Director: Orson Welles
WB Europe 4K Blu-ray slightly better encoding than Criterion (caveat: missing Criterion extras)
Director: Orson Welles
WB Europe 4K Blu-ray slightly better encoding than Criterion (caveat: missing Criterion extras)
Director: Francis Ford Coppola
Director: Francis Ford Coppola
Director: Michael Curtiz
Director: Michael Curtiz
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Directors: Gene Kelly & Stanley Donen
Directors: Gene Kelly & Stanley Donen
Director: Victor Fleming
4K Blu-ray upcoming in Fall 2026
Director: Victor Fleming
4K Blu-ray upcoming in Fall 2026
Director: David Lean
The 5.1 on Sony 4K Blu-ray is from the 1989 70mm mix. The original is 4-track. not on the disc.
Director: David Lean
The 5.1 on Sony 4K Blu-ray is from the 1989 70mm mix. The original is 4-track. not on the disc.
Director: Steven Spielberg
Director: Steven Spielberg
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Charlie Chaplin
Criterion Blu-ray, 4k restoration. Superior to Germany Kinowelt or Japan Kadokawa, see caps-a-holic
2000 Image Entertainment DVD
Director: Charlie Chaplin
Criterion Blu-ray, 4k restoration. Superior to Germany Kinowelt or Japan Kadokawa, see caps-a-holic
2000 Image Entertainment DVD
Director: John Ford
4K Blu-ray is muffled, even compared to already poor WB Blu-ray, from nicolas: "The most noise reduction of any release, leaving hardly anything above 8 kHz. Bass content has also been removed globally."
Director: John Ford
4K Blu-ray is muffled, even compared to already poor WB Blu-ray, from nicolas: "The most noise reduction of any release, leaving hardly anything above 8 kHz. Bass content has also been removed globally."
Director: George Lucas
OG: "4K77" on high seas
OG: "4K77" on high seas
LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Director: George Lucas
OG: "4K77" on high seas
OG: "4K77" on high seas
LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Director: Alfred Hitchcock
Director: Alfred Hitchcock
WB 4K Blu-ray (early pressing has errors of a shot, later pressings fixed)
WB 4K Blu-ray (early pressing has errors of a shot, later pressings fixed)
Director: Billy Wilder
Paramount 4K Blu-ray or Blu-ray
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.
Director: Billy Wilder
Paramount 4K Blu-ray or Blu-ray
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.
Director: Mike Nichols
StudioCanal 4K
StudioCanal 4K caps.Criterion Blu-ray better encode than StudioCanal Blu-ray.
Director: Mike Nichols
StudioCanal 4K
StudioCanal 4K caps.Criterion Blu-ray better encode than StudioCanal Blu-ray.
Directors: Clyde Bruckman & Buster Keaton
MoC/Cohen is 4k transfer https://forum.blu-ray.com/showthread.php?t=112722&page=5
Directors: Clyde Bruckman & Buster Keaton
MoC/Cohen is 4k transfer https://forum.blu-ray.com/showthread.php?t=112722&page=5
Director: Elia Kazan
Director: Elia Kazan
Director: Frank Capra
Director: Frank Capra
Showing 20 of 100 films