GoodFellas (1990)
Drama, Crime • 2h 26m
Director: Martin Scorsese
Cast: Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino, Frank Sivero, Tony Darrow, Mike Starr, Frank Vincent, Chuck Low, Frank DiLeo, Henny Youngman, Gina Mastrogiacomo, Catherine Scorsese, Charles Scorsese, Suzanne Shepherd, Debi Mazar, Margo Winkler, Welker White, Jerry Vale, Julie Garfield, Christopher Serrone, Elaine Kagan, Beau Starr, Kevin Corrigan, Michael Imperioli, Robbie Vinton, Johnny Williams, Daniel P. Conte, Tony Conforti, Frank Pellegrino, Ronald Maccone, Tony Sirico, Joseph D'Onofrio, Steve Forleo, Richard Dioguardi, Frank Adonis, John Manca, Joseph Bono, Katherine Wallach, Mark Jacobs, Angela Pietropinto, Marianne Leone Cooper, Marie Michaels, LoNardo, Melissa Prophet, Illeana Douglas, Susan Varon, Elizabeth Whitcraft, Clem Caserta, Samuel L. Jackson, Fran McGee, Paul Herman, Edward Hayes, Daniela Barbosa, Gina Mattia, Joel Calendrillo, Anthony Valentin, Edward D. Murphy, Michael Citriniti, Peter Hock, Erasmus C. Alfano, John Di Benedetto, Manny Alfaro, Thomas Lowry, Margaret Smith, Richard Mullally, Frank Albanese, Paul McIsaac, Bob Golub, Louis Eppolito, Tony Lip, Mikey Black, Peter Cicale, Anthony Powers, Vincent Pastore, Anthony Alessandro, Victor Colicchio, Mike Contessa, Philip Suriano, Paul Mougey, Norman Barbera, Anthony Polemeni, James Quattrochi, Lawrence Sacco, Dino Laudicina, Thomas E. Camuti, Andrew Scudiero, Irving Welzer, Jesse Kirtzman, Russell Halley, Spencer Bradley, Bob Altman, Joanna Bennett, Gayle Lewis, Gaetano Lisi, Luke Walter, Ed Deacy, Larry Silvestri, John 'Cha Cha' Ciarcia, Vito Picone, Janis Corsair, Lisa D’Apolito, Frank Aquilino, Michael Calandrino, Vito Antuofermo, Vito Balsamo, Peter Fain, Vincent Gallo, Gaetano LoGiudice, Garry Pastore, Nicole Burdette, Stella Keitel, Dominique DeVito, Michaelangelo Graziano, Paula Kcira, Nadine Kay, Tony Ellis, Peter Onorati, Jamie deRoy, Joel Blake, H. Clay Dear, Thomas Hewson, Gene Canfield, Margaux Guerard, Violet Gaynor, Tobin Bell, Berlinda Tolbert, Nancy Cassaro, Adam Wandt, Joe Gioco, Isiah Whitlock, Jr., Alyson Jones, Ruby Gaynor, Bo Dietl, Frank Cassini, Anthony Caso, Lisa Bostnar, Billy L. Sullivan, Jeffrey Rollins
UHD tiers
About the film
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
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Year of Induction: 2000
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- Alternative Titles
- Good Fellas
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original LaserDisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray vs Criterion
Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.
Director: Richard Brooks
4K restoration from Original Camera Negative
4K restoration from safety preservation elements
Director: Elaine May
Cinématographe 4K Blu-ray > MoC > Olive Films. From nicolas:
The master is good but it’s not that big an upgrade from the Olive Films disc and Vinegar Syndrome’ encode has some blocky highlights. A shame that they didn’t hire David Mackenzie here.
Cinématographe has unnecessary noise gating not present on the previous releases.
Director: Sidney Lumet
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
1.85:1: Kino Lorber 4K / Capelight 4K
1.66:1: Criterion 4K but low pass filtered
Comparison between the 4Ks, Criterion on the AR choice
Other discs have unnecessary filtering and sound worse, the difference isn't substantial but audible
Director: Dennis Hopper
Sources: Criterion Forum (opens in a new tab)
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Flicker Alley 4K confirmed for 2027 https://forum.blu-ray.com/showpost.php?p=24404584&postcount=1
MoC audio is better https://forum.blu-ray.com/showthread.php?t=225532&page=3
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Sam Peckinpah
Sources: slow.pics (opens in a new tab)
Arrow UK 4K Blu-ray > Paramount US and Capelight DE, same black crush on all three but the Arrow is encoded by FiM and has very good new supplements, the Capelight looks slightly low-passed, but in motion it probably looks about the same as the Paramount, see caps comparison for all three.
Arrow and Paramount basically sound the same, the Arrow has a slightly higher bitrate. Capelight is probably the same too but for now it's TBA.
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray and Capelight DE 4K Blu-ray have MEL Dolby Vision
Director: Martin Scorsese
Other releases have horrendous DNR
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
(same as all tracks since the DVD)
Criterion 4K Blu-ray see caps
Phenomenal disc, and perhaps the single greatest testament to NexSpec's positive 180 this year. Highlights are beautifully handled and grain structure is fully intact in areas where NexSpec's (and Pixelogic's) encodes would frequently fall apart in 2025 and before then. Criterion BD encode also looks to be robust from linked caps, save for this one frame: https://slow.pics/c/cMjMefmi
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Sources: Blu-ray.com (opens in a new tab)
MVD 4K Blu-ray see caps but it has the encoding error with the dropped frames
Director: Martin Scorsese
2024 Second Sight 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab)
Director: Martin Scorsese
Video format: UHD Blu-ray
WB 4K
Sources: YouTube (opens in a new tab)
An undeniably significant improvement from the BD yet still severely flawed. See DFIC's review.
Directors: Ernest B. Schoedsack & Merian C. Cooper
Director: Orson Welles
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab)
WB Europe 4K Blu-ray
WB Europe 4K Blu-ray slightly better encoding than Criterion (caveat: missing Criterion extras)
Director: Sylvester Stallone
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
All foreign language tracks were pitched too low, replacement disc and Ultimate Knockout Collection disc fixed the error.
The Steelbook and UK standard edition are the same disc as the 2023 knockout collection.
Director: Sylvester Stallone
2024 Ultimate Knockout Collection Warner Bros 4K Blu-ray Box Set
2024 Ultimate Knockout Collection Warner Bros 4K Blu-ray Box Set > 2023 Knockout Collection 4K Blu-ray
2023 disc has a brief moment where the aspect ratio changes from 1.85:1 to 1.78:1, 2024 release fixed the error
Both cuts of the movie are on the same disc and don’t appear to be seamlessly branched.
The Steelbook and UK standard edition are the same disc as the 2023 knockout collection.
Director: John G. Avildsen
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc > Knockout collection original.
The Mono mix on the initial release of the Knockout Collection is a stereo fold-down of the 5.1, it also has a missing piano cue. The replacement disc and the ultimate knockout version fixed the error.
The Steelbook and UK standard edition is the same disc as the 2023 knockout collection.
Director: Sylvester Stallone
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Knockout Collection release had its 5.1 mix pitched too low, replacement disc and Ultimate Knockout Collection fixed the error.
The Steelbook and UK standard edition are the same disc as the 2023 knockout collection.
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