Revenge (2018)
Action, Horror, Thriller • 1h 49m
Overview
Jen's romantic getaway with her wealthy married boyfriend is disrupted when his friends arrive for an impromptu hunting trip. Tension mounts at the house until the situation culminates in an unexpected way.
Director: Coralie Fargeat
Director: Coralie Fargeat
Director: Coralie Fargeat
Director: Andrzej Żuławski
Second Sight 4K Blu-ray > Le Chat Qui Fume 4K Blu-ray > Umbrella 4K Blu-ray see caps
Second Sight uses the same Le Chat Qui Fume master, but encoded by FiM and applied Dolby Vision. Umbrella's encoding is visibly worse than Le Chat Qui Fume.
Mondo Vision Blu-ray and Anchor Bay DVD have an alternate audio track with an unauthorized soundtrack.
Director: Andrzej Żuławski
Second Sight 4K Blu-ray > Le Chat Qui Fume 4K Blu-ray > Umbrella 4K Blu-ray see caps
Second Sight uses the same Le Chat Qui Fume master, but encoded by FiM and applied Dolby Vision. Umbrella's encoding is visibly worse than Le Chat Qui Fume.
Mondo Vision Blu-ray and Anchor Bay DVD have an alternate audio track with an unauthorized soundtrack.
UK Second Sight 4K Blu-ray is FiM encoded and superior to French Severin or German 4K Blu-ray: see comparison
UK Second Sight 4K Blu-ray is FiM encoded and superior to French Severin or German 4K Blu-ray: see comparison
Second Sight UK Blu-ray for restored versions of both theatrical cut and festival cut
Second Sight UK Blu-ray replacement disc
Second Sight UK Blu-ray for restored versions of both theatrical cut and festival cut
Second Sight UK Blu-ray replacement disc
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Vinegar Syndrome 4K Blu-ray see caps
For Blu-ray, UK Second Sight is better than Kino Lorber Blu-ray
Vinegar Syndrome 4K Blu-ray see caps
For Blu-ray, UK Second Sight is better than Kino Lorber Blu-ray
Director: Robert Butler
Radiance 4K Blu-ray is superior to Kino Lorber 4K Blu-ray, see mfunk9786 review:
Despite being at a considerably tighter bitrate than the Kino, the BD-66 from Radiance /Transmission is the release to own. Looks fantastic (FiM again), grain pattern is crisp, and the repeating scene error isn't on it, either. Really nice packaging that isn't as beefy as a Second Sight LE is another big plus.
Director: Robert Butler
Radiance 4K Blu-ray is superior to Kino Lorber 4K Blu-ray, see mfunk9786 review:
Despite being at a considerably tighter bitrate than the Kino, the BD-66 from Radiance /Transmission is the release to own. Looks fantastic (FiM again), grain pattern is crisp, and the repeating scene error isn't on it, either. Really nice packaging that isn't as beefy as a Second Sight LE is another big plus.
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Director: Martin Scorsese
2024 Second Sight 4K Blu-ray
2024 Second Sight 4K Blu-ray
Director: Martin Scorsese
2024 Second Sight 4K Blu-ray
2024 Second Sight 4K Blu-ray
Director: Erik Skjoldbjærg
Second Sight 4K Blu-ray is a Criterion SDR master with a HDR grade. Caps & comparison
Director: Erik Skjoldbjærg
Second Sight 4K Blu-ray is a Criterion SDR master with a HDR grade. Caps & comparison
Director: George A. Romero
2020 Second Sight 4K Blu-ray
Theatrical: 2017 Midnight Factory Blu-ray or 2013 Japan Happinet Blu-ray
European: 5.1 remix on 2016 Midnight Factory and 2021 ESC 4K Blu-ray much more detailed than all mono mixes
Director: George A. Romero
2020 Second Sight 4K Blu-ray
Theatrical: 2017 Midnight Factory Blu-ray or 2013 Japan Happinet Blu-ray
European: 5.1 remix on 2016 Midnight Factory and 2021 ESC 4K Blu-ray much more detailed than all mono mixes
More Action on Blu-ray
Undercrank Frank Borzage: 1922 Silents Blu-ray
Undercrank Frank Borzage: 1922 Silents Blu-ray
Undercrank Frank Borzage: 1922 Silents Blu-ray
Undercrank Frank Borzage: 1922 Silents Blu-ray
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming, Director's Final Cut premiering October 3rd; will receive home video release in the future
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming, Director's Final Cut premiering October 3rd; will receive home video release in the future
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
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