Joe Pesci
10 Films
Joe Pesci
10 Included Films

Joseph Frank “Joe” Pesci (born February 9, 1943) is a Italian-American actor, comedian, singer and musician. He is known for his roles as violent mobsters, funnymen, comic foils and quirky sidekicks. Pesci has starred in a number of high profile films such as Goodfellas, Casino, Raging Bull, Once Upon a Time in America, My Cousin Vinny, Easy Money, JFK, Moonwalker, Home Alone, Home Alone 2: Lost in New York, and the 2nd, 3rd, and 4th Lethal Weapon films. In 1990, Pesci won the Academy Award for Best Supporting Actor for his role as the psychopathic mobster Tommy DeVito in Goodfellas, ten years after receiving a nomination in the same category for Raging Bull.

Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.

Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.

251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
251 min cut: Italy Eagle Pictures Blu-ray better encoding than Fox Blu-ray
139 min cut: VHS?
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.US theatrical cut is infamously bad, was panned at release and never re-released on home video.

251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
251 min cut: Italy Eagle Pictures Blu-ray better encoding than Fox Blu-ray
139 min cut: VHS?
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.US theatrical cut is infamously bad, was panned at release and never re-released on home video.

Directors: Colin Chilvers & Will Vinton & Jerry Kramer & Jim Blashfield

Directors: Colin Chilvers & Will Vinton & Jerry Kramer & Jim Blashfield

Director: Chris Columbus
2020 30th Anniversary Edition 4K Blu-ray
2020 30th Anniversary Edition 4K Blu-ray

Director: Chris Columbus
2020 30th Anniversary Edition 4K Blu-ray
2020 30th Anniversary Edition 4K Blu-ray

Director: Martin Scorsese

Director: Martin Scorsese

Director: Oliver Stone
Director's Cut: Shout Factory 4K Blu-ray
Theatrical Cut: Shout Factory Blu-ray (included with collector's edition)

Director: Oliver Stone
Director's Cut: Shout Factory 4K Blu-ray
Theatrical Cut: Shout Factory Blu-ray (included with collector's edition)



Director: Robert De Niro
MVD 4K Blu-ray
MVD 4K Blu-ray

Director: Robert De Niro
MVD 4K Blu-ray
MVD 4K Blu-ray

Director: Martin Scorsese
2019 Universal 4K Blu-ray
2019 Universal 4K Blu-ray
France Seven7 has Dolby Vision and Atmos unlike the US disc but was most likely encoded in the wrong color space
Cinema DTS, Blu-ray 5.1, DVD 5.1

Director: Martin Scorsese
2019 Universal 4K Blu-ray
2019 Universal 4K Blu-ray
France Seven7 has Dolby Vision and Atmos unlike the US disc but was most likely encoded in the wrong color space
Cinema DTS, Blu-ray 5.1, DVD 5.1

Director: Martin Scorsese

Director: Martin Scorsese
10 films