Labyrinth (1986)
Adventure, Family, Fantasy • 1h 42m
Director: Jim Henson
Cast: David Bowie, Jennifer Connelly, Toby Froud, Shelley Thompson, Christopher Malcolm, Brian Henson, David Shaughnessy, Ron Mueck, Timothy Bateson, Denise Bryer, Dave Goelz, Karen Prell, David Alan Barclay, Frank Oz, Michael Hordern, Steve Whitmire, Kevin Clash, Natalie Finland, Shari Weiser, Rob Mills, Anthony Asbury, Anthony Jackson, Douglas Blackwell, David Healy, Robert Beatty, Toby Philpott, Ian Thom, Charles Augins, Sherry Amott, Danny John-Jules, Cheryl Henson, Kaefan Shaw, Alistair Fullarton, Rollie Krewson, Richard Bodkin, Percy Edwards, Michael Attwell, Sean Barrett, John Bluthal, Peter Marinker, Kerry Shale, Marc Antona, Kenny Baker, Danny Blackner, Peter Burroughs, Toby Denver Clark, Tessa Crockett, Warwick Davis, Malcolm Dixon, Anthony Georghiou, Paul Grant, John Key, Andrew Herd, Richard Jones, Jack Purvis, Mark Lisle, Peter Mandell, Linda Spriggs, Katie Purvis, Nicholas Read, Albert Wilkinson, Penny Stead, Michael Henbury Ballan, Elfrida Ashworth, Margaret Foyer, Elizabeth A. Gilbert, Louise Gold, Moira Grant, San Lee, Janis Mackintosh, Penny Marsden, Kim Mendez, Wendy Millward, Leonie Palette, Caroline Pope, John Aron, Terry Dane, Derek Hartley, Douglas Howes, Christopher Preston, Peter Salmon, Peter Sim, Graeme Sneddon, Graham Tudor-Phillips, David Turner, Barrie J. Wilkinson, Jim Henson
Best video release
Shout! Factory replacement 4K Blu-ray
Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Updated 1 month ago
Best audio release
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
About the film
When teen Sarah is forced to babysit her half-brother Toby, she summons Jareth the Goblin King to take him away. When he is actually kidnapped, Sarah is given just thirteen hours to solve a labyrinth and rescue him.
Directors: Frank Oz & Jim Henson
Shout! Factory's 2.0 is a downmix of the 5.1
TV series
Blu-ray version is an extended cut that has an exclusive scene and turns the 5-episode miniseries into a seamless feature film.
Final episode is age-restricted on YouTube, despite receiving a PG rating in Canada and a 12 rating in Germany.
Director: David Lean
Sources: Blu-ray.com (opens in a new tab)
The 5.1 on Sony 4K Blu-ray is from the 1989 70mm mix. The original is 4-track. not on the disc.
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Director: Ben Stiller
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
More Adventure on Blu-ray
Director: Anthony Mann
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
Director: Anthony Mann
This is an ancient Universal master of a film in dire need of restoration. This only looks somewhat better than the old Universal DVD upscaled and is clearly the same master. Tons of wear, color fringing and other issues abound. The film is stuck at the theatrical widescreen ratio of 1.85:1 when it was composed for Academy ratio. The proper ratio is only found on the trailer, original VHS master and Region 2 PAL DVD. The Kino Lorber Blu-ray is their usual barebones affair except for flawed low res trailer files and a basic commentary. The film's 3.0 stereo mix is intact alongside the more limited mono mix thankfully. The Blu-ray does edge out over the old Universal DVD but that is merely due to it being the same master resolving better in 1080p. This presentation is sadly poor and the film deserves much better.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Video format: UHD Blu-ray
WB 4K
Sources: YouTube (opens in a new tab)
An undeniably significant improvement from the BD yet still severely flawed. See DFIC's review.
Director: John Huston
Sources: Blu-ray.com (opens in a new tab)
Eureka Blu-ray > StudioCanal 4K Blu-ray. Older DVD or LaserDisc probably even better
All blu-ray releases so far is from the 2010 scan.
Director: George Lucas
Video format: UHD Blu-ray
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Paramount 4K Blu-ray Purist choice: Blu-ray
Sources: YouTube (opens in a new tab)
Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading
Blu-ray 5.1
The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
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