Edition: "4K97_IV" or "D+97_IV" on high seas.

Upcoming Release:

2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed

Best Audio:

OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.

Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.

Director: John G. Avildsen

4K · Excellent
Best Video:

Sony 4K Blu-ray

Best Audio:

Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray 

5.1 remix: Sony 4K Blu-ray, Sony Blu-ray 

Dolby Atmos remix: Sony 4K Blu-ray 

Director: John G. Avildsen

4K · Excellent
Best Video:

Sony 4K Blu-ray

Best Audio:

Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray 

5.1 remix: Sony 4K Blu-ray, Sony Blu-ray 

Dolby Atmos remix: Sony 4K Blu-ray 

Director: Michael Anderson

Best Video:

Warner Bros Blu-ray

Upcoming Release:

Arrow 4K Blu-ray scheduled for Dec 2026 release

Director: Steven Spielberg

4K · Solid
Best English-Friendly:

Paramount 4K Blu-ray Purist choice: Blu-ray

Sources: YouTube (opens in a new tab)

Best Video:

Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading

Best Audio:

Blu-ray 5.1

Additional Info:

The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.

DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW

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tyyuxvanshadycbcHydra SpectreAdamAjdolivarez

· last reviewed 12 days ago

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