DVD
Type: Format
Page 43 of 53
Films where DVD is in a pick or an upcoming release.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
Sources: vimeo.com (opens in a new tab) · facebook.com (opens in a new tab)
2013 MGM Blu-ray for non AI transfer, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: David Lynch
Theatrical: Arrow 4K Blu-ray or Australia Imprint 4K Blu-ray?
TV Cut: Australia Imprint Blu-ray included in their 4K Blu-ray set?
Spicediver Cut: Germany Plaion Blu-ray included in their Ultimate Edition release
Sources: Criterion Forum (opens in a new tab)
Theatrical: Arrow 4K Blu-ray or Australian Imprint 4K Blu-ray?
TV Cut: Australia Imprint Blu-ray included in their 4K Blu-ray set?
Spicediver Cut: Germany Plaion Blu-ray included in their Ultimate Edition release
Universal 1998 DVD has the original 70mm 6-track mix in Dolby Digital 5.1
Dolby Stereo: Arrow 4K Blu-ray (5.1 mix is an inferior remix)
Director: Jacques Demy
Sources: amazon.fr (opens in a new tab)
Only DVD in Jacques Demy : intégrale - coffret 12 DVD
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab)
2004 WB DVD
Director: Jonathan Lynn
R1 DVD
Shout! Factory 4K Blu-ray is poor, Paramount Blu-ray is better, R1 DVD is best
Director: Oliver Stone
Sources: lddb.com (opens in a new tab)
Twilight Time Blu-ray or MGM NTSC DVD
Twilight Time Blu-ray or MGM NTSC DVD for the original mono mix
Shout! Factory 4K only has a stereo downmix (which sounds muffled, as do the surround tracks)
Twilight Time Blu-ray has the mono track with seemingly the best fidelity, but its dynamic range has been heavily compressed
MoC UK Blu-ray has a proper dynamics and good fidelity, but bizzarely, everything is repeated after a few miliseconds, rendering echoey and metallic
MGM NTSC DVD has been denoised and has had a strong EQ applied and sounds muffled as a result, but it retains proper dynamics
Koch Media DE BD had poor dynamics and wrong pitch
Perhaps the digital JP LD would be better.
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Sources: lddb.com (opens in a new tab)
Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Michael Mann
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
UK StudioCanal Final Cut 4K Blu-ray
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
UK Arrow 4K Blu-ray in December
Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray, censored but good encoding
Sources: movie-censorship.com (opens in a new tab)
US Paramount 4K Blu-ray, is the International US Cut and not the Encore Cut
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
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