The Big Risk (1960)
Classe tous risques
Crime • 1h 50m
Overview
Two men pull off a daring daylight payroll heist in Milan, making a fast getaway. One is returning to France after years in hiding, needing money to start fresh with his family.
Director: Claude Sautet
Cast: Lino Ventura, Jean-Paul Belmondo, Sandra Milo, Marcel Dalio, Michel Ardan, Simone Desmaison, Michèle Méritz, Stan Krol, Evelyne Ker, Betty Schneider, France Asselin, Jean-Pierre Zola, Sylvain Lévignac, Jeanne Pérez, René Génin, Charles Blavette, Philippe March, Corrado Guarducci, Robert Desnoux, Thierry Lavoye, Claude Cerval, Jacques Dacqmine, Max Amyl, Marcel Bernier, Jean Combal, Albert Daumergue, Lucien Desagneaux, Bernard Dhéran, Marcel Gassouk, Guy Henry, Laure Paillette
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: John McTiernan
Director: John McTiernan
Director: Jean Vigo
Director: Jean Vigo
Director: Jean Vigo
Director: Jean Vigo
Director: Jean Vigo
Director: Jean Vigo
Directors: Jean Vigo & Boris Kaufman
Directors: Jean Vigo & Boris Kaufman
Director: Danny Boyle
Criterion 2026 4K Blu-ray (UPC 715515334617)
Criterion 2026 4K Blu-ray (UPC 715515334617) > Criterion 2024 4K Blu-ray > Film4 4K Blu-ray
5.1: Universal EU Blu-ray - Criterion and Lionsgate are missing LFE, otherwise the same
Stereo: Criterion 4K Blu-ray
Film4 4K Blu-ray is on a BD-66, both Criterion releases are on BD-100 discs.
Criterion 2024 release bitrate: 94.67 mbps
Criterion 2026 release bitrate: 93.66 mbps
Film4 bitrate: 62.00 mbps
Director: Danny Boyle
Criterion 2026 4K Blu-ray (UPC 715515334617)
Criterion 2026 4K Blu-ray (UPC 715515334617) > Criterion 2024 4K Blu-ray > Film4 4K Blu-ray
5.1: Universal EU Blu-ray - Criterion and Lionsgate are missing LFE, otherwise the same
Stereo: Criterion 4K Blu-ray
Film4 4K Blu-ray is on a BD-66, both Criterion releases are on BD-100 discs.
Criterion 2024 release bitrate: 94.67 mbps
Criterion 2026 release bitrate: 93.66 mbps
Film4 bitrate: 62.00 mbps
Director: Paul Thomas Anderson
Like previous releases, the 4K Blu-ray was scanned from an interpositive rather than the original camera negative at Paul Thomas Anderson’s request which may explain the softness.
Director: Paul Thomas Anderson
Like previous releases, the 4K Blu-ray was scanned from an interpositive rather than the original camera negative at Paul Thomas Anderson’s request which may explain the softness.
Director: Michael Mann
Arrow 4K Blu-ray is encoded by FiM encode is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
Arrow and Criterion 4K Blu-rays have differing extras, Arrow LE has Theatrical cut Blu-ray from older HD master, most likely from a 2K scan of an interpositive.
Director: Michael Mann
Arrow 4K Blu-ray is encoded by FiM encode is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
Arrow and Criterion 4K Blu-rays have differing extras, Arrow LE has Theatrical cut Blu-ray from older HD master, most likely from a 2K scan of an interpositive.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: John Waters
Director: John Waters
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
Director: John Waters
Director: John Waters
Director: David Lynch
Criterion 4K Blu-ray or Germany Plaion 4K Blu-ray - subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
1993 MGM LaserDisc/2000 Region 1 MGM DVD
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: David Lynch
Criterion 4K Blu-ray or Germany Plaion 4K Blu-ray - subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
1993 MGM LaserDisc/2000 Region 1 MGM DVD
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: David Lynch
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
Director: David Lynch
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
Director: Ridley Scott
Capelight 4K Blu-ray has better encode than Criterion 4K Blu-ray
Director: Ridley Scott
Capelight 4K Blu-ray has better encode than Criterion 4K Blu-ray
More Crime on Blu-ray
Director: Alfred Hitchcock
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: Alfred Hitchcock
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: John Woo
Director: John Woo
Director: John Woo
Director: John Woo
Director: John Woo
Director: John Woo
Director: John Woo
Shout! Factory 4K Blu-ray > Disk Kino/WCL China import
review: Disk Kino
Shout! Factory 4K Blu-ray has the original mono
Director: John Woo
Shout! Factory 4K Blu-ray > Disk Kino/WCL China import
review: Disk Kino
Shout! Factory 4K Blu-ray has the original mono
Director: Ridley Scott
UK Universal 4K Blu-ray is missing Kino Lorber extras
Director: Ridley Scott
UK Universal 4K Blu-ray is missing Kino Lorber extras
Edit History
3/13/2026
Best Video Release
From
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new 4K restoration. They have close quality, but Criterion has thiner and less blocky grain, with better retention in dark areas. It was therefore preferred.
To
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new 4K restoration. They have close quality, but Criterion has thiner and less blocky grain, with better retention in dark areas. It was therefore preferred.
From
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new 4K restoration. They have close quality, but Criterion has thiner and less blocky grain, with better retention in dark areas. It was therefore preferred.
To
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new 4K restoration. They have close quality, but Criterion has thiner and less blocky grain, with better retention in dark areas. It was therefore preferred.
Best Audio Release
From
Criterion 4K Blu-ray Criterion and Coin de Mire are both based on the same new transfer which is superior to the old master. But, again, the audio of Criterion has much higher dynamic range than that of Coin de Mire and was preferred.
To
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new transfer which is superior to the old master. But, again, the audio of Criterion has much higher dynamic range than that of Coin de Mire and was preferred.
From
Criterion 4K Blu-ray Criterion and Coin de Mire are both based on the same new transfer which is superior to the old master. But, again, the audio of Criterion has much higher dynamic range than that of Coin de Mire and was preferred.
To
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new transfer which is superior to the old master. But, again, the audio of Criterion has much higher dynamic range than that of Coin de Mire and was preferred.
3/6/2026
Blu-ray.com
Added
https://www.blu-ray.com/The-Big-Risk/153440/#Releases
Added
https://www.blu-ray.com/The-Big-Risk/153440/#Releases
3/6/2026
Format
Added
UHD Blu-ray
Added
UHD Blu-ray
Best Video Release
Added
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new 4K restoration. They have close quality, but Criterion has thiner and less blocky grain, with better retention in dark areas. It was therefore preferred.
Added
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new 4K restoration. They have close quality, but Criterion has thiner and less blocky grain, with better retention in dark areas. It was therefore preferred.
Best Audio Release
Added
Criterion 4K Blu-ray Criterion and Coin de Mire are both based on the same new transfer which is superior to the old master. But, again, the audio of Criterion has much higher dynamic range than that of Coin de Mire and was preferred.
Added
Criterion 4K Blu-ray Criterion and Coin de Mire are both based on the same new transfer which is superior to the old master. But, again, the audio of Criterion has much higher dynamic range than that of Coin de Mire and was preferred.
DVDBeaver
Added
http://www.dvdbeaver.com/subsite/film5/classe_tous_risques_4K_UHD.htm
Added
http://www.dvdbeaver.com/subsite/film5/classe_tous_risques_4K_UHD.htm
