Drums Along the Mohawk (1939)
Drama, History, War • 1h 40m
Director: John Ford
Cast: Claudette Colbert, Henry Fonda, Edna May Oliver, Eddie Collins, John Carradine, Dorris Bowdon, Jessie Ralph, Arthur Shields, Robert Lowery, Roger Imhof, Francis Ford, Ward Bond, Kay Linaker, Russell Simpson, Spencer Charters, Si Jenks, Jack Pennick, Arthur Aylesworth, Chief John Big Tree, Charles Tannen, Paul McVey, Tiny Jones, Beulah Hall Jones, Edwin Maxwell, Robert Greig, Clara Blandick, Frank Baker, Ruth Clifford, George Huggins, Noble Johnson, Payne B. Johnson, Mae Marsh, Lionel Pape, Tom Tyler, Clarence Wilson
Best English-friendly & video release · updated 8 months ago
> US Twilight Time Blu-ray see caps
Overview
Albany, New York, 1776. After marrying, Gil and Lana travel north to settle on a small farm in the Mohawk River Valley, but soon their growing prosperity and happiness are threatened by the sinister sound of drums that announce dark times of revolution and war.
Director: John Ford
Sources: ibb.co (opens in a new tab)
Warner Archive Blu-ray is 4K restoration from nitrate projection elements
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: John Ford
Sources: bsky.app (opens in a new tab)
Crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
Sources: x.com (opens in a new tab) · caps-a-holic (opens in a new tab)
Same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
Director: John Ford
Sources: slow.pics (opens in a new tab)
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: John Ford
The audio on the Warner Archive Blu-ray is appalling. It starts to cutoff at around 6kHz to have nothing above 10kHz. The LaserDisc is much more full-frequency.
Director: Alexandre Aja
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
UK Arrow 4K Blu-ray in December
Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
DE Koch Media is presented in the correct 25fps and is likely better compressed than UK Dogwoof (29 vs 14 Mbps), but it doesn’t have English subtitles.
US Drafthouse is in 24fps for Region A compatibility, and is encoded at around 30 Mbps.
(Although bitrate does not solely determine the quality of the encode, the difference is large enough here and there are no publicly available caps.)
No info on the JP VAP Blu-ray.
DE Koch Media and US Drafthouse feature a lossless 5.1 track. Dogwoof offers only AC-3.
Director: Ivan Reitman
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
> US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: William Wyler
> Paramount 4K Blu-ray (marginally)
Director: Adrian Lyne
Video format: UHD Blu-ray
Better compression than other 4K Blu-rays
Director: Enzo G. Castellari
Video format: UHD Blu-ray
Sources: slow.pics (opens in a new tab)
German Plaion 4K Blu-ray see caps but doesn't have EN subtitles
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
More Drama on Blu-ray
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Liliana Cavani
Sources: Criterion Forum (opens in a new tab)
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
Sources: Criterion Forum (opens in a new tab)
Director: Bruce Robinson
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray has stronger encode than Criterion
Director: Olivier Assayas
Sources: Criterion Forum (opens in a new tab)
Encoding is clunky on both Arrow and Criterion BDs but Arrow at least included the original stereo mix in addition to the 5.1 remix, while Criterion only included the 5.1 remix.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
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