A Nos Amours (1983)
À nos amours
Drama, Romance • 1h 42m
Overview
Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.
Director: Maurice Pialat
Cast: Sandrine Bonnaire, Maurice Pialat, Christophe Odent, Dominique Besnehard, Cyril Collard, Jacques Fieschi, Valérie Schlumberger, Evelyne Ker, Pierre Novion, Tsilka Theodorou, Cyr Boitard, Anne-Marie Nivelle, Anne-Sophie Maillé, Pierre-Loup Rajot, Jean-Paul Camail, Maïté Maillé, Isabelle Prade, Caroline Cibot, Alexis Quentin, Hervé Austen, Alexandre de Dardel, Vanghel Theodorou, Caroline Legendre, Éric Viellard, Tom Stevens, Loïc Ermel, Claude Blachowiak, Nathalie Gureghian, Paul Lugagne, Matthias Sanderson
Director: Maurice Pialat
Director: Maurice Pialat
Director: Maurice Pialat
Director: Maurice Pialat
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Vigo
Director: Jean Vigo
Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Director: Christian-Jaque
Director: Christian-Jaque
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Robert Bresson
Director: Robert Bresson
Director: Louis Malle
Director: Louis Malle
Directors: Eric Summer & Éric Warin
2D Version: Entertainment One Canada Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
2D Version: Gaumont France Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
Original French audio: Gaumont France Blu-ray
English export dub: StudioCanal Australia Blu-ray
Also known as: Leap!.
France Blu-ray has the best video and best audio for the original French version, but has no English subtitles.
Canada Blu-ray has inferior video and audio to other versions, but is the only version that has French audio with English subtitles (dubtitles from the export dub).
UK Blu-ray censors one of the songs. Australia and Canada Blu-rays present the uncensored export dub, with better audio in the former.
US Blu-ray only has the redub.
Spain 3D Blu-ray has the English export dub titles instead of the original French titles.
Directors: Eric Summer & Éric Warin
2D Version: Entertainment One Canada Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
2D Version: Gaumont France Blu-ray
3D Version: A Contracorriente Films Spain 3D Blu-ray
Original French audio: Gaumont France Blu-ray
English export dub: StudioCanal Australia Blu-ray
Also known as: Leap!.
France Blu-ray has the best video and best audio for the original French version, but has no English subtitles.
Canada Blu-ray has inferior video and audio to other versions, but is the only version that has French audio with English subtitles (dubtitles from the export dub).
UK Blu-ray censors one of the songs. Australia and Canada Blu-rays present the uncensored export dub, with better audio in the former.
US Blu-ray only has the redub.
Spain 3D Blu-ray has the English export dub titles instead of the original French titles.
Director: Henri Verneuil
Director: Henri Verneuil
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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