Gonza the Spearman (1986)
鑓の権三
Drama • 2h 6m
Overview
The tragic story of Gonza, a handsome ladies man, set in the Tokugawa Period, a time in which appearances are very important. Gonza competes with Bannojō for the honor to perform the tea ceremony to celebrate the birth of an heir to the lord of their clan. To see the sacred tea scrolls Gonza promises to marry the daughter of the family which possesses them, even though he is unofficially engaged to another. When studying the scrolls with Osai, the mother of the house, Bannojō sneaks into the house and steals their obis and runs through the town proclaiming the two as adulterers.
Director: Masahiro Shinoda
Cast: Hiromi Go, Shōhei Hino, Misako Tanaka, Hideji Ōtaki, Takashi Tsumura, Haruko Katō, Kuniko Miyake, Eiji Shima, Natsuki Asakawa, Kaori Mizushima, Chōichirō Kawarasaki, Shoichi Ozawa, Shima Iwashita, Naoto Takenaka, Mansaku Fuwa, Daikei Shimizu, Tomoko Jinbo, Jun Hamamura, Akio Kobune, Yasuko Kubota, Keiko Koyanagi, Kinji Nakamura, Masa Shibamoto, Seijiro Fukunaka, Tatsuo Higashida, Keimasa Matsumoto, Fumio Takeda, Yasushi Hirai, Sumiko Okutani, Masae Okada, Satoko Yamamura, Yoshihiro Maruo, Atsuo Yamashita, Shinji Takaoka, Masahiro Kintake, Katsuyoshi Magozaki, Mitsue Takaishi, Noriko Tori, Imahashi Kumi
Director: Masahiro Shinoda
Director: Masahiro Shinoda
Director: Masahiro Shinoda
Director: Masahiro Shinoda
Director: Pier Paolo Pasolini
Director: Pier Paolo Pasolini
Director: Otar Iosseliani
Carlotta FR Blu-ray box set: 2K restoration of 4K scan. This 2K restoration’s detail level is quite good, although its highlights are somewhat blown out. On the other hand, the newer 4K restoration (on DCP only as of Aug 2026) exhibits severe black crush.
TBD. Carlotta sounds muffled.
Carlotta’s English subtitles omit quite a bit of dialog. This was improved upon in the subs accompanying the newer 4K restoration DCP.
Director: Otar Iosseliani
Carlotta FR Blu-ray box set: 2K restoration of 4K scan. This 2K restoration’s detail level is quite good, although its highlights are somewhat blown out. On the other hand, the newer 4K restoration (on DCP only as of Aug 2026) exhibits severe black crush.
TBD. Carlotta sounds muffled.
Carlotta’s English subtitles omit quite a bit of dialog. This was improved upon in the subs accompanying the newer 4K restoration DCP.
Carlotta FR Blu-ray box set: 2K restoration of 4K scan. This 2K restoration’s detail level is quite good, although its highlights are somewhat blown out. On the other hand, the newer 4K restoration (on DCP only as of Aug 2026) exhibits severe black crush.
TBD. Carlotta sounds muffled.
Carlotta’s English subtitles omit quite a bit of dialog. This was improved upon in the subs accompanying the newer 4K restoration DCP.
Carlotta FR Blu-ray box set: 2K restoration of 4K scan. This 2K restoration’s detail level is quite good, although its highlights are somewhat blown out. On the other hand, the newer 4K restoration (on DCP only as of Aug 2026) exhibits severe black crush.
TBD. Carlotta sounds muffled.
Carlotta’s English subtitles omit quite a bit of dialog. This was improved upon in the subs accompanying the newer 4K restoration DCP.
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: Béla Tarr
Curzon 4K Blu-ray see caps
Director: Béla Tarr
Curzon 4K Blu-ray see caps
Director: Bert Stern
Director: Bert Stern
Director: Takashi Miike
4K Remaster: Carlotta FR 4K Blu-ray
Original digital master: Tokyo Shock US Blu-ray
The original master is of poor quality, blurry with some damage and bad levels, which the 4K remaster improves upon, with better detail in compression. Unfortunately, the 4K master has significant issues with color posterization, making it look like poor quality digital video rather than 16mm film. Comparison between masters, Carlotta/Tokyo Shock clip
Original Japanese: Carlotta FR 4K Blu-ray
English dub: Tokyo Shock US Blu-ray
Well Go does not include the dub.
Director: Takashi Miike
4K Remaster: Carlotta FR 4K Blu-ray
Original digital master: Tokyo Shock US Blu-ray
The original master is of poor quality, blurry with some damage and bad levels, which the 4K remaster improves upon, with better detail in compression. Unfortunately, the 4K master has significant issues with color posterization, making it look like poor quality digital video rather than 16mm film. Comparison between masters, Carlotta/Tokyo Shock clip
Original Japanese: Carlotta FR 4K Blu-ray
English dub: Tokyo Shock US Blu-ray
Well Go does not include the dub.
Director: Delmer Daves
Criterion 4K Blu-ray see caps
All audio tracks originate from the same DVD-era master, no real audible differences between them, but Carlotta is least filtered out of all
Director: Delmer Daves
Criterion 4K Blu-ray see caps
All audio tracks originate from the same DVD-era master, no real audible differences between them, but Carlotta is least filtered out of all
Director: Alan J. Pakula
Director: Alan J. Pakula
More Drama on Blu-ray
Director: Johnnie To
Disk Kino World Cinema Library 4K UHD Blu-Ray
Disk Kino World Cinema Library 4K UHD Blu-Ray
Disk Kino World Cinema Library 4K UHD Blu-Ray has Cantonese track in Dolby Atmos and TrueHD 7.1, but English dub is only available on the MoC Blu-Ray in LPCM 2.0 (MoC's Cantonese track is also LPCM 2.0). Criterion Blu-Ray's Cantonese track is DTS-HD Master Audio 5.1.
Disk Kino 4K was limited to only 600 copies in China and is OOP. Of the available Blu-Ray releases done from the 4K restoration, Criterion's video has better color and detail than the MoC release, but MoC features dual audio in both Cantonese and English and more commentary tracks.
Director: Johnnie To
Disk Kino World Cinema Library 4K UHD Blu-Ray
Disk Kino World Cinema Library 4K UHD Blu-Ray
Disk Kino World Cinema Library 4K UHD Blu-Ray has Cantonese track in Dolby Atmos and TrueHD 7.1, but English dub is only available on the MoC Blu-Ray in LPCM 2.0 (MoC's Cantonese track is also LPCM 2.0). Criterion Blu-Ray's Cantonese track is DTS-HD Master Audio 5.1.
Disk Kino 4K was limited to only 600 copies in China and is OOP. Of the available Blu-Ray releases done from the 4K restoration, Criterion's video has better color and detail than the MoC release, but MoC features dual audio in both Cantonese and English and more commentary tracks.
Director: Makoto Shinkai
Director: Makoto Shinkai
Directors: Hideaki Anno & Kazuya Tsurumaki & Mahiro Maeda & Masayuki
Japan King Records 4K Blu-ray
Directors: Hideaki Anno & Kazuya Tsurumaki & Mahiro Maeda & Masayuki
Japan King Records 4K Blu-ray
Directors: Masayuki & Hideaki Anno & Tsuyoshi Kaga & Shoichi Masuo & Ken Ando & Seiji Mizushima & Kazuya Tsurumaki & Naoyasu Habu & Hiroyuki Ishido & Tensai Okamura & Akira Takamura & Minoru Ohara & Masahiko Otsuka & Tetsuya Watanabe & Keiichi Sugiyama
Directors: Masayuki & Hideaki Anno & Tsuyoshi Kaga & Shoichi Masuo & Ken Ando & Seiji Mizushima & Kazuya Tsurumaki & Naoyasu Habu & Hiroyuki Ishido & Tensai Okamura & Akira Takamura & Minoru Ohara & Masahiko Otsuka & Tetsuya Watanabe & Keiichi Sugiyama
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: US ADV Perfect Collection DVD Box Set
Original broadcast versions of E21-24: US ADV Platinum Edition DVD Box Set
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: Japan 1999 DVD for the original LaserDisc/VHS master (all "remastered" releases including the Blu-rays use a low quality 35mm internegative as it's main source after the original 16mm negatives became lost. Comparison)
Original broadcast versions of E21-24: Japan King Records Blu-ray Comparison of both cuts for each episode
US ADV Perfect Collection DVD Box Set uses the same master as the Japan 1999 DVD, but it's at a lower bitrate and slightly altered colour grading
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: US ADV Perfect Collection DVD Box Set
Original broadcast versions of E21-24: US ADV Platinum Edition DVD Box Set
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: Japan 1999 DVD for the original LaserDisc/VHS master (all "remastered" releases including the Blu-rays use a low quality 35mm internegative as it's main source after the original 16mm negatives became lost. Comparison)
Original broadcast versions of E21-24: Japan King Records Blu-ray Comparison of both cuts for each episode
US ADV Perfect Collection DVD Box Set uses the same master as the Japan 1999 DVD, but it's at a lower bitrate and slightly altered colour grading
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
88 Films and Vinegar Syndrome have different extras
88 Films and Vinegar Syndrome have different extras
Director: Frank Urson
Older Restoration: Flicker Alley Blu-ray
2026 Restoration: YouTube 4K Streaming
Older Restoration: Lobster Films DVD > Flicker Alley Blu-ray (Flicker Alley Blu-ray/DVD has every 25th PAL frame deleted)
2026 Restoration: YouTube 4K Streaming
Director: Frank Urson
Older Restoration: Flicker Alley Blu-ray
2026 Restoration: YouTube 4K Streaming
Older Restoration: Lobster Films DVD > Flicker Alley Blu-ray (Flicker Alley Blu-ray/DVD has every 25th PAL frame deleted)
2026 Restoration: YouTube 4K Streaming
Director: Oliver Stone
Theatrical Cut 4K Blu-ray in August
Director's Cut: Shout! Factory 4K Blu-ray
Theatrical Cut: Shout! Factory Blu-ray (included with collector's edition)
Theatrical Cut: The Shout UHD DTS-HD 2.0 seems to be the same mix overall as the 1992 laserdisc PCM 2.0 but its not a straight port. Even though there are some minor differences, it does not seem to be a downmix of the 5.1. It could possibly be a new mastering. It has just a tiny bit more dynamic range than the laserdisc, but the laserdisc has a bit more presence in the lower and midrange frequencies.
Director: Oliver Stone
Theatrical Cut 4K Blu-ray in August
Director's Cut: Shout! Factory 4K Blu-ray
Theatrical Cut: Shout! Factory Blu-ray (included with collector's edition)
Theatrical Cut: The Shout UHD DTS-HD 2.0 seems to be the same mix overall as the 1992 laserdisc PCM 2.0 but its not a straight port. Even though there are some minor differences, it does not seem to be a downmix of the 5.1. It could possibly be a new mastering. It has just a tiny bit more dynamic range than the laserdisc, but the laserdisc has a bit more presence in the lower and midrange frequencies.
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