The King of Comedy (1983)
Drama, Comedy • 1h 49m
Director: Martin Scorsese
Cast: Robert De Niro, Jerry Lewis, Diahnne Abbott, Sandra Bernhard, Shelley Hack, Frederick de Cordova, Ed Herlihy, Lou Brown, Loretta Tupper, Peter Potulski, Vinnie Gonzales, Whitey Ryan, Doc Lawless, Marta Heflin, Katherine Wallach, Charles Kaleina, Richard Baratz, Catherine Scorsese, Cathy Scorsese, Chuck Low, Liza Minnelli, Leslie Levinson, Alan Potashnick, Michael Kolba, Robert Colston, Ramon Rodriguez, Chuck Coop, Sel Vitella, Margo Winkler, Tony Boschetti, Mick Jones, Joe Strummer, Paul Simonon, Kosmo Vinyl, Ellen Foley, Pearl Harbour, Gaby Salter, Jerry Baxter-Worman, Don Letts, Matt Russo, Thelma Lee, Joyce Brothers, George Kapp, Victor Borge, Ralph Monaco, Rob-Jamere Wess, Kim Chan, Audrey Dummett, June Prud'Homme, Edgar J. Scherick, Thomas M. Tolan, Ray Dittrich, Richard Dioguardi, Jay Julien, Harry J. Ufland, Scotty Bloch, Jim Lyness, Bill Minkin, Diane Rachell, Dennis Mulligan, Tony Devon, Peter Fain, Michael F. Stodden, Gerard Murphy, Jimmy Raitt, Martin Scorsese, Tony Randall, Charles Scorsese, Mardik Martin, William Jorgensen, Marvin Scott, Chuck Stevens, William Littauer, Jeff David, Mary Elizabeth Mastrantonio
About the film
Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.
- TSPDT
- 2026: #3222025: #3402024: #3382023: #3692022: #369
- Alternative Titles
- Rupert Pupkin
Sources: slow.pics (opens in a new tab)
Arrow UK 4K Blu-ray > Paramount US and Capelight DE, same black crush on all three but the Arrow is encoded by FiM and has very good new supplements, the Capelight looks slightly low-passed, but in motion it probably looks about the same as the Paramount, see caps comparison for all three.
Arrow and Paramount basically sound the same, the Arrow has a slightly higher bitrate. Capelight is probably the same too but for now it's TBA.
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray and Capelight DE 4K Blu-ray have MEL Dolby Vision
Director: Martin Scorsese
Other releases have horrendous DNR
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
(same as all tracks since the DVD)
Criterion 4K Blu-ray see caps
Phenomenal disc, and perhaps the single greatest testament to NexSpec's positive 180 this year. Highlights are beautifully handled and grain structure is fully intact in areas where NexSpec's (and Pixelogic's) encodes would frequently fall apart in 2025 and before then. Criterion BD encode also looks to be robust from linked caps, save for this one frame: https://slow.pics/c/cMjMefmi
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Sources: Blu-ray.com (opens in a new tab)
MVD 4K Blu-ray see caps but it has the encoding error with the dropped frames
Director: Martin Scorsese
2024 Second Sight 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab)
Director: Martin Scorsese
But Warner Bros 4K Blu-ray is very similar.
Director: Martin Scorsese
Director: Mike Judge
Video format: 4K Streaming
Director: David Fincher
Digipack release includes an Amazing Amy book the standard edition doesn’t have.
Director: Jean-Luc Godard
Video format: 4K Streaming
Director: Terence Young
WB 4K Blu-ray despite frozen grain
Director: David Butler
Video format: Only Unofficial Sources
Sources: archive.org (opens in a new tab)
The DVD isn't an official one, and according to a user review on Amazon:
This DVD comes from Archive.org, where the movie can be viewed for free. The original source, comes from the Fox Movie Channel
Director: James Cameron
Sources: movie-censorship.com (opens in a new tab)
Fox Blu-ray for original cuts without the extra scene added in the re-release and AI upscaling
Newer Blu-ray/4K has the extra scene, but is poor and has excessive AI upscaling
An additional scene was added to the ending of the movie in the 2022 re-release: https://www.movie-censorship.com/report.php?ID=493908
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray, censored but good encoding
Sources: movie-censorship.com (opens in a new tab)
US Paramount 4K Blu-ray, is the International US Cut and not the Encore Cut
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
More Drama on Blu-ray
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: Vincent Sherman
4K restoration from Original Camera Negative
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
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