Red Planet (2000)
Thriller, Action, Science Fiction • 1h 46m
Overview
Astronauts search for solutions to save a dying Earth by searching on Mars, only to have the mission go terribly awry.
Director: Antony Hoffman
Director: Gordon Douglas
Shout! Factory 4K Blu-ray see caps
SF is in 1.66 aspect ratio. Whether this is the intended ratio or a compromise isn't clear.
American Film Institute's catalog and Variety's contemporary review list it as 1.66, but other sources disagree.
Exhibitor's contemporary review lists it as 1.85, IMDB and an internal pre-production note from Warner Bros. list it as 1.75.
Director: Gordon Douglas
Shout! Factory 4K Blu-ray see caps
SF is in 1.66 aspect ratio. Whether this is the intended ratio or a compromise isn't clear.
American Film Institute's catalog and Variety's contemporary review list it as 1.66, but other sources disagree.
Exhibitor's contemporary review lists it as 1.85, IMDB and an internal pre-production note from Warner Bros. list it as 1.75.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Arthur Penn
Criterion 4K Blu-ray. caps by BR user Donald McDonald. The encode looks absolutely spotless even in the highlights and without Dolby Vision filling anything in.
Criterion 4K Blu-ray/Blu-ray
Criterion is entirely unfiltered and sounds significantly more detailed than previous tracks, see Blah-ray.
Director: Arthur Penn
Criterion 4K Blu-ray. caps by BR user Donald McDonald. The encode looks absolutely spotless even in the highlights and without Dolby Vision filling anything in.
Criterion 4K Blu-ray/Blu-ray
Criterion is entirely unfiltered and sounds significantly more detailed than previous tracks, see Blah-ray.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: James Foley
Director: James Foley
Director: Richard Fleischer
Director: Richard Fleischer
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Directors: Jackie Chan & Benny Chan
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Directors: Jackie Chan & Benny Chan
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
More Thriller on Blu-ray
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Iain Softley
Director: Iain Softley
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
Director: Robert F. Hill
Director: Robert F. Hill
Director: Alejandro Jodorowsky
Umbrella 4K Blu-ray, part of Alejandro Jodorowsky Collector’s Edition, scheduled for November 2026 release
Severin 4K Blu-ray has bad encode
Director: Alejandro Jodorowsky
Umbrella 4K Blu-ray, part of Alejandro Jodorowsky Collector’s Edition, scheduled for November 2026 release
Severin 4K Blu-ray has bad encode
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Michael Mann
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
UK StudioCanal Final Cut 4K Blu-ray
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
Director: Michael Mann
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
UK StudioCanal Final Cut 4K Blu-ray
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
Director: Wes Craven
Kino Lorber 4K Blu-ray has color space error but otherwise an improvement upon previous Blu-rays. See caps
Maybe the included standard Blu-ray is better?
Director: Wes Craven
Kino Lorber 4K Blu-ray has color space error but otherwise an improvement upon previous Blu-rays. See caps
Maybe the included standard Blu-ray is better?
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