Frankenstein (2025)
Drama, Fantasy, Horror • 2h 30m
Overview
Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.
Director: Guillermo del Toro
Cast: Oscar Isaac, Jacob Elordi, Christoph Waltz, Mia Goth, Felix Kammerer, Charles Dance, David Bradley, Lars Mikkelsen, Christian Convery, Nikolaj Lie Kaas, Kyle Gatehouse, Lauren Collins, Sofia Galasso, Joachim Fjelstrup, Ralph Ineson, Peter Millard, Peter MacNeill, Burn Gorman, Sean Sullivan, Stuart Hughes, Gord Rand, Kenton Craig, Val Ovtcharov, Anders Yates, Adam Brown, Santiago Segura, Dexter Stokes-Mellor, Shian Denovan, Mark Steger, Rafe Harwood, Gregory Mann, Roberto Campanella, Rebecca Lawson-Turner, Warren Albert, Kim Morgan, Chris Andrews, Lewis Landini, William John Banks, Tess Letham, Alexandros Beshonges, Maria Peneva, Kieran Brown, Jessica Roberts Smith, Rachel Elderkin, Jennifer Steele, Jorja Follina, Malcolm Sutherland, Alex Henderson, Luke Watson, Yasmin Hepburn, Pawel Wieczorek, Frank Meschkuleit, Matthew Barr, Luca Mehta
Director: Guillermo del Toro
Warner Bros 4K Blu-ray and 2011/2013 Optimum Blu-ray both have issues, up to preference. UK Optimum/Japan Amuse Soft Blu-ray is better, Criterion is worse
Japan Amuse Soft Blu-ray is better encoded than the Optimum, is in the original 1.85 ratio, and has the original colors
New 4K restoration sourced from the original camera negatives to be shown in theatres in October
Warner Bros 4K Blu-ray and 2011/2013 Optimum Blu-ray both have issues, up to preference. UK Optimum/Japan Amuse Soft Blu-ray is better, Criterion is worse
Japan Amuse Soft Blu-ray is better encoded than the Optimum, is in the original 1.85 ratio, and has the original colors
Director: Guillermo del Toro
Warner Bros 4K Blu-ray and 2011/2013 Optimum Blu-ray both have issues, up to preference. UK Optimum/Japan Amuse Soft Blu-ray is better, Criterion is worse
Japan Amuse Soft Blu-ray is better encoded than the Optimum, is in the original 1.85 ratio, and has the original colors
New 4K restoration sourced from the original camera negatives to be shown in theatres in October
Warner Bros 4K Blu-ray and 2011/2013 Optimum Blu-ray both have issues, up to preference. UK Optimum/Japan Amuse Soft Blu-ray is better, Criterion is worse
Japan Amuse Soft Blu-ray is better encoded than the Optimum, is in the original 1.85 ratio, and has the original colors
Sony 4K Blu-ray or UK StudioCanal, Sony currently only available in the Sony Classics US set
Sony 4K Blu-ray or UK StudioCanal, Sony currently only available in the Sony Classics US set
Director: Guillermo del Toro
Kino Lorber 4K Blu-ray, but has AI upscaling on opticals, see caps
Kino Lorber has 5.1, Lionsgate Blu-ray has 7.1, don't know which sounds better and closest to the theatrical mix.
Director: Guillermo del Toro
Kino Lorber 4K Blu-ray, but has AI upscaling on opticals, see caps
Kino Lorber has 5.1, Lionsgate Blu-ray has 7.1, don't know which sounds better and closest to the theatrical mix.
Director: Guillermo del Toro
The DTS-HD 5.1 on the 4K Blu-ray. The Atmos is compressed. https://forum.blu-ray.com/showpost.php?p=22426684&postcount=840
The Director's Cut DVD has some exclusive features like an isolated score track.
Director: Guillermo del Toro
The DTS-HD 5.1 on the 4K Blu-ray. The Atmos is compressed. https://forum.blu-ray.com/showpost.php?p=22426684&postcount=840
The Director's Cut DVD has some exclusive features like an isolated score track.
Director: Guillermo del Toro
Criterion 4K Blu-ray with B&W Extended Director's Cut and Theatrical Cut see Chris's review
Disney 4K Blu-ray has a slightly better Atmos track for the Theatrical Cut
Director: Guillermo del Toro
Criterion 4K Blu-ray with B&W Extended Director's Cut and Theatrical Cut see Chris's review
Disney 4K Blu-ray has a slightly better Atmos track for the Theatrical Cut
4K Blu-ray is missing the bonus DVD found on the 2 disc Blu-ray
4K Blu-ray is missing the bonus DVD found on the 2 disc Blu-ray
Director: Guillermo del Toro
Director: Guillermo del Toro
Director: Guillermo del Toro
WB 4K Blu-ray (caveat: missing bonus disc from previous Blu-ray)
4K Blu-ray is missing extras. Japan Amazon exclusive Steelbook has the missing extras as well as Target and Walmart exclusive extras
Director: Guillermo del Toro
WB 4K Blu-ray (caveat: missing bonus disc from previous Blu-ray)
4K Blu-ray is missing extras. Japan Amazon exclusive Steelbook has the missing extras as well as Target and Walmart exclusive extras
Fox 4K Blu-ray has a less band filtered DTS-HD 5.1 track than the Criterion
Fox 4K Blu-ray has a less band filtered DTS-HD 5.1 track than the Criterion
Director: Rob Reiner
Director: Rob Reiner
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Director: Wong Kar-Wai
4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD
4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.
Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD
Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD
The remixed track has different front panning and little LFE use compared to the original.
HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.
The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.
Director: Wong Kar-Wai
4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD
4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.
Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD
Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD
The remixed track has different front panning and little LFE use compared to the original.
HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.
The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.
Director: Billy Wilder
Director: Billy Wilder
Director: Martin Ritt
Director: Martin Ritt
Director: Andrzej Wajda
Director: Andrzej Wajda
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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